Tuesday, March 31, 2009

Dave Astor: Jobless But Not Jokeless


Above: Detail from STONE SOUP, copyright 1999 by Jan Eliot.

Dave Astor, writing for the HuffPo blog, talks about the journalistic cutbacks in his Jobless But Not Jokeless entry:
What about jobs for laid-off editorial cartoonists? Given that there might be more former staff cartoonists (still living) than current staff cartoonists (presumably still living), there are enough ex-staffers to draw a huge cartoon time machine for trekking back to B.C. (Before Cutbacks).
Comic strip cartoonist Jan Eliot, from the comments section, talks about the upcoming National Cartoonists Society Reubens weekend:

Will the members of the National Cartoonists Society actually discuss the industry that's falling down around them, or just drink the weekend away? And really, which would be more productive?

Good point!

Yes, I just checked the NCS brochure. "The Future of Newspapers and Comics" will be one of the seminars at the Reubens weekend. Drinking before, during and after: highly recommended.

Related: Michael Cavna's Comic Riffs blog has a call to arms: Black Ink Day!

Hat tip to my pal Sean Kelly for spotting Dave's column. Thanks, Sean!

Monday, March 30, 2009

Video: R.J. Matson

London: Wallace & Gromit Museum Exhibit


The Wallace & Gromit Present A World of Cracking Ideas exhibit at the Science Museum in London thru November 1st.

Creator Nick Park is interviewed, in print and on video, by Maev Kennedy for The Guardian here.

The world of Wallace and Gromit has been recreated in a £2m exhibition on the second floor of the Science Museum, complete with mad machines, giant cabbages, villainous rabbits, extensive research library on cheese, improbable collections – one illustrating the evolution of the welly boot – and kitchen cupboards stuffed with the packets and jars fondly remembered from Park's own childhood in Preston, Lancashire.

THE CHAMPIONS TV Promo

I've never heard of this show, but I am so intrigued by this promo if these standoffish, snooty, well-groomed Europeans, that I am interested.


From Jetpack Comics, Rochester, NH: Free Table Space for YOU


This is from the gang at my local comics shop, Jetpack Comics, in Southern NH:


Hi - Sorry for the generic email here but with Free Comic Book Day less than 6 weeks away I really need to get the word out, and invite as many creators as possible to come and be a part of our event. While many of you have already told me that you can't make it, I would appreciate that you forward this on to ANY creators you know. We also welcome Schools, Libraries, Art Groups and Publishers that would like a spot. Anyone in support of the arts in any fashion can come and set up for free!



That's right - SPACE IS FREE for creators (writers, artists, publishers, inkers, non-profit groups and more - tell us what makes you a creator and what you'll be promoting and you are in FOR FREE) and only $50 a table for vendors!



Last year our Free Comic Book Day event, with the help of Rochester Main Street Association, drew between 750 and 1000 people. This year we are hoping to double that. That's more than almost every New England comic show pulls in.



Originally planned as an outdoor festival the Rochester Main Street Association has voted to move the event indoors. While it still takes place all over Rochester (www.jetpackcomics.com) the indoor venues will allow us to have a rain or shine event in the fashion of a Comic Book Show. Currently we have to large indoor venues and will add more as space fills up.



Creator tables are FREE. The only stipulation is that creators have to bring 100 of something to give-away for free (print, comic, post-card, pin, button, sticker - JUST SOMETHING) in the spirit of Free Comic Book Day, they need to bring something to donate to the Star Wars Groups CHARITY AUCTION (a non-profit so it is a tax write off) and they have to put out a collection jar (supplied by Jetpack Comics) for the Comic Book Legal Defense Fund. That's a pretty sweet deal to expose thousands of people to your work.



Other than that, the table is yours! The event takes place from 10 am to 4 pm. If you are going to be a part of this please confirm back to me ASAP.



Got questions, need to argue with me, want to complain or, hopefully, just want to chat? Call me - 603-674-3868!



EVERYONE THAT IS COMING - please reply with # of people etc, as well as a brief write up about what you do, what you'll be giving away and any other info you want to share. This will go on our website and perhaps on the FCBD website. I need to make sure I've got space for everyone, and if you don't reply I just may forget!



Even if you can't make it PLEASE spread the word. Free Comic Book Day is the greatest day of the year!



Ralph

Jetpack Comics LLC

Search for us on TWITTER and FACEBOOK!
We're always looking for more followers and friends,
and we will follow you, too..to the ends of the earth...
or at least the end of the comic rack!
****************************
JETPACK COMICS LLC
112 Portland Street
Rochester, NH 03867
(603) 330-XMEN (9636)
****************************
www.jetpackcomics.com
jetpackcomics@choiceonemail.com

Sunday, March 29, 2009

Maine Comics Arts Festival: Who's There?

