I'm Either Away from my Blog or in a Meeting

I'm out of town. Back to blogging next week.

Cartoon Satisfaction

Mmm. What's pure cartoon satisfaction? In my business, it's when you spend a few seconds looking at a gag cartoon and you actually smile or laugh out loud. And then it's done. You've looked at it, found the joke and reacted -- all in a few seconds. And, that's it.

That's all there is.

I gave a presentation last year with two other comics pros. Between these 2 guys, they got over 60 years in the business. One guy drew strips, the other guy drew comic books. After they gave their presentations, it was my turn. I joked that the two other guys were on the losing end of cutting edge 21st century cartooning. What with everyone wanting easily readable, transportable media -- my cartoons take mere seconds to read -- while their works have anywhere from three to maybe hundreds of panels! Who wants to read ALL THAT on their Blackberry? I work in the "stealth cartoon" category!

But, now after looking at the popularity with manga -- long form, thick books full of hundreds of pages and stories that can go on for years -- I think I was wrong.

My 2 cents.

Lee Salem Interviewed by "Mr. Media"

Bob "Mr. Media" Andelman interviews Universal Press Syndicate President Lee Salem at his site here.

You got your choice: a transcript of the interview is there, as well as a streaming audio file, a podcast, etc. An amazing line-up of all of the strips that have been started under Mr. Salem's tenure.

"... I think [cartoonists submitting their work] rely too much on fancy packaging and less on writing and art in the original material, and that’s the one thing I would encourage people interested in the art form, is to spend time on the writing, spend time on the art work, and then don’t worry about the quality of the package. Assume that the editors are going to do their job and read the material."

Irwin Caplan 1919-2007

Veteran cartoonist Irwin Caplan passed away.

Born in 1919, Mr. Caplan was drawing from an early age. After serving in the Army during WWII, Caplan went to NYC to seek a career. During the 1940s, through the 60s, he had 2 syndicated strips. He was a prolific contributor to the leading glossy magazines, winning a National Cartoonists Society Division Award in 1972. (UPDATE: He won two NCS Division Awards, one in '72, and another in 1981.)

The Seattle Times has the obit, written by Karen Gaudette.

Hat tip to Arnold Wagner.

Below are pages from BEST CARTOONS OF 1945 edited by Lawrence Lariar that showcase then Sergeant Caplan's work. There's a wonderful inky fluidity in his lines, even in these early works at the beginning of what would be a long career.





UPDATE: a link to some murals he painted in high school. Great stuff!

Hat tip to Jon Herman!

Hardhat's Bedtime Story Book by Al Capp

From 1971: Al Capp's HARDHAT'S BEDTIME STORY BOOK.

Hat tip Tom Spurgeon!

Mike Lynch Cartoon in March 2007 Spectator

The Spectator, a London-based weekly, has published one of my business cartoons in its current issue. I'm gratified, belatedly.

OK, let's shft here, and talk about WDYGYI (Where Do You Get Your Ideas?). OK? OK!

Sometimes I get ideas out of anger.

There's a saying. Is it a well known saying? It goes something like, Anger turned outward is violence; anger turned inward is depression; anger turned sideways is Hawkeye.

No, that's an old M*A*S*H episode.

Where was I? Oh, yeah. Hate.

One thing I hate is office politics.

Everyone knows about it. And it seems to be everywhere: business, academia, fast food, white dollar, blue collar, etc. There's always some worker who's (a) untouchable, even though they are (b) incompetent.

This time, in today's cartoon, our incompetent worker is a lazy soul -- but sneaky.

I should have drawn him playing Tetris or surfing LiveJournal or watching LonelyGirl or something.

I drove over 600 miles this past weekend, back and forth to New Hampshire. (More about that later.) But that's nothing compared to the 3,458 miles this cartoon went. This is a double-dip cartoon, selling first in the US, and then traveling to the UK to be snagged by the SPECTATOR.

Last night I was watching the Oscars, saw a clip from the Oscar Award winning short WEST BANK STORY. It looked good -- and it was taking a very violent, angry situation and twisting it into something funny. Anyway, I think it MAY be funny. (I haven't watched it yet.) In less than a minute after watching it win, I downloaded it from iTunes. I "own" it. Talk about immediate gratification!

Cartoons -- inky, flat, gag cartoons -- have a slower road to hoe for any kinda gratification, gang.

The above cartoon was drawn in early June 2005. It was bought in September 2005 by a US media outlet. I sent it to Spectator in July 2006. I got a note from the cartoon editor letting me that he was holding a couple, and it's on the newsstand this week.

Don't get me wrong. I'm gratified!!! Just not immediately. But that's the way it is.

Product Placement in Comic Strips?

"Last week an anonymous Albany reader mailed us clippings of 10 comic strips from a 4-day period in early February asking what’s up with all the product placement," writes M. Monica Bartoszek, Senior Editor of Operations on the Times-Union Ediyors' Blog. Continues here.

Hat tip to Tom Spurgeon.

Berndt Toast Gang Meeting February 22, 2007

Berndt Toast Gang January 31, 1991: Joe Edwards and Steve Duquette

Although it "smelled like snow" outside (to quote Steve Duquette), the snow respectfully turned to a soft rain as we all drove in for this month's get together.

"Archie Comics genius Joe Edwards ... had a lovely graveside memorial last Sunday," wrote columnist Ellis Henican in Sunday's Newsday. "But a far less somber send-off is set for Thursday. The Berndt Toast Gang, the Long Island chapter of the National Cartoonists Society, meets for lunch."

After a "Berndt Toast" to absent friends, I spoke about the three kinds of people in Joe's life: his family (three generations of whom were in attendance), his colleagues (the Berndt Toast Gang, and the Archie crew) and, of course, the fans. I read some of the things people are saying about him on the blogs:

"I loved Li'l Jinx!"

"I've long been a fan of the man's work. My subscription to Li'l Jinx in the 70's was one of the firs I had to ANY publication."

"I grew up reading Archie comic books. It was the one thing I can remember saving up for when I was younger. I actually kept all my old Archie comics and my kids read them now."

"I agree. Glad to see your kinds also like it. When I read those comics you could relate to what happens in school, so they kept it real."

Jerry Edwards talks about his brother Joe

Jerry Edwards stood, introduced the family, and told us how much Berndt Toast meant to his brother Joe. Growing up, the family had a tough life, with the kids being split up, having to go to separate foster homes. What Joe really wanted when he grew up was a base; a family.

Joe and Eda were together for 63 years. All the time. And that's what Joe wanted. He didn't want to go into the city.

Actually, added Jerry, since Joe worked at the drafting table at home, and he and Eda were always together, it was, "really like 189 years."

