Cartoonist and author George Mandel passed away on February 13, 2021, just two days after his 101st birthday.
He was someone who always wrote and drew. Before entering the war, he drew comic books during the golden age. In WWII he was wounded during combat, and received the Purple Heart. George went on to write novels, poems, articles, fixing Hollywood scripts and drawing cartoons. An early writer of the beat generation, he was a lifelong friend of novelist Joe Heller.
The Daily Cartoonist has more information here. Well worth a visit.
In 2008, I shared some cartoons from his Beatville USA paperback collection. It's reprinted below.
George saw it a few years later, and sent me the following email, which I wanted to share for the first time:
"Mike, I grew too old for a brain-damaged Purple Heart veteran of WWII to thank
you for the Beatville number Joe Heller’s daughter not too recently sent me.
Now reinforced by need and my good old wife’s workout regimen , I thank you very
much. {Thankful she’s a health nut, I once boasted that to a cop and he told me
his is just a nut.)
"As you know, everybody holds lawyers in the highest esteem just a notch below
politicians, so If you should think of any publisher that “can grok a whole”
satirical book of cartoons about them, please let me know before I hit
ninety-one and the metal yarmulke beneath my scalp calcifies. (Are you familiar
with Mario Puzo’s “George Mandel Plate-in-the-head Stories” in his Godfather
Papers and Other Confessions?"
I sent an email back, but never heard from George again.
Can you grok a whole book of beatnik cartoons? If you're hip to that, then BEATVILLE U.S.A. is the book for you.
Author/cartoonist
George Mandel writes about the beat generation in 6 small essays
interspersed between his own cartoons. The book is copyright 1961 by Mr.
Mandel.
Above
is a wordless 8-panel cartoon that is confident and successful. I kept
looking at the compositions, the postures, and illustrative folds in
clothing and really admiring Mr. Mandel's draftsmanship. Look at the
fellow's legs and arms: angled this way and that, as he preps to look oh
so beatnik casual cool.
The
way our title characters lean up against the tree or stand in the
doorway; there's a bad posture, knobby shouldered, slack-jawed look to
these fellows. Even if their clothes change, you can always spot them.
Mandel is very good about staying on the beatnik model.
Espresso,
wheat germ and Mary Jane was the way of life. I like the happy smile on
the woman in the workplace, in the left hand cartoon. And the choice to
show her part of the way up, out of her chair, and turning to the rest
of the office, is a naturalistic and nicely human touch. Isn't it
strange to see an office environment without a computer monitor on every
desk?
Was
there ever a time in NYC when a guy would walk around with a "I Cash
Clothes" bowler hat? Again, I like the posture of the 2 beatniks on the
left. Even their knees have wobbly, gravity-stricken posture.
For
some reason the "There Is No Zen!" cartoon struck me as wonderfully
funny. The only nitpick I have with the book is the use of initial caps
in all the gag lines, something I've never seen before or since in gag
cartooning. I don't think it's Mandel's doing. My guess is that it was a
decision made by an out of touch with gag cartoons editor.
I
really did not have high hopes for this book when I first saw it. How
many cartoons, after all, can you do about beatniks? "Congratulate Me --
It's a Cat!," with our young beatnik dad holding his beret in reverence
over his heart, as he walks down the steps where his pals are splayed,
has a wonderful sense of humor about this moment of passage. This is
another good cartoon by the good writer George Mandel.
And I
forgot that barber shops were once way back before men began going to
salons and spas -- barber shops were where you could go and chew over
the events of the day.
Mandel wrote a number of books, but was never as famous as his good friend Joseph Heller.
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