Above: a 1955 cartoon by Jeff Keate; relevant than, relevant now.
Salo was one of the four Roth brothers who drew gag cartoons.
Did Goldstein knowingly or unwittingly draw the wife to look like she's wearing one of those striped shirts like a football referee?
More Barnes, more marital dischord for laffs.
I liked this cartoon by Mr. Boime, whose work I had not seen before. So far as I can make out, this may be Albert Boime (1933-2008), who dabbled in cartooning when he was in the army, and went on to get get his Master's from Columbia. He became a prominent art historian, leaving, so far as I can tell, the cartooning world behind. All this is according to the Dictionary of Art Historians.
"works eight to 12 hour days, creating an average of four cartoons a day, every day. 'I don’t have Saturday and Sunday off. I draw every day. I shower every day, too,' he says. He’s on target to produce upwards of 580 cartoons this year. Over his career of 20 years, he has drawn thousands."
"... coped by sharing his cartoons, calling it 'using humor to fight the tumor.' While hooked up to an IV pumping chemo into him, he would wheel down the hall handing out greeting cards with his gags to other patients, even doctors and nurses."
The TARDIS has materialised on top of Little Dome at the Massachusetts Institute of Technology.
The appearance of the Time machine on the roof of the University located in Cambridge, Massachusetts is a "hack" or a practical joke. The University has a long history of "hacks" including placing a Dark Mark over the Student Center to celebrate the release of Harry Potter and the Deathly Hallows and placing a Fire Department truck on the roof of the Great Dome.
"With the average hardback costing the equivalent of a week's rent, in the 1930s, a good contemporary read for most was absolutely unobtainable.
"That is until Penguin's founder, Allen Lane, brought out the first sixpenny paperbacks in the now iconic Penguin colours of orange for fiction, green for crime and blue for biography."
And it was Allen Lane who accidentally created the rarest Penguin -- in the middle of the night -- and it was a collection by a cartoonist.
The rarest Penguin book? A collection by the cartoonist Bob Siné titled MASSACRE. Penguin collector Steve Hare has his copy.
"Published in the 60s, MASSACRE glories in Siné's obsessions with the Catholic church, nuns and mutilation."Steve says: 'Allen Lane took offence to it, so he sneaked into his own warehouses at night and removed every copy that hadn't been sold and either burnt, buried or composted what was left.
"'So, a few of these were sold but no one knows how many.'"
Image of Bob Siné cover from the Rocbo site.
Related: I covet these Penguin book cover mugs. Image from the Australian Until Company site.
This year's poster designed and drawn by John Martz.The annual Jay Kennedy Scholarship, in memory of the late King Features editor, was funded by an initial $100,000 grant from the Hearst Foundation/King Features Syndicate and additional generous donations from Jerry Scott, Jim Borgman, Patrick McDonnell and many other prominent cartoonists. Submissions are adjudicated by a panel of top cartoonists and an award is given to the best college cartoonist. The recipient is feted at the annual NCS Reuben Awards Convention attended by many of the world’s leading cartoonists.
Applicants must be college students in the United States, Canada or Mexico that will be in their Junior or Senior year of college during the 2010-2011 academic year. Applicants do not have to be art majors to be eligible for this scholarship.
The “world’s fastest cartoonist” and the world’s most badass viper pilot make special voice appearances in this week’s episode of Futurama, which features a glimpse of what Comic-Con might look like in the year 3010.Sergio Aragonés, the speedy comics legend who made his mark with Mad magazine and Groo the Wanderer, plays himself and appears as a head in a jar at the comic book convention on a panel discussion with Futurama creator Matt Groening and head writer/executive producer David X. Cohen.
Katee Sackhoff, who played Starbuck on Battlestar Galactica, guest-stars in the role of Grrl, a hot young Omicronian who wants to hook up with Lrrr, the ruler of Omicron Persei 8 who is facing a midlife crisis.
Comic-Con serves as the setting for Lrrr’s unsuccessful takeover of Earth at the beginning of the episode, which is titled “Lrrreconcilable Ndndifferences.” See the screenshots above for a sneak peek at the episode. Futurama airs Thursdays at 10 p.m./9 p.m. Central on Comedy Central.
Images courtesy MTV. Futurama TM and © 2010 Twentieth Century Fox Film Corporation. All rights reserved.
Read More http://www.wired.com/underwire/2010/08/futurama-guest-voices/?pid=602&pageid=44242&viewall=true#ixzz0xd1b5Fpm
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Hmm. Is freelancing getting harder? I immediately thought of Al Jaffee's Snappy Answers to Stupid Questions. "No, it's not hard since I've given up eating." This isn't the first time that it's happened to me. I just try to be persistent and nice. "Is there anything else that you need? Can we go over my contact details again? Can you Fed Ex a hand-written check?" And if I get a non-responsive person on the phone, I counter with, "What would you do if you were in my situation?" Well, I won't post a comment on that mag's blog. I won't say what magazine it is. Hopefully, it will work out. Especially if I'm persistent about it. I suppose there's a chance of the editor somehow seeing this blog and -- BOOM! -- no more business from him. Ah well. The darn thing is, it's such a small bit of money to the corporate world. It's a plane ticket. It's lunch for board. It's a car rental. Besides my sweet big cat Roo getting in my way as I draw, this is another time drag; another reason I don't produce more cartoons! Too much time spent in the Mike Lynch Accounts Receivable Department. |
On the eve of New York Comic Con, experience Ulysses “Seen”, Robert Berry’s graphic novel adaptation of the 1922 edition of James Joyce’s epic masterpiece, through commentary by the artist in conversation with Mike Barsanti, editor, and moderated by Karen Green, curator of the Columbia University Library collection of graphic novels.
Learn how you, too, can be part of the creative process, with a special preview of pages from the newest chapter, and a forum for readers to suggest settings, props and character types for the remaining chapters of the comic.