Jerry Edwards raised his arms, looked at the family. "This is Joe's base. And Berndt Toast is part of his family."

Joe Edwards was a cartoon illustrator whose genius was that he got what he wanted: a loving family.

Here's a list of links about Joe:

• Joe's page at the NCS here

• Archie Comics press release here

• Associated Press obituary

• New York Times obituary

• Ellis Henican's Newsday column (scroll down)

• Tribute to Joe by Mark Evanier

• Tribute by Mike Lynch

On display: cutouts from the children's' book illustrations of Adrian Sinnott. Foreground: two of Adrian's students, Anthony and Javier, and, to the far right, Lewis Matheney.

We welcomed illustrator/teacher/curator Lewis Matheney, cartoonist Ruth Marcus (whose work you may have seen in Good Housekeeping or Rosie magazines), Denise Ozker from the Graphic Artists Guild, and Derek Mainhart, who teaches cartooning in nearby Deer Park. Elissa Lynch (no relation) from Diamond Distribution, the people who distribute all the comics to the comic books stores (about 94 million as of 2005), drove in from Maryland. Well, actually, she's also in the NYC environs for the Comicon, and to talk up Free Comic Book Day on May 5, 2007!

Ernie Colon, Mike Lynch. It was a kick to meet Ernie, whose reputation precedes him. He's a journeyman artist, whose labored successfully on everything from Batman to Richie Rich. His most recent work, THE 9/11 REPORT, with Sid Jacobson, was a major 2006 release .

Trish, Tom Gill's wife, surprised us with an appearance. Tom's book of his days at the NY Daily News, Dell Comics and USO/NCS tours has been delayed, but I hope to see it published and on the stands later this year. I talked to the publisher, and she hopes for that too!

Some photos. It looks like I was following Don Orehek around!

Diamond Comics Public Relations Representative Elissa Lynch, Playboy's Don Orehek, the Graphic Artists Guild's Cartoonist Alliance President Denise Ozker

Don Orehek and Art Cumings. We welcomed back Art and Alda Cumings, who we haven't seen at lunch since June!

Joe Vissichelli (partially obscured -- if you know Joe, he has whole weeks in this state), Don Orehek, Tony D'Amato, Dan Danglo. Steve Duquette is behind Tony, and I don't recall whose nose that is on the right. Comments welcome.



Steve Duquette, Mike Lynch, Don Orehek, Art Cumings

Today's Cartoon Factoid: journalist Ellis Henican has a cartoon connection; he's the voice of the Cartoon Network character Derek "Stormy" Waters in SEALAB 2021.

SKY MASTERS and Jacob Bronowski

Today, Mark Evanier reminds us to use common sense when buying animation cels and original art. And not even the people who sell these cels know what they're selling. My story:

I once saw a couple of SKY MASTERS originals for sale. This was in one of those animation galleries that seemed to be all over Midtown Manhattan in the 1990s. I'd never seen an original SKY MASTERS, and this looked like a Sunday original, so I was looking at this pretty closely. It was in one of those little plastic sleeves, so I was able to actually hold the blessed thing close. Since I'm near-sighted, I take off my glasses. This sometimes looks like a theatrical gesture, but the truth is that I can see better close up without them. (Like Stan Goldberg, I take off my glasses to draw.)

Anyway, so there I am in some animation gallery -- nothing but framed cels and Disney posters -- and I'm looking at this wonderful newspaper comic strip original, minding my own business. The owner sees me, and, looking up from her desk in the back of the place, announces "That's a storyboard."

Being a cartoon nerd and defender of truth, I correct her. "No, this is a newspaper comic strip from the 1950s, penciled by Jack Kirby, and inked by either Wally Wood or Dick Ayers."

"No. It's a storyboard. It's a storyboard for a movie or something. That's how a storyboard looks," says the owner. And she proceeds to explain, as if to a slow witted product of first cousins, what exactly a storyboard is.

When I point out that storyboards NEVER look like this, with a logo and date and the name of a syndicate, she informs me what a storyboard is ONE MORE TIME. Slower, this time. And louder. Oh Lord. A true believer. She would not listen to me.

There is a fundamental, sometimes tragic, difference, as Bronowski points out, between knowledge and certainty. ("All knowledge — all information between human beings — can only be exchanged within a play of tolerance. And that is true whether the exchange is in science, or in literature, or in religion, or in politics, or in any form of thought that aspires to dogma. It's a major tragedy of my lifetime and yours that scientists were refining, to the most exquisite precision, the Principle of Tolerance—and turning their backs on the fact that all around them, tolerance was crashing to the ground beyond repair, between knowledge and certainty." — Jacob Bronowski, The Ascent of Man).

I put the SKY MASTERS down, put my glasses back on, and leave the store, emitting a Charlie Brown *SIGH.*

Sundry

• Brendan Burford posts his photos of the SYNCOPATED COMICS release party that I wrote about here.
  
  
• Tom Spurgeon talks about the challenge facing NBM with its publication of Forever Nuts: Classic Screwball Strips -- The Early Years of Mutt & Jeff.

Star Trek NBC Previews & Alternate Pilot Footage

Some YouTube links related to the 1960s ....

The first episode (also called the second pilot) of STAR TREK titled "Where No Man Has Gone Before" had an alternate beginning, with some different shots and music. Video link here. The music that was used in the title and end title sequences was released in a TOS soundtrack CD some years ago. There's an extra line of dialogue from Kirk to Spock in the teaser.

And here are links to some network previews of STAR TREK from 1966 - 1968.

The first promo may be the very first glimpse that anyone had of the show. It's about 20 seconds long, and consists of some different shots of a painting of the principals. A painting that was used on the the cover of the James Blish STAR TREK adaptation. Why "this first adult space adventure blasts off September 15th," I don't know. I mean, the first show was shown on September 8th, 1966. Did this broadcast of a week earlier not "count" since (I'm guessing here) it was part of an NBC premiere week? Maybe.

The second season promo is longer, and has a mechanical sort of music with some drumbeats. There is a slight variation of the promo here.

"I'm Captain Kirk of the Starship Enterprise. Join us each week for exciting, exotic adventures in outer space," says Shatner as he comes down the steps in the engine rooms and walks to the camera. This is the promotion for the third season of the show. There must have been no new footage (perhaps due to its last minute reprieve from cancellation), since the only exotic action that's shown is from the previous season.

And just for fun, here's one more video: a 1965 promo for the entire "all color" NBC line up. Like I said it's 1965, so there's no TREK yet -- but the first scene (which I won't spoil) is pretty prescient of what happens at concerts and plays and movie houses today. This promo runs about 25 minutes, and I didn't stay to watch it all.

FOREVER NUTS New Collection of Old Comic Strips

NBM Publishing announced that they will collect the early years of the Mutt & Jeff comic strip by Bud Fisher in its THE EARLY YEARS OF MUTT AND JEFF (FOREVER NUTS: CLASSIC SCREWBALL STRIPS), edited by Jeffrey Lindenblatt. It's scheduled release: July, 2007.

This will be the first of a proposed series of classic newspaper strip hardcover reprint books from NBM. Here's the announcement:

FOREVER NUTS is a new series of reprints concentrating on very early, very goofy strips — early classics that have aged surprisingly well, with off-the-wall humor that remains fresh to this day. Each volume will present a different strip from the early 20th century.

Hat tip to THE BEAT.

Syncopated Comics Release Shindig February 20, 2007

SYNCOPATED COMICS #3, which is the brainchild of Brendan Burford, had its celebratory get together at a bar on the Lower East Side last night. Even though I got there late (the free beer had just run out, for which I squarely point the finger of blame at bleary-eyed Ed Steckley), I did manage to shove King Features' editor-in-chief Jay Kennedy aside and get a minty fresh copy of SYNCOPATED.
Brendan Burford hard at work signing books and guarding the coats. Autographs $10!?!? Wha -- ?!

Chatted with Caroline Dworin, Tom Hart & Nick Bertozzi. You can read Caroline's words in the NY Times, and she's sold a cartoon to the New Yorker. It was terrific to finally meet Tom, whose work I admire. Nick's a fan of Ernest Shackleton, the polar explorer, and so am I. He drew "The Voyage of the James Caird" for SYNCOPATED. So, of course, we were chatting like a couple of excited schoolgirls about Shack's great open boat journey.

Speaking of excited schoolgirls -- Chari Pere and Marguerite Dabaie, two SVA cartooning majors, joined the well wishers. Neither one of them were drinking, which, of course, meant they were blameless in the Great Sucking Up of Free Beer, but that aroused suspicion. I mean, they are CARTOONISTS, after all ...

Here's Heather with hubby Ed Steckley. Maybe she'll reform Ed. Good luck with that.

Mike Lynch and Marc Bilgrey. Actually, I met Marc later that evening at a raucous Irish pub. It just looks like we're at the party. Marc's a guy who's done it all -- his novel came out last year, he's worked with Woody Allen and written for Mad magazine -- and that's just the tip o' the Bilgrey iceberg. He's a great guy, and not at all raucous.

Cartoonists Getting Rich!

"How Comics Cartoons Make Fortunes" is the title of a Modern Mechanix article from 1933. You'll find out that Robert Ripley makes $7,000 a week -- "Believe it or Not!" This is all dreadfully depressing. Even with the couple of generations' worth of inflation, this is nice money. no -- not NICE -- OUTSTANDING MONEY.

Hey, was this all before income tax?! No, don't tell me. If it was, it would even be more depressing.

Posted at the Modern Mechanix blog site; "Yesterday's Tomorrow, Today."

I think I saw this last year and why I didn't post to it them I don't know. Probably too depressing. Have I said that enough?

Cartoonists Day Web Site

May 5th is Cartoonists Day! It's been Cartoonists Day for maybe 7 or 8 years. I don't know. I remember a while ago, it was kind of a big deal, but then I forgot about it.

Anyway, it's being dusted off and gussied up for 2007. Now there is this new site dedicated to this yearly event where good citizens shower cartoonists with money and ink and bristol and Wacom tablets.

Well, maybe not.

This year, Cartoonists Day coincides with the annual Free Comic Book Day. And, at least last year, it was Webcomics Awareness Day.

And it'll be Cinco de Mayo too.

Uh ... that's about it. I know that, at some point in the future, there will be events appearing here and there, now and then -- to this one and that one.

Stay tuned.

"Guilty Pleasures of the Literary Greats" by Drew Friedman

From the NY Observer weekly newspaper here. His drawing of Faulkner watching Joe E. Ross is a scream.

Hat tip the the Fantagraphics Blog!

Lee Salem Interview

Universal Press Syndicate President Lee Salem will be interviewed this week by "Mr. Media," the blog of Bob Andelman.

Currently on the site, last week's interview with writer and TV creator David Simon. Mr. Simon wrote the book that was the basis of the best show on TV; HOMICIDE: LIFE ON THE STREETS.

Hat tip: E&P.

Syncopated Comics Release Party Tomorrow

NYC: Tuesday night is the night for the celebratory launch of Brendan Burford's SYNCOPATED COMICS #3. Vitals are at the SYNCOPATED blog here.

Contributors to this issue include: Nick Bertozzi, Susie Cagle, Jim Campbell, Greg Cook, Tom Devlin, Gary Gianni, Paul Hoppe, Dave Kiersh, John Martz, Rina Piccolo, and (of course) Brendan Burford.

Alberto Giolitti

Something from my stash of original art. Even though I'm not a fan of this comic book, there's something to look at and learn here.

Alberto Giolitti -- the man who drew the above page -- was an Italian-born comic book artist who did a lot of work for Dell/Western Comics (later Gold Key) for over a generation. The company specialized in licensing comic book versions of Disney movies and Warner Brothers properties.

Gioletti worked on many major titles, and is best remembered here for his work on TUROK, DINOSAUR HUNTER, which was about a couple of Native Americans stranded in a valley with a bunch of dinosaurs. Mr. Gioletti also did the STAR TREK (which is still in print), TWILIGHT ZONE, BORIS KARLOFF comic books, and many Western properties.

He came to America via Buenos Aires in 1949, and worked in the NYC area for about a dozen years before returning to Italy. He continued working for Gold Key while there, and started Gioletti Studios, employing up to 55 artists for a variety of high and low profile properties for international markets. In Italy, he may be best remembered for a comic book titled TEX.

When I was a kid, I was not into his work. I disdained his STAR TREK comics. The bridge didn't look right, for instance. It wasn't until later I found out that he had not seen the series at that point. The show was not available in Italy. Dell comics just mailed him a TREK press kit, expecting him to wing it.

It wasn't until I learned how to use a brush that I rediscovered Gioletti's mastery. This was when I first moved to NYC in 1986.

Above: an issue of Sergeant Preston of the Yukon. It's the #15, from 1955. PRESTON was based on the radio and TV series that was created by the same people who created The Lone Ranger. Gioletti worked on this.

Well, again, I'm not a fan of PRESTON. It's not that I don't like the guy, or his big ol' malamute "King," it's just that I didn't grow up with the show. But I did get a chance to buy some original Giolitti art from this comic book. The art is what's called "LS" or Large Size original art, with dimensions of 14 x 22 inches. Most of today's comic book artist work 5 x 10 inches. Obviously, the larger the size, the more detail.