We're eight weeks away from the Maine Comics Arts Festival, which will be held in Portland, Maine on Sunday, May 17, 2009. It's been described at Northern New England's answer to SPX or MoCCA Fest or APE or SPACE.

This will be an opportunity for many local creators to show their comics, books, and other items. If you're into literary comics, graphic novels, mini comics or Web comics, then you've heard of some of these people. You'll get to meet these cartoonists, meet them, and, if you like, buy some of their work directly from them. There will be no comic book dealers at the day-long event.

I was glad to see Joe Staton on the list. Joe is a journeyman comic book artist whose work spans many superhero books through the years. I still have my copy of E-MAN that I bought at my local 7-11 store back when I was a kid in Lawrence, KS.

Anyway, I was reading Rick Lowell's excellent MECAF blog. Rick is the man who has put this together, and he runs the local Casablanca Comics shop. I cut & pasted & alphabetized the names from the his blog entries, creating a one-stop master list of the 48 cartoonists and studios.

The list below includes both featured guests, as well as cartoonists who paid for a table. I've checked and double-checked it for accuracy, but if you see something wrong, please tell me.











American Stronghold - Jeff Lok, Dane Martin
& barekpublishing












Atomic Pulp - Christopher Mills













Gabrielle Bell













Marek Bennett








Ben Bishop














The Boston Comics Roundtable













Becky Cloonan




Corbett Features - Barry Corbett and Brian Codagnone













Michael Connor













Sam Costello





Dandelion Studios - Rick Silva & Gynn Stella Silva













Alexander Danner













Nate Doyle







Franklin Einspruch











Austin English













Faux-Pas Industries (Sam Gaskin and Dane Martin)













Chuck Forsman









Colleen Frakes












Free Lunch Comics - Matt Ryan, Steve Kanaras
& Steve Kuster







Zack Giallongo











Chris Giarrusso












Sarah Glidden













Mark Gonyea













David Jacobson












John Klossner













Lucy Knisley













Cathy Leamy





Mike Lynch













Dan Mazur












Juana Medina












Dave Naybor












On the Fly Publications - Dan Fleming and Chris Beckett













Jennifer Omand








Jeff Pert













Stephanie Piro













Jay Piscopo






Mark Ricketts












Joel Rivers













Aya Rothwell












Sarah Searle












Christina Siravo












Kean Soo













Joe Staton












Matt Talbot












Trees and Hills Comics Group













The Underburbs - Joe Haley and T.J. Dort








Jen Vaughn












Julia Wertz

Saturday, March 28, 2009

Video: Tom Toles

Friday, March 27, 2009

Maira Kalman: So Moved - And the Pursuit of Happiness Blog


Illustrator Maira Kalman walks through time and geography, meditating on how tolerance can work in a democracy in The New York Times' So Moved - And the Pursuit of Happiness blog.

49 Cent Cartoon Book Sale


Please take a look and consider bidding on some of my cartoon books on eBay. The items above begin at 49 cents. Thanks.

James Stevenson Drawings


James Stevenson! Now there's a guy whose cartoon work I have always admired. Here are a few cartoons from his collection SORRY LADY - THIS BEACH IS PRIVATE, a collection of New Yorker cartoons, copyright 1963 by James Stevenson.


Stevenson is one of the "illustrative cartoonists," for sure. Look at that table!

And looking at it closer, you can see that every item, the candlesticks, the glasses, the food -- every item is only a suggestion; a sketch. Stevenson, in quick pen strokes and wash, gives us just the information we need.



Above: I laughed out loud at this one.



Urban life -- particularlyUpper Middle Class NYC urban life -- is the focus of Stevenson's pen.

Below, a series of drawings for a section titled "Parents Night."















His work continues to be seen in the New York Times op ed pages. Here's a link to one he did in December.

Barbara Shermund Appreciation by Michael Maslin


Above: A Shermund original from the Library of Congress' Cartoon America exhibit, now online.

Michael Maslin profiles the career of New Yorker cartoonist Barbara Shermund (1988-1978) in his essay Revisiting Barbara Shermund.

Since Ms. Shermund passed away during a newspaper strike, her death was not noted in the "paper of record," the New York Times, or, anywhere else, except for a scant, four sentence obit in a New Jersey paper. Michael comments:
"For someone who contributed hundreds of cartoons and eight covers to The New Yorker Magazine, then went on to become a mainstay at Esquire, four sentences seems a bit slight. Here then is another notice, a little late, and a little longer."
Mr. Maslin goes on to correct the matter, 31 years on. The rest is here.

Thank you, Michael Maslin, for shining the light on Ms. Shermund!

Thursday, March 26, 2009

John Sherffius Salutes His "Fallen Comrades"


Steve Greenberg writes a thoughtful reflection on this touching cartoon by John Sherffius here.

Hat tip to Daryl Cagle.

The Lego Renaissance

"Never mind the recession - Lego is now so popular that there are 62 little coloured blocks for every person on the planet. Yet only five years ago this family business was on the brink of ruin. Jon Henley reports from the Danish town where it all began."

-- from today's Guardian


Now I understand that there are more people like Mark Anderson, an adult who makes spaceships out of Legos than me -- someone who does not make stuff out of Legos.

DILBERT: Downsized & More Popular Than Ever


Colleen Mastony, Chicago Tribune reporter, writes Tough economic times fuel success for Dilbert, a Q&A with Scott Adams about Dilbert getting downsized this year, and the Dilbert site receiving record traffic (1.5 million unique visitors in February) on the eve of the comic strip's 20 year anniversary.

Related: Brenda Starr faces downsizing.

Video: The Toy and Action Figure Museum


I didn't even know about this place until today.

If you're in Pauls Valley, Oklahoma, stop by at the Toy & Action Figure Museum. In a new 1 1/2 minute video, our host, Josh Kraft, manager, shows us that this place is more than action figures; it embraces comic strips as well.

He shows us some of the comic strip displays, Sunday pages, original art, and sort of a hall of fame of the cartoonists from Oklahoma: Bill Mauldin (the "Pulitzer prize winning editorial cartoonist" if you please, not just a guy who did cartoons back in the army days, as Mr. Kraft describes him), Chester Gould (DICK TRACY) and Jack & Carole Bender (ALLEY OOP). The Benders assist in curating the museum.




My thanks to Nick for posting this on YouTube!

THE CARTOONIST! Fall 1953

In its entirety: THE CARTOONIST!, the in-house publication of the National Cartoonists Society, Annual Photo Issue Fall 1953.


The Cartoonist: a quarterly published by the National Cartoonists Society, 140 West 57th Street, New York 19, N. Y.

If you Google Map this address, you get:

.. a bus zooming in front to the frikkin' Google camera!

Oh well, back to the mag:


Mort Walker edited THE CARTOONIST, with Bill Yates as Assistant Editor.


The 1953 NCS Board:

BOARD OF GOVERNORS: Rube Goldberg, Honorary President; Otto Soglow, President; Bob Dunn, First Vice President; Willard Mullin, Second Vice President; John Pierotti, Treasurer; McGowan Miller, Secretary; Carl Rose, General Membership Representative; EXECUTIVE COUNCIL: Martin Banner, Ernie Bushmiller, E. Simms Campbell, Milton Caniff, Past Pres., Fred Cooper, Walt Disney, Albert Dorne, Ham Fisher, Hal Foster, Harold Gray, Jimmy Hatlo, Harry Hershfeld, Bill Holman, Walt Kelly, Frank King, Bill Mauldin, George MacManus, Willard Mullin, Russell Patterson, Past Pres., Alex Raymond, Past Pres., Mischa Richter, C.D. Russell, Frank Willard, George Wunder, Chic Young.


Fred Waring was a great fan and friend of cartoonists.

Above: Fred Waring reads the Sunday funnies in a photo nicked from the Fred Waring's America site.

He had a huge place in Pennsylvania and he would send a bus to Times Square for all the NCSers to get aboard and hang out at his place. Mel Casson helped start the annual visit to Waring's Shawnee Golf Resort. More here, at the Penn State Fred Waring's America site.

Back to the magazine:



Evert cartoonist should wear a hat & smoke a pipe ala Ed Dodd & Walt Kelly!


RISD's Sketchbook Journalism Flickr Stream


I'm enjoying the Flickr photo stream from RISD students here.

Hat tip to Juana Medina (whose drawing above I snagged from the site)!

Realted: Juana Medina's Flickr page.

Wednesday, March 25, 2009

Chuck Jones Blog

Craig Kausen, Chuck Jones' grandson, has a terrific blog, Chuck Redux, dedicated to his grandfather.

Take a look at some of these Chuck Jones Sketchbook Pages. Wow!

DEATH DRAWS THE LINE by Jack Iams


Above: the lurid cover of DEATH DRAWS THE LINE by Jack Iams, A Dell paperback #457, copyright 1959 by Mr. Iams.
"Death mysteriously strikes down top-flight cartoonist -- twelve unpublished comic strips disappear -- a nude woman holds a supernatural rendezvous in a dead man's studio -- a blue sedan roars down upon two persons in a cab ... purpose: death for two -- and murder strikes again and again in this exciting mystery which reveals some unusual trade secrets of the men who create newspaper comic strips."
Ooh! Yup, just another day in the life of a cartoonist! This is a fun paperback mystery from 1959, one of the series of "map" mysteries where (bug duh) there's a map on the back.

Now, why isn't this old Dell paperback still in print? It's got a wonderful cover by artist Harry Barton. Dig her pearls and nice hairdo! This girl's high maintenance. This guy's strip must've been in 2000+ papers for her to be that well-coifed!

From Chapter 3, "Cartoonist in a Tailspin:"

"... [I]t got so he was too drunk most of the time to do the drawing."

You see? One of those little trade secrets revealed! "Drawing While Drunk" is one of the regular symposiums at the Cartoonists Association get togethers! Why, this tale is as contemporary a story as when Mr. Iams wrote it 50 years ago!

Note: Cartoonist "Zeke Brock's" apartment is in the West Village. This ruins the believablity so far as modern day cartoonists are concerned! This is back when a cartoonist could afford to live in Manhattan!

Did you notice "Tim Costello's" bar in the upper right hand corner? This is now the Overlook Lounge, where many real-life cartoonists hung out. The Daly News was nearby then, so this watering hole was full of writers and cartoonists. There are some great cartoon murals there, one from 2005, and another from 30 years earlier. I was fortunate to help organize the 2005 event, where cartoonists from the tri-state area converged & put together the new mural.

Tim Harries blogs about his visit.

A version of this blog entry originally appeared when I was guest-blogger over at my pal's Mark Anderson's Andertoons blog, way back on March 30, 2005.


Tuesday, March 24, 2009

Sketchbook: Ronald Searle


Ronald Searle's Secret Sketchbook!

H/t to Comics Reporter!

The 2008 National Cartoonists Society Awards Nominees Announced

(Updating the partial nominee list of March 16, 2009.)

The Book Illustration nominees are in, and that completes the list.

The NCS gives out a number of awards, including the big one (the Reuben, for its cartoonist of the year), as well as division awards in a dozen different specialties. There are also honorary awards (the Silver T-Square, for instance) that will be awarded.

Here are the nominees for the Reuben and the Division Awards:

REUBEN AWARD
Dave Coverly
Stephan Pastis
Dan Piraro

Here is the complete list of nominees for the 12 categories of the NCS Division Awards:

TELEVISION ANIMATION
Bryan Arnett - Character Design - "The Mighty B!" - Nickelodeon
Ben Balistreri - Character Design - "Foster's Home for Imaginary Friends" - Cartoon Network
Sandra Equihua and Jorge Gutierrez - Creators - "El Tigre: The Adventures of Manny Rivera" - Nickelodeon

FEATURE ANIMATION
James Baxter - 2D Character Animator - "Kung Fu Panda"
Clay Katis - Supervising Animator, Rhino - "Bolt"
Nicolas Marlet - Character Designer - "Kung Fu Panda"

NEWSPAPER ILLUSTRATION
Lars Leetaru
Mark Marturello
Sean Kelly

GAG CARTOONS
Pat Byrnes
Mort Gerberg
Werner Wejp-Olsen

GREETING CARDS
Kevin Ahern
Jem Sullivan
Debbie Tomassi

NEWSPAPER COMIC STRIPS
Stephan Pastis - "Pearls Before Swine" - United Feature Syndicate
Mark Tatulli - "Lio" - Universal Press Syndicate
Richard Thompson - "Cul de Sac" - Universal Press Syndicate

NEWSPAPER PANEL CARTOONS
Vic Lee "Pardon My Planet" - King Features Syndicate
Mark Parisi "Off the Mark" - United Feature Syndicate
Jeff Stahler "Moderately Confused" - United Feature Syndicate

MAGAZINE FEATURE/MAGAZINE ILLUSTRATION
Daryll Collins
Bob Staake
Sam Viviano

BOOK ILLUSTRATION

Jim Benton CHERISE THE NIECE Penguin
Stacy Curtis RAYMOND AND GRAHAM RULE THE SCHOOL Penguin
Mike Lester COOL DADDY RAT Putnam

EDITORIAL CARTOONS
Mike Luckovich
Jeff Parker
Michael Ramirez

ADVERTISING ILLUSTRATION
Roy Doty
Craig McKay
Jack Pittman

COMIC BOOKS
Chris Blain GUS & HIS GANG - First Second Books
Matthew Forsythe OJINGOGO - Drawn & Quarterly
Cyril Pedrosa THREE SHADOWS - First Second Books
Congratulations to all of the nominees. The winner will be announced at the 63rd Annual NCS Reuben Awards banquet on May 23, 2009 in Hollywood, CA.

The First Cartoonist I Ever Met: Chuck Jones

Chuck Jones was the first cartoonist I ever met.

He was giving a presentation of some of his Roadrunner & Coyote shorts at a West Coast University Film Association conference in the 1960s. My Dad taught radio/TV/film production and was a member of the UFA (now renamed the University Film & Video Association). I remember being taken by the hand, lead down the aisle to the stage, and being introduced to Mr. Jones by my parents. He looked into my eyes. He was very tall. (I was very small.) He paused, smiled and shook my hand when he was told that, "Mike likes to draw."

Mr. Jones proffered a deal: I mail a letter to his MGM offices and he would mail back a drawing for me and my baby sister. After a couple weeks of my Mom badgering me, I finally sent him a letter. I didn't know what to say and I don't remember what I finally wrote. Anyway, Mr. Jones, a man of his word, replied with this:

Chuck Jones Tonight!


A retrospective of Chuck Jones' animated shorts gets kicked off tonight with a new 30 minute documentary.
Turner Classic Movies and filmmakers Peggy Stern and John Canemaker, who earned Oscars® for the animated short The Moon and the Son: An Imagined Conversation, have collected the memories of one of Hollywood’s greatest animators in a unique, half-hour film entitled CHUCK JONES: MEMORIES OF CHILDHOOD. This film, which combines an interview with the legendary animator with newly created animated segments, is premiering on TCM in March 2009.
Mr. Jones had a chance to view a rough cut of the new documentary before he died, "and pronounced it “delightful.”

Here's the East Coast schedule (full descriptions of each are on the TCM site):

8 p.m. CHUCK JONES: MEMORIES OF CHILDHOOD (2009) – Premiere
8:30 p.m. “The Night Watchman” (1938)
8:40 p.m, “Prest-O, Change-O” (1939)
8:50 p.m, “Sniffles and the Bookworm” (1939)
9 p.m, “Elmer’s Candid Camera” (1940)
9:10 p.m, “Scent-imental Over You” (1947)
9:20 p.m. “Haredevil Hare” (1948)
9:30 p.m. “Duck Amuck” (1953
9:40 p.m. “One Froggy Evening” (1955)
9:50 p.m. “What’s Opera, Doc?” (1957)
10 p.m. “The Dot and the Line” (1965)
10:15 p.m. “The Bear that Wasn’t” (1967)
10:30 p.m. CHUCK JONES: MEMORIES OF CHILDHOOD (2009) – Encore
11 p.m. The Phantom Tollbooth (1969)
12:30 a.m. “The Night Watchman” (1938)
12:40 a.m. “Prest-O, Change-O” (1939)
12:50 a.m. “Sniffles and the Bookworm” (1939)
1 a.m. “Elmer’s Candid Camera” (1940)
1:10 a.m. “Scent-imental Over You” (1947)
1:20 a.m. “Haredevil Hare” (1948)
1:30 a.m. “Duck Amuck” (1953)
1:40 a.m. “One Froggy Evening” (1955)
1:50 a.m. “What’s Opera, Doc? ” (1957)
2 a.m. “The Dot and the Line” (1965)
2:15 a.m. “The Bear that Wasn’t” (1967)
2:30 a.m. CHUCK JONES: MEMORIES OF CHILDHOOD (2009) – Encore
3 a.m. The Phantom Tollbooth (1969)
Related: Chuck Jones was the first cartoonist I ever met.

A big hat tip to my pal Sean Kelly for reminding me about this! Thanks, Sean!

Video: Finding Lady: The Art of Storyboards

A 13 minute Disney exploration of the art of storyboarding, hosted by Eric Goldberg.



H/to Journalista!

Video: "Art of the Watchman" MoCCA Exhibit

The PBS Sunday morning program "Sunday Arts" showcases the Museum of Comic & Cartoon Art's Watchmen exhibit in this segment, hosted by co-curators Ellen S. Abramowitz and Peter Sanderson.



Big hat tip to Lawrence Klein, Esq., Chairman Emeritus and Founder, Museum of Comic and Cartoon Art!

COLOURlovers Color Templates


One of the problems I have when coloring a cartoon is deciding on my palette. Will the cartoon be on the warm side with reds and oranges, etc? COLOURlovers has lots of sample palettes that will make my process simpler. Take a look!

Big hat tip to Paul Söderholm for this. Thanks Paul!

Room 222 DVD


I forgot that the season one ROOM 222 DVD set comes out today. I was but a wee lad when the TV show, created and written by some of the people who would go on to do the MARY TYLER MOORE series, first came out. It was a "dramedy" about high school. I haven't seen it since its initial run on TV, so heaven knows if it's aged like fine wine or moldy bread or some mish mosh in between. But it's coming tomorrow, via the Netflix, and I'll find out.

Below: ROOM 222 Opening & closing titles. Music by Jerry Goldsmith.


Video: The Search for Shatner

I LOLed out loud at this 1:20 video "Downfall of Star Trek 2: The Search for Shatner" by YouTube's CASPRPres.

In this short, Fuhrer Adolph Hitler is very upset that Shatner won't be in the new STAR TREK movie. No, it doesn't make sense that Hitler is a Shatner fan. But, well, consider watching and seeing for yourself. Funny stuff. Caution: foul language and subtitles and many references to the one and only William Shatner.


Monday, March 23, 2009

Video: Siskel & Ebert: STAR TREK V (1989)



I stumbled upon this 4 minute video of Gene Siskel & Roger Ebert reviewing the then-new STAR TREK V: THE FINAL FRONTIER movie. If you watch, you'll hear them use words like "mess" and "no energy" and so on. I won't quibble. STAR TREK V may have had some good scenes (my own sister likes the "row, row, row your boat" bits that bracket the film, and I like some of the dialogue -- "Captain, not in front of the Klingons." "Don't you know a jail break when ye see one?"), but the picture does not hang together. Heck, "the Enterprise crew meets God" idea was a bad one to begin with. You can't deliver on meeting THE God. Not in a mainstream movie.

Here's hoping for better reviews 20 years on, for that new STAR TREK movie.

Phil Hands Draws an Editorial Cartoon



Phil Hands, the editorial cartoonist for the Wisconsin State Journal, takes us from rough to finish in this 2 minute video.

Mort Walker Featured in The Comics Journal #297


Ooh! Big huge interview with Mr. Mort Walker about his over half century! I'm buying it!

Phil Foglio on Giving It Away

How do you make money by giving it away? Phil and Kaja Foglio are living the answer.

Better than that; in this interview at ICV2, Phil Foglio gets into the hardcore numbers of their studio (the 2 features he draws, money, print run, work schedule, number of unique visitors, distribution, etc.) and why they went from a monthly comic book schedule to putting it on the Web every week, with a physical, paper book of the comic produced about every year.

And by cutting out the production of a monthly comic book, Phil has more time to draw, producing 6 pages a week.

" ... [W]e figured we saved around $20,000 a year by not having to produce the individual comics. Production time… I’m not just talking about printing, but paying for our time and the time it took to format it. Because then we’d have to re-format the same material differently for graphic novel format, which was the final form.

"We’ve been doing it for four years now, and at a very conservative estimate, I’ve got 270,000 readers."

Hat tip to Comics Reporter!

99 Cent eBay Sale


I am selling some cartoon books and other items on eBay. I've collected stuff for a long time and I need to make more room on my shelves. All of the above items are 99 cents or less. Please consider taking a look. Thanks.

John Stanley Blog


Stanley Stories. Now, this is a blog I really need to spend more time exploring.

Big hat tip to Elena Steier.

YANK Cartoons


Some great cartoons from a 1945 issue of YANK magazine are at the TCJ chat board.

H/t to Journalista!

Sunday, March 22, 2009

First International Talk Like William Shatner Day


Could it be true? Oh yes. March 22nd is the First International Talk Like William Shatner Day!

Go to Brian Fies blog and watch the instructional video and then say the speech below from the original STAR TREK episode "Return to Tomorrow:"

"They used to say if man could fly, he'd have wings. But he did fly. He discovered he had to. Do you wish that the first Apollo mission hadn't reached the moon, or that we hadn't gone on to Mars, and then to the nearest star? That's like saying that you wished you still operated with scalpels and sewed your patients up with catgut like your great great great great grandfather used to. I'm in command. I could order this. But I'm not because Doctor McCoy is right in pointing out the enormous danger potential in any contact with life and intelligence as fantastically advanced as this. But I must point out that the possibilities, the potential for knowledge and advancement is equally great. Risk... Risk is our business. That's what this starship is all about. That's why we're aboard her."

Saturday, March 21, 2009

Books for Sale on eBay


I put up more cartoon-related items for sale on eBay today. Please consider taking a look.

Friday, March 20, 2009

Jack Tippit Gag Panels for Cartoonists


Eli Stein scans some cartoons from late 1950s newsletters (part one, part two). These aren't just any newsletters. These are monthly gag cartooning industry newsletters, with insider gag cartoons by Jack Tippit, Bob Barnes, Stan Hunt and others.

Gurney Williams, the Look Magazine cartoon editor, circulated his “Memos from Gurney Williams” one Wednesday a month to the cartoonists who came in to sell their work.

This is part of Eli's series about "look day;" every Wednesday, back in the 1950s and 60s, dozens of gag cartoonists would arrive in Midtown Manhattan to visit the markets in person.

Eli starts his series here.

Ten Minutes with Cartoonist Terri Libenson


From yesterdays' Plain Dealer, an interview with PAJAMA DIARIES cartoonist Terri Libenson:
What makes you different from your "family" cartoonist peers is that you address marital sex, divorce, interfaith marriage and raising Jewish kids in a Christian culture. Have readers noticed?

I try to portray the Kaplans as a contemporary family facing real issues. In the beginning, I was much more blatant regarding sex. Now I approach it more delicately. I receive the most letters in response to the faith-based strips. Usually good feedback, mostly from the Jewish community. Some have actually accused me of not making the characters Jewish enough. And I'd love to have a huge bat mitzvah story line someday.

Hat tip to Terri!

Roy Crane Scrapbook: Drawing Women


Here's the "Roy Crane Scrapbook," a feature from the Cartoonist PROfiles magazine No. 38, June 1978. Click to super-size, of course. I do not recall if this was a continuing feature in Jud Hurd's great magazine, but to find this by accident the other day was very exciting.

Here's Mr. Crane:

"Almost all of the pictures on the preceding pages have these things in common which might be called 'Our Goal.'

"A pretty face ... drawn simply and with care.

"Graceful curves even to the finger tips

"Nice hair

"Interesting action to command attention

"Small waists, feet, ankles

"Simplicity

"And never mind what a girl really looks like."


This all looks like Mr. Crane himself pasted these up for the magazine.

"Pretty girl TYPES. Search for character.

"What a variety of eyes and lips! No two alike. Search for character in the eyes and lips."

"And how to make them DISTINCTIVE
"First, as with men, learn her dominant character trait.

"Is she to be bad, glad, or sad? Innocent, sophisticated, or aloof? Lively or demure? A schemer or a dreamer? Etc.

"What is to be her intended impact on the reader? Her general attitude?

"Only when you know the answer to these questions can you be expected to work out a satisfactory character."



"TYPES. As in the case with men, it's a job of fitting together a JIGSAW PUZZLE

"BEST BETS FOR GETTING INDIVIDUALITY:
"1. THE HAIR
"2. THE EYES There are innumerable shapes.
"3. THE LIPS These are but a few. Stuudy [sic] other pictures on these pages.
"4. THEIR RELATIONSHIP, ONE WITH ANOTHER For example: Is the upper lip long or short? Is the chin short, weak, rounded, pointed, cleft, etc? How long is the nose? Is the face broad, or long, and how shaped? How do they fit together?"

Bud Blake:Saturday Evening Post Cover Artist?


I'm always talking about revenue streams. "You gotta have a lot of revenue streams!" Some money coming in from cartoon sales, advertising, work, t-shirt sales, teaching, etc. It's not a new idea at all.

Cartoonist Bud Blake (1918-2005), who is best known for the long running comic strip Tiger, talks about drawing a rough for the Saturday Evening Post:

"One of the things I made a little money on was selling roughs to the Saturday Evening Post, among other places. I didn't sell many, but I sold some. In other words, you did a little rough drawing that you think would be cover material and you rather hope that they'll say, "Oh, fine sonny, why don't you do this and we'll run it as a cover." But they never do. They would say, "Who should we give this to?" It always killed me. They'd give it to Gordon Utz or somebody. I did one of the railroad station at Red Bank, N.J. There was a train full of commuters with their hats and stuff. And running down the platform in her nightie was an obviously young wife, holding up her husband's briefcase. The drawing I made showed the inside of the train, with all of the smoke and gloom. And out of the window was the wife, really the star of the piece. So they changed it around and showed her in the front instead. Maybe he was right. Maybe he was wrong. But they paid me $150, so swell. I can't complain."

- Bud Blake interviewed by Rob Stolzer in Hogan's Alley #13

Leif Peng at his Today's Inspiration blog shows us the whole process, from Bud Blake's initial sketch to final result. A laborious, multi-step process that shows that illustrators like Thornton Utz really earned their dough.

Thursday, March 19, 2009

Sandy Kossin in ILLUSTRATION MAGAZINE


Illustration Magazine
features a lengthy interview with my friend, illustrator Sandy Kossin, whose work was on the covers of hundreds (maybe thousands) of paperbacks. He may be best known for his series of Bay of Pigs paintings for Life Magazine.


Each issue is chock full of commercial illustration, interviews, rare art and is printed on good glossy paper.

Happiness is Your Own Captain's Chair in the Living Room


Scott Veazie in his replica chair. Photo by Susan Seubert for The New York Times.

Watching STAR TREK and collecting the DVDS makes you a fan. Going to conventions makes you a hardcore fan. Building your own captain's chair to be the centerpiece of your living room, that's nerdcore.

From the NY Times: Getting their Kirk On.

A tip of the Captain Pike hat to Brian Fies.

Own a Shelf of Books


I'm selling some of my books on eBay. Please consider taking a look at them. There are a lot of paperback gag cartoon books (with cartoons by Chon Day, Al Ross, Searle, Virgil VIP Partch, Gahan Wilson, Addams, Orehek, Busino, etc.). Most priced under $1 to start. Some of these were featured in past blog entries. A lot of the listings have link back to my blog in the "product description" area, so you can see some of the interior cartoons.

Brian Fies: Vote for the Virtual Book Tour


Brian Fies, whose latest graphic novel WHATEVER HAPPENED TO THE WORLD OF TOMORROW? will be out this spring, was asked by writer Mike Peterson if he'll be doing a signing tour when it comes out. He replies at his blog:
"... [V]ery few authors get full-blown book tours these days, and I don't expect to be one of them. But the more I mull over the notion of a virtual launch party, the more I like it. It's probably been done but I haven't heard of it before.

"Here's what I'm thinking: A live Webcast, maybe an hour or two long, in which I'd talk about the book, do some drawing, show off some original art and props and stuff, tell some behind-the-scenes stories, answer questions, tour the "studio" (estimated duration: 90 seconds), and basically host a party minus the drinks and snacks."
I would enjoy this peek into Brian's studio and work. Sure, who wouldn't? If interested, please take a moment to comment on The Fies Files today.

Keep Calm and Carry On


Sure, the economy's in the dumper and markets are disappearing and we're at war and Rush Limbaugh is still a big fat idiot, but now he's, like, in charge of the GOP. And we're giving rich businesspeople our own tax money. Ugh. Well, do not worry. Royston Robertson has created a Propaganda Poster for Cartoonists to help us inky folk through this shaky time in history.

It's based on a 1939 British government poster that has been popping back up now, some 70 years later in the UK.
"It's not hard to see why people love the 1939 government poster, they're embracing the "Blitz spirit", refusing to let the credit crunch get them down. Here's the original:

"But, as a cartoonist friend said to me recently, "Your whole life's a credit crunch when you're a cartoonist!" Like many self-employed people, cartoonists do find it tough-going sometimes, recession or no recession. You may not be selling enough gags, maybe not getting enough commissioned work ... it can get tough.

"All you can do is keep calm and carry on, as the poster says, and hope that something turns up. It usually does. So in that spirit, I created my own version of that poster for all you cartoonists out there."
It's all at Royston's blog.

Wednesday, March 18, 2009

What if STAR TREK Was Made by Country Folk?

I watched the video and laughed and laughed.



H/t to Trekmovie! Hee Haw!

Advice for Tourists in NYC Today

This is off topic. I'm going to talk about the bailout of AIG, how we're all unwilling "shareholders," and public bathrooms in New York City.

As you know the big man of AIG, Edward Liddy (photo), will appear before a House Financial Services Subcommittee in Washington, DC this morning. He will be asked about the $165 million in bonuses for his people and congressmen are expected to ask how AIG spent the $150 billion in bail out money.

And we all also know that Manhattan has no public toilets, which is a bummer.

But wait! No more! Not for American taxpayers!

If you have to go to the bathroom in NYC, just go to the AIG office (it's at 70 Pine Street, New York, NY 10270 Phone: 212-770-7000). Walk up to the security desk and politely identify yourself as a major shareholder. For proof, show them your passport, driver's license or state ID. Don't settle for an ordinary restroom. Ask for one of the nice ones in the offices of those people who got all those millions of our dollars.

Same goes for Citibank and all those other companies that we are "shareholders" in.

Now you can pee all over the city.

Related: The Real Scandal at AIG by Eliot Spitzer.

Cartoonists Exchange: Lesson Correction Portfolio 1946

The Cartoonists Exchange of Pleasant Hill, OH was a busy cartoon correspondence course operation for a number of decades. This is the Lesson Correction Portfolio and is copyright 1946 by Cartoonists' [sic] Exchange.




Cartoonist David Rand collected students' submissions, and then, sold the drawings back to them. You just have to shake your head and admire Mr. Rand's monetization of the medium!






So many of these corrections are serious drawing comments:
  • indicate grain in wood,
  • upper torso should be longer,
  • nose on pretty girl's face should be less noticeable,
  • hand detail should be more carefully worked out,
  • glorify the girl's legs.

Okay, maybe not that last one.



Lots of good, basic advice here, 66+ years on. I love pages like this, with lots of pen noodling. Even if you've gone all Wacom, then this still applies!






Evidently, a student was given a lesson. I don't own the lesson books, so I'm in the dark here. Maybe something like the old lady commits violence against the old man. Something like that. Or, guy finds jar of mystery spirits in the cellar; hilarity commences.





There is some good advice here, but I find that instead of looking at the folds in the clothes, I am wincing at the story telling.


Below is a photo of Mr. Rand, realizing his ambition of drawing comic strip ads for some consumer item called "Peppets."

Tuesday, March 17, 2009

Christoph Niemann: My Life With Cables