I bought a couple of originals while I was assisting a comic book artist. (This was back when I thought I might draw superheroes, and wanted to have more original art. I think I bought a couple of pages for $50.) Seeing the page above, it was a personal relief to discover that the ink was not all opaque. It looks watery here and there. The same thing would happen to me -- especially with Higgins ink.

The more I looked at this panel, the more I liked all those little noodly details that Gioletti spent time on -- the same stuff that I didn't like when I was little. Go figure.

Gioletti was a nut for reference, taking photos of people and places. And it shows. Look at that shadow of the dog, just splashed in there. You almost don't see it. So well done. And the detail of him (the dog) looking off panel, keeping an eye out for any danger. Good dog!

The fact that Preston and the old man are walking, each with the opposite foot forward is a nice touch. And those details of the town in the tundra down there, with each building made out of pine planks, looks right. And there's even the nice touch of the Aurora on the horizon. With the shadows on the foreground characters, it helps them "pop" into the foreground, away from the town and mountains.

Above is the printed version. I always liked B&W art better than the color books. The color here seems at odds with the piece. It's too garish -- as most comic book colors back in 1955, when palates were limited. Shrinking the art eliminated the uneven ink problem.


Now, I could go on for a long time about all the other panels -- but I just wanted to talk about the guy and his work -- and celebrate his art, by looking at this one tiny bit, from 52 years ago.

Classics Illustrated Memories

Sue Wunder writes about how reading Classics Illustrated comics started her reading habit in today's Christian Science Monitor.

"[The comics] might have horrified the original authors, but the little comics utterly absorbed me."

Hat tip to Dirk Deppey.

The Complete Pogo/Old Comics Sites

Fantagraphics announced that there will be a new series of books, beginning this fall, that will collect POGO in its entirety. Jeff Smith will design, and the cover that's reproduced is pretty much the final design.

POGO is just one great American strip that is getting reprinted. We're deluged with a lot of great material now. Just off the top of my head (and with help from the Fantagraphics "Flog" blog), here's a list of available hardcover books reprinting newspaper strips:

KRAZY KAT

PEANUTS

POPEYE

THE SPIRIT

PRINCE VALIANT

LITTLE NEMO IN SLUMBERLAND

DENNIS THE MENACE

DICK TRACY

GASOLINE ALLEY

LITTLE ORPHAN ANNIE

And there's more coming up.

If you like old newspaper comics, here are a few sites of interest:

Coconino World is a huge site, in French and English, that celebrates a lot of classic cartoonists. If you go to this page, you can start looking at Swinnerton, McManus, etc.

Shane Glines' Cartoon Retro (subscription only), celebrates classic cartoon illustrators. Lots of stuff here. Join up for a month. I did.

Andy's Early Comics Archive is an incredible collection of cartoons through the centuries with tremendously large scan for much oohing and aahing. I love the page of photos and caricatures of cartoonists here.

Craig Yoe's Arf Lover's Blog is a wonderful collection of cool stuff. I always wind up spending time looking at old gag cartoons, old comics and other items of delight that Craig has.

Stripper's Guide by Allan Holtz is not as racy as it sounds. Lots of great old comic strips here.

Barnacle Press is a trove of old features from the comics pages.

Arnold Wagner's Cartoonology always has the insider stories about cartooning and comics.

Leif Peng's Today's Inspiration blog tends to be more about post-war illustration, but the site is such an interesting place to visit and it's full of vintage material, that it's worth a looksee.

Sci Fi Channel Orders 13 More Episodes of Battlestar

The rumors were that the successful BATTLESTAR GALACTICA show might be canceled.

Anthony Crupi at Mediaweek has the story of its renewal.

"... the audience surges came as the February Playboy was hitting newsstands; that particular issue featured a revealing cover shot and a 10-page pictorial of Battlestar actress Tricia Helfer, a.k.a. Number Six."

And, heck, as we all know, it didn't hurt that there was a Mike Lynch Cartoon in there!

The Pocket Cartoon Course

THE POCKET CARTOON COURSE, from Snack-Pack Co. in Indianapolis, put together this 22 lesson course in 1943. Mike Rhodes, of the ComicsDC Blog, shares it with us here.

I assume this is for people who do not have the time to actually sit down at a table and draw. This is for people on the go! Heck, put it on people's phones and it would sell today.

"All you need is a pencil and a few sheets of paper!"

Hat tip to Richard Thompson. Thanks, Richard!

William Shatner - 50 Years in TV

Produced for the Television Academy Hall of Fame Ceremonies, this professionally put together compilation of Shatner's TV work runs a bit over 11 minutes.

Left, a photo of Mr. Shatner in the movie IMPULSE (1974), reviewed by Mike ("If you're looking for Shatner in classic hammy-acting mode ...") White for "Cashiers du Cinemart" here.

John Callahan Documentary

Cartoonist John Callahan is the subject of an hour long Dutch TV documentary. Click on "video" on the right hand side of this page. Yes, the page is in Dutch -- but the video is not.

And you get to see Callahan's day, Callahan talking about his life, the complaints about his edgy cartoons -- and, best of all, you get to see Callahan drawing.

There is nudity (not Callahan) and, if I remember, some swearing.

An interesting slice of his life, with him making some music and talking about his philosophy of life, what it's like to be a quadriplegic cartoonist, and -- I said it before and I'll say it again -- close ups of him drawing.

Thanks to cartoonist Lars Doornbos for finding this and letting me know about it!

RSS/RLS Feed

Avast, there, me hardies!

Just got an email from a talented cartoonist who wanted to know if there was an RSS feed for the Mike Lynch Cartoons blog. I wrote back:

There's a link at the bottom of http://mikelynchcartoons.blogspot.com/ that reads: Subscribe to: Posts (Atom)

And, by clicking that, you SHOULD be able to get an RSS feed. I put SHOULD in capitals to denote the fact that I've never used that link myself and don't know for sure if it works. Another option: Firefox browsers have an RSS graphic at the top of the browser, just to the right of the URL. Clicking on that SHOULD (yes, again with all caps) do the trick -- if you use Firefox.

Arrr! While I don't know much about RSS yet, let me remind you Robert Louis Stevenson fans out there -- and you know who you are -- that scientists are working around the clock to perfect the new cool, new RLS feed!

Ha ha ha!

(I know. A wretched joke. I should walk the plank, etc. And I wonder why I don't get as much traffic as I did in 2006!)

Entire PLAYBOY Magazine on DVD

It's a bad news, good news thing.

Good news for cartoon fans. All 600+ issues of PLAYBOY magazine will be reproduced on DVD. Cole, Silverstein, Wilson, Gerberg, Dedini, Interlandi, Hoest -- they'll all be there, in this new page by page DVD -- similar in format to the NEW YORKER DVD set.

PLAYBOY is, along with the NEW YORKER, a seminal publication of 20th century magazine cartooning.

The bad news is for the people who created the content. None of the creators of any of that content will be compensated. Not centerfolds, not writers, not photographers, no one.

And the new owners of NATIONAL LAMPOON will follow suit. (I wrote about LAMPOON and the business practices of its new owners on August 4, 2006 here.)

The COMPLETE PLAYBOY DVD will make money, sure. But only for the men and women in the PLAYBOY business offices. This is wrong.

Some thoughtful comments from Tom Spurgeon here.

DOCTOR WHO Spin-offs: The Sarah Jane Adventures & Torchwood

If you live in Great Britain, you naturally grew up with DOCTOR WHO. The show was, for years, just there, grinding on year after year. You may or may not have watched it, but was part of the TV schedule for a couple of generations.

If you lived in the US -- well ,then -- who (no pun intended) knows? I remember watching the Tom Baker version in the late 1970s. So cheap and so far out and so silly. The original series ran from 1963 to 1989, with a TV movie in 1996. A new series, produced by Russell T. Davies, resurrected the concept two years ago, and it's been met with ratings success.

Now, Mr. Davies and the BBC has added a couple of other TV shows to the WHOvian franchise (no, it's not DR. WHO: DEEP SPACE NINE or DR. WHO: THE NEXT GENERATION). Both of these new series have been unseen in the US so far.

THE SARAH JANE ADVENTURES, which premiered last month on BBC One, is a new series based on a character that first appeared on the programme (hey, that's the way it's spelled) from 1973-76.

The one hour pilot, Invasion of the Bane, has been chopped up into multiple parts for YouTube distribution. The first part is here. And you can pick up the rest of the links there.

Another Doctor Who spin-off, TORCHWOOD, was broadcast by BBC Three this fall. TORCHWOOD is a covert agency, above the government, above the police, that investigates extraterrestrial visits and scavenges futuristic alien technology for its own use. Another WHO character alum, "Captain Jack Harkness," heads the group of investigators. YouTube has the first episode "Everything Changes." And there are more at YouTube, if you want to seek them out.

Both are running and jumping shows (to paraphrase Irwin Allen*). There is some care taken about character and coherency -- and, in each of the pilots, there is a central mystery that the plot is hung on -- but in the end, it's a lot of running and jumping.

And monsters, as well as a few wisecracks.

Some American SciFi fans do not like DOCTOR WHO because it's, well, intentionally a little silly. I always liked it, but I like STAR TREK, and, heck, TREK can get pretty silly too.

However, TORCHWOOD titillates, with some serious nods to sex (not just hetero), and some darker violence.

SJA is more for the kids, with lots of dubious goings on at a soda pop factory.

Both pilots start with (A) an outsider trying to figure out who this secret Smith person/Torchwood Institute is up to, while (B) our lead character(s) unravel a mystery having to do with the aforementioned monsters -- some from outer space, some in our id.

Anyway, these shows are out there in cyberland (until the cease & desist letter) if you want to have a taste of them before they officially arrive on broadcast TV in the US. I particularly liked the first 2 episodes of TORCHWOOD, which has been renewed for a second 13 episode season.

* "Allen held the quaint notion that American kids wanted to see lots of running, jumping and fighting in their sci-fi programs. Unfortunately, these elements generally fell in the place of plot, dialogue and believability". -- from the TVParty site.

Archie Comics Press Release: Archie Artist Joe Edwards Passes Away

Veteran comic book artist Joe Edwards died on Thursday, February 8. In a career spanning over 65 years, Edwards wrote and drew comic book stories for various companies, most prominently Archie Comics.

After studying art at Rome Academy and Hastings Animation School, Edwards landed a job drawing for Demby Studios, one of several outfits generating comic book stories for various publishers in the fledging days of the industry.

After drawing comics for Dell and Timely, he joined Archie, which was then known as MLJ Comics. Edwards' animation training made him perfect for "funny animal" features including Squoimy the Woim, Cubby the Bear and Bumbie the Bee-tective, all of which have the distinction of gracing the pages of a milestone comic from MLJ: Archie Comics #1 from 1942.

When the Archie comic series took off, Edwards drew many stories featuring the flagship characters as well. Over the years, he continued to contribute to the company with stories and art on features including Super Duck, Captain Sprocket and the series he is most associated with, Li'l Jinx. The mischievous little girl was so named because, like Edwards' son, she was born on Halloween. The feature appeared for years not only as its own series but also as a backup in such titles as Little Archie and the Archie Giant Series.

Joe Edwards was 85 years old. Funeral arrangements have been made for Sunday, February 11.

H/t to THE BEAT and Silver Bullet Comics.

UPDATE: Here's the AP obituary.

Al Scaduto Interview

Sunday's Connecticut Post interviews Al Scaduto, who's been drawing the King Features cartoon panel THEY'LL DO IT EVERY TIME for 59 years. The article's written by Dirk Perrefort.

"'What I like most about being a cartoonist is starting with a fresh piece of paper and ending up with an idea,' he said. 'You're the writer, the actor and the director. I never thought about retiring. I enjoy what I do.'"

(Photo by Whitney Kidder-Alvarez for the Connecticut Post)

Stan Lee Retrospective at MoCCA

The opening reception at Museum of Comic and Cartoon Art for Stan Lee: A Retrospective is Friday, February 23, 2007. MoCCA has all the details here.

The reception will cost $250 per person, which, states MoCCA, a little defensively, reflects "the unique and exclusive nature of the event." There will only be 100 guests.

At left, a gorgeous bit of art on the site that -- as far as I can tell -- goes uncredited.

Fred Hembeck & THE MASSACRE OF THE INNOCENTS

"Rocket's Blast Comics Collector" magazine ran an amateur comic book story in 1972 called MASSACRE OF THE INNOCENTS. I remember that time. There was going to never, ever be a team-up between any DC character and Marvel character. It was not going to happen, despite the fans wanting to see a Superman/Spider-man team up. The management just wasn't going to get it together. (Of course, a couple years later, there were a series of crossover DC/Marvel "events.")

But, back then, in those dark days, a young cartoonist named Brad Caslor thought up a story, and drew it for the RBCC, a comic/SciFi mag of the time.

That story marked cartoonist Fred Hembeck for life. This week, Fred shares with us the impact of the story, as well as scans of MASSACRE OF THE INNOCENTS from those old RBCCs.

Thanks for sharing this Fred!

All Things Doomsday

It's all at Trekmovie.com.

Back in this post I talked about the episode of the old STAR TREK show called THE DOOMSDAY MACHINE, and how there were two people -- tow completely different people -- that were working on new effects to be inserted in the 1967 episode; one set of effects by a fan, another by the Official Trek Franchise, CBS/Paramount.

Here's a link to Daren Dochterman's "amateur" DOOMSDAY MACHINE efx enhancement. (I put amateur in the quotes since Daren does work in the film biz; not as a SFX artist, but as an illustrator. The idea -- to add new special affects to an old episode of TREK -- was his long before CBS/Paramount started doing it.)

And here are clips of the new effects from CBS/Paramount.

And video of DOOMSDAY writer Norman Spinrad commenting on everything is here and a bit more here.

Again, a huge hat tip to Trekmovie.com for supplying all the news.

Postscript: Just heard that iTunes is no longer offering STAR TREK or ENTERPRISE episodes for download. They're just gone, vanished. All I know is what I read here. H/t to Mark Anderson!

NCS Division Awards Deadline Looming

It's less than 2 weeks until the deadline for the NCS Division Awards.

Cartoonists have until Friday, February 23, 2007 to submit their work.

Remembering Joe Edwards

(Sy Barry, Joe Edwards, Joe Giella -- from an October 2006 Berndt Toast Gang get together)

Writer Mark Evanier writes eloquently about Joe here.

I was fortunate enough to hear the story of Archie from Joe. Joe was there, in the MLJ offices, with Bob Montana and John Goldwater, as they were hashing out ideas. Publisher Goldwater (whose first name was the "J" part of the "MLJ" publishing acronym) wanted a new comic book story, maybe something like the Andy Hardy series of movies. But what would it be? What do teenagers want? How do you appeal to them?

He turned to the then-twenty year old Joseph Edwards.

"Joe, you're a young guy. What do you want?" asked Goldwater.

"Three things," said Joe, counting on his fingers. "Girls, of course -- money, so I can take girls out -- and a job, so I can make the money to take out the girls."

Bob Montana created the initial look of Archie Andrews, Jughead and Betty Cooper for Pep Comics #22, December 1941. By the next year, Archie had his own title.

Archiecomics.com has more on the story of the beginning of the icon, written by Jeffrey C. Branch, at its Web site.

Joe Edwards 1921-2007

Joe Edwards, who drew ARCHIE and LI'L JINX, passed away. He will be deeply missed by his friends and family.

Joe received his artistic education at Rome Academy and Hastings Animation School. In the 1930s he worked in animation, for Demby Studios. After that, he drew funny animal comic books for Dell and Timely, winding up at Archie Comics in 1942, along with Bob Montana and Dan DeCarlo. He remained at Archie Comics for over forty years.

He was there, as he says, at the beginning -- when Bob Montana created Archie, Jughead and the Riverdale gang. And it was his hand that drew every page of Li'l Jinx, a character he created.

Joe was a regular to our Berndt Toast Gang meetings and was known for cracking jokes and speaking his mind. It's hard for me to believe that he is gone.

He is survived by Eda, his wife of 63 years, their 2 sons, a daughter, and 2 granddaughters, and 3 great- grandchildren.

Services: 11AM Sunday, February 11, 2007 at the New Montefiore Cemetary, 1180 Wellwood Avenue, West Babylon, NY 11704.

Cartoon Success: Money or Quality?

What do you want? Well, both, of course.

A couple of good links that deserve a click:

Tom Spurgeon opines about too much harking on the bottom line as a gauge of success.

Mark Anderson says that successful gag cartoonists are in the minor leagues of cartooning.

Coming from the Midwest, there are a some things you don't talk about:

Religion

Politics

Sex

Money

But thank goodness we're in blogland, where every little thought can be put out there. So, let's touch on money, and the religious aspect (!) of cartooning in today's rambling essay.

It's nice to feel successful.

Some people think it's money. Money impresses people. Ostentatious possessions impress people; "look at my Hummer, my designer clothes, my $200 haircut, etc."

But cartoonists?

I do think that there is something in the personality of the person -- something in his/her chemistry -- that makes he/she a good cartoonist. Sure, you got to be able to write and to draw -- but how do you handle the rejection, the lonely hours of working, having to come up with ideas?

Sometimes I hear that cartooning is a calling, like the priesthood. It's not for everyone.

I think doing what you like to do -- and making money from it -- is success. And not a lot of people are able to do what they like. Most people don't like their jobs. Maybe that's why some people consume conspicuously.

But, yeah, there are times I get no respect.

Sometimes, people don't know what to say when I tell them I draw cartoons. They look at me like I have 3 heads. But, hey, this job is all about drawing silly pictures and convincing an editor to part with good money for them. Most people have never had the experience of even getting one lousy thing they've done published. What cartoonists do is a square peg kinda endeavor.

This was a conversation I had last week.

"What do you do?" I get asked.

"I'm a magazine cartoonist." (I used to say "gag cartoonist," but magazine is more apt. I stole this idea from my friend, magazine cartoonist Benita Epstein.)

"Oh. You're an editorial cartoonist then?"

"No. Magazines," I say. "Those little square cartoons that are in magazines like Reader's Digest." Sometimes I emphasize, making a little square shape with my fingers.

"Oh." Silence. "My grandma used to get Reader's Digest."

There was very little beyond this except a long pause, and then me asking this person what she did for a living (school administrator). Anyway, a total disconnect about what I did, and the conversation died. But it didn't bother me. It happens. At least she didn't ask me to draw Garfield.

Anyway ....

If some people think that drawing magazine cartoons is not as cool as strip cartoonists or Web cartoonists or graphic novelists or whatever -- phooey on them. That elitist junk is a waste of time. Like buying Hummers.

The glory of the job (and the scary part too) is the fact that it's just you and that piece of paper and your brain.

And a cartoonist can make fun of religion;

politics;

sex;

and money.
All the time making a point while making a joke.

I would like to say that all my cartoons are quality and all my work just brilliant, thank you very much -- but it's up to readers to decide if it's IMPORTANT and all.

In the meantime, I'm just going to try to make it GOOD.

The Gag Cartoonist's Business Plan

The Gag Cartoonist's Business Plan written by my cartoonist pal Mark Anderson, offers serious, hands-on advice for the beginner cartoonist.

I always find it hard to read a lot of those lofty sorta "you can be anything you believe in as long as you believe in it with all your heart and soul." And comments like "find what you do and the money will follow" always sparked a dubious Spock-like raising of the Lynchian eyebrow. I got rent to pay, and my landlord ain't the kinda guy that I can just tell him I'm finding myself and don't have the money this month, etc.

So, if you haven't read it, go over to the Andertoons blog. He's selling some good common sense there. If you all ready read it, then howzabout coming up with 5-10 gag cartoons today? That's what I'm doing.

And thanks, Mark, for sharing your insights.

STAR TREK: The Doomsday Machines

This weekend, in most US television markets, local channels will play an episode of STAR TREK REMASTERED called "The Doomsday Machine." The show, about a giant machine that eats planets and guest star William Windom playing a mad Ahab-like captain, is a favorite among a lot of fans. And the CBS/Paramount REMASTERED digital effects people are souping up the space battle scenes of the Enterprise, the Constellation and the Planet Killer big time. Trekmovie.com has the story and a video preview.

But that's not the only Doomsday Machine.

Over at his StarTrekEnhanced.com site, Daren Dochterman is rushing to finish his version; again, Dochterman's ENHANCED, like CBS/Paramount's REMASTERED, is the same old 1960s TV show -- but with new effects. And he plans to have it online before the end of the day Friday. A preview of Daren's work is here.

Above: the CBS/Paramount version of the wrecked USS Constellation.

More of the Doomsday Machine coverage on this blog here.

Aline Kominsky Crumb News & Podcast

This week's New Yorker magazine brings us a brand new, 2 page color comic strip by Robert and Aline Crumb. The strip, "A Love Story," riffs on their 35-year long relationship. No official NYer link. You gotta go get the mag, or do a better search than I can do (which ain't hard, believe me).

Nextbook has a podcast interview with Aline Kominsky Crumb "in which she discusses her Orthodox relatives, why she moved to France, and what it's like being a feminist married to a supposed misogynist." A thank you to Jocelyn Nubel at Nextbook for letting me know about this.

This R. Crumb Web site reminds us that Aline has a new book out on the 14th titled NEED MORE LOVE and both husband cartoonist and wife cartoonist will be at a NYC signing (scroll down to the NEWS section). A NY Times article link and a note about their NY Public Library appearance from a previous Mike Lynch Cartoons blog here.

Captain Marvel by Jeff Smith

Coming out today, at your local comics shop, is a new Captain Marvel series "SHAZAM! THE MONSTER SOCIETY OF EVIL" by Jeff Smith. Some gorgeous work and interview here. Even if you're not into the whole superhero thing, take a peek at some of the beautiful work that Mr. Smith is doing. No wonder he's got a huge fan following for his "Bone" series that was at first an indy press comic book -- and now is seen in the Walt Disney magazine. More about BONE and SHAZAM at Mr. Smith's site/blog.

Hat tip Tom Spurgeon's Comics Reporter.

A Big Thanks

Thanks to all who helped spread the word that the National Cartoonists Society is asking for NCS Awards submissions:

Dave Astor at Editor & Publisher

Dirk Deppey at Journalista!

Alan Garder at The Daily Cartoonist

Heidi MacDonald at Publisher's Weekly

Leif Peng at his Daily Inspiration blog

Rob Rogers, President of the AAEC

Patricia Storms for the Drawn! mention

Xerxes for the Comixpedia news entry

And thank you to ___________ as well! (I left a blank there in case I forgot about somebody.)

The NCS Division Awards deadline is about 2 1/2 weeks away, February 23, 2007!

Jack Kirby Announcement from Mark Evanier

Mark Evanier has an announcement!

Schulz's Youth

SCHULZ'S YOUTH, A new collection of old cartoons about teens by Charles Schulz will be out in May, 2007.

Hat tip to Comics Reporter!

Fan Mail

Hoo boy, there's nothing more fun than getting real fan mail from people who love cartoons! Especially Mike Lynch Cartoons!

Here's one that I just received:

Hello,
Love your cartoons.

Let me interrupt. Wow. Isn't that great? Not "like," it's "I LOVE your cartoons." That's terrific. You know, they say that for every person that writes there are a couple of hundred who don't. So, HUNDREDS of people LOVE LOVE LOVE my cartoons. OK, let's continue on with the letter. I'll try not to interrupt. Please excuse me. I was just so excited.

I'm trying to find the one in the November 2006 issue of the Readers Digest magazine The women are going into the Red Hat Building and the chicken is following. Do you have that? Can you send me a copy of it?
Thanks,
J.

Huh? Uh, er, I don't have a cartoon in the November 2006 issue of the Reader's Digest magazine. Wait a minute. (Looks through recycling bin.) That cartoon was drawn by Dan Reynolds. OK, great!!!!!!! Just great. So I got some fan mail, but it wasn't actually, really, truly for me. Crappity crap crap.

Oh well.

OK, let's move on and shove this dreadful embarrassing, experience behind us. I'm sorry. Cartooning is not a pretty business. Fortunately, I just received this nice email from a cartoonist in Europe:

... Congrats on your Playboy feature. Read about it on Andertoons.

So, even when I get some real fan mail to ME, it's because they read about it some other cartoonist's blog!!!!!!!! Arrgh!!!! That darn Mark Anderson and his Andertoons!

Well, OK. Too bad he hasn't worked his way up to more sophisticated blogs like the ol' Mike Lynch Cartoons blog. 4 out 5 doctors agree that the MLC blog is smoother, milder than the ol' Andertoons blog.

Here's another one from a cartoonist friend of mine commenting on the state of the industry:

... the competition is mighty fierce, especially if YOU are [competing], you bugger ....

Whaaaaaaat? My own colleagues turning on me?!?! Don't hate me because I'm beautiful!!! And talented!!!

Well, I'm sorry that this entry, which was going to be full of so much ego-fulfilling fun for me, just got ruined by these darn fans and other cartoonists and so on. I now have to call my Dan and Mark and ask if maybe they got my fan mail by mistake. If they'll take my calls.

Will Eisner Documentary

Will Eisner lives. And here are some links ...

Not only can you go to the comic book store and buy all-new adventures of THE SPIRIT as reimagined by Darwyn Cooke, there is a forthcoming documentary about the original creator of THE SPIRIT, Will Eisner, titled WILL EISNER: THE SPIRIT OF AN ARTISTIC PIONEER. Click the link to see a preview of the film.

Hat tip to Dirk Deppey, and Alex at Rocketship for getting me into Cooke's work in the first place.

Graphic taken from the Comic Book Legal Defense Fund's site.

Hey, I just noticed: that Montilla Pictures Web site has a "thanks to Randolph Hoppe" note at the bottom of the page. He's the guy behind the Kirby Museum too. It's a small cartoony world.

Jack Kirby and His Work

There's a clip of comic book artist Jack Kirby from the MASTERS OF COMIC BOOK ART video here. The video was released in twenty years ago.

If you have heard the name and want to know a bit more about Jack Kirby, then this 5 minute clip will help you understand some of the seminal comics work that he did. Captain America, Fantastic Four, X-Men -- he created a lot of comic characters and has a multi-generational fanbase. A lot of them iconic, still valuable money-making properties for Marvel. In comic book shops, Kirby still outsells everything else, 13 years after his passing on February 6, 1994.

If you know his work, then it's fascinating to hear the man talk about what his stories. Even though it may be tempting to giggle as he very seriously talks about gods and heroes and silver surfers and demons -- this artist believed in these people and their worlds. And that showed on the page, then and now.

I have a soft spot in my heart for Kirby, whose style became Marvel's "house style." I was old enough to buy his 1970s DC output, and fortunate to find some old issues of his CHALLENGERS OF THE UNKNOWN at Buzzy's Used Books in Lawrence, KS. I always admired his work, but it was his tremendous output and the fact he followed his own path that I always found interesting.

Kirby was self-taught. He spent a week or a day at Pratt Institute when he was 14 years old (accounts vary). He left to find work. And work he did! He was one of the most prolific pencillers out there. Kirby pretty much WAS Marvel Comics.

"In the early days of Marvel, Kirby had found it necessary to often pencil and plot five or six books a month," reports the Jack Kirby Museum site.

And at 20 pages per issue -- uh -- ugh -- Good Lord! -- Choke! -- that's a lot!!!

Photo from the Kirby Museum site.

Happy Birthday, Creig Flessel!

Many happy returns to Creig Flessel.

Creig was, for many years, the chairman of the Berndt Toast Gang (the job I currently try to do), and he is one of the couple of living guys* who were there at the beginning of comics. He worked in comic strips, comic books, advertising, you name it.

* The other guys that come to mind are Jerry Robinson (created The Joker) , Irwin Hasen (used to double date with Joe Shuster), Stan Goldberg (first job: assisting Carl Burgos at the old Timely Comics offices in the Empire State Building) and maybe a few others.

Thanks to Comics Reporter and Mark Evanier for noting the occasion on their blogs!

Cartoon Limbo

Tomorrow's the last day for the NYC Gallery Show "Cartoon Limbo."

You have been warned!

The Cartooning Business

Quitting my day job -- which was years back now -- required a leap of faith. I didn't know a soul in the pro cartoonists "industry" when I started out.

My routine -- then and now -- I'd draw up 20-30 cartoons a week in my apartment, throw half of them away and then mail out the good stuff to the art director listed in the masthead of the magazine or newspaper I had targeted. Every week I would do the same. It was not that "creative," it was not "fun," but it was something that I thought I had a knack for.

And it was hard work. It took many months before I got my first sale.

"Did you ever think you'd get to your hundredth cartoon?" asked Bob Mankoff, leaning back in his chair. He was holding one of my cartoons, staring at a small, penciled 4-digit number in the corner. I was in his office, on one of those "look days," when invited cartoonists are allowed past the Conde Nast security phalanx, and get to have a sit down with the New Yorker's cartoon editor. I think I had drawn under a thousand cartoons at that point. Anyway, that penciled number was probably in the 500-700 range.

"Well, I knew I had ideas for maybe a dozen cartoons the first week I started drawing single panel gag cartoons, but that second week ... well, that was harder. And it's not gotten necessarily easier." I had been submitting for maybe 3 years when we had this conversation. And my visit with him ended like so many other visits to the New Yorker; with him holding some of my cartoons and saying, "Come back next week."

And so I do. But so far, no sales at the New Yorker.

But my work sells to other markets, and so that's good.

I've always thought that my stuff sells because it's funny. I think that because there is no other reason to buy, right? That's what the editors want. Why would an editor buy without an eye to content?

Then again, I just got 15 cartoons rejected today -- 15 real good, rejected, homeless, non-money-making cartoons. Heck, one of them should have sold. At least one!!!

"How do you know for sure," asked a student cartoonist,"that they're even looking at your submissions?"

Well, you don't know. You just have to depend on the kindness of strangers, and have faith that your good work -- like the fizz of a Guinness -- will float to the top.

(Above: Our Sam the cat poses next to a couple of submissions packages to be mailed this day.)

How to Draw Comics the New Yorker Way

The February 2007 issue of Mad Magazine has a parody titled HOW TO DRAW COMICS THE NEW YORKER WAY, which has some cartoons (not pictured) apparently drawn by NYer and Playboy cartoonist Glen Le Lievre

I don't know if Glen wrote the parody review (there is a mass credit of 11 names at the end of a series of parodies titled The Fundalini Pages, but -- MADdeningly -- no individual credits), but as a fellow gag cartoonist, he certainly has the credentials. Look for the ... uh ... racy painting by Mark Fredrickson of Britney and Alfred on the cover!


Mad's Web site is here, but don't expect to see content that is on the stands.

NYC Comicon Saturday SOLD OUT Online

Publisher's Weekly has the story. Some retailers still have some tickets for Saturday. This is going to be a big comic book/Sci Fi convention; a self-described San Diego Comicon East Coast style. The fire department had to almost shut it down last year due to come overcrowding.

Comicon site here.

Family Guy and Star Trek II

The animated TV series FAMILY GUY parodied STAR TREK II recently. A YouTube member, Eric Aaron Peters, created a video comparing the parody with the movie here.

Mike Lynch Cartoon in February 2007 Harvard Business Review

The Harvard Business Review (one of those thick, glossy, prestigious business publications that biz executives buy leather magazine holders for for, showcasing them on their bookcases) published a cartoon of mine in its February 2007 issue.


And I'm in the good company of 2 of my blogger-cartoonist colleagues: Mark Anderson and Eli Stein.

This one was a difficult one. I knew what I wanted to say, but didn't know how to say it (but that never stops me).

I wanted to point out that a good lobbyist is worth more than a lawyer. A lawyer might be able to get around the law, a lobbyist can rewrite the law. At first, I drew a white businessman in a lawyer's office informing the lawyer that he was fired because the guy bought himself a lobbyist. But I thought it wasn't funny. The word "trumps" was the key to the joke. I had to make it clear that the lobbyist is better than plain ol' lawyers. So, I drew a conference room confrontation.

Anyway, just for fun, below are a couple of other lobbyist related cartoons that have not sold.




If you can't read my wonky handwriting: "Sometimes I, too, am sorry I married for love and not for lavish junkets paid for by scheming lobbyists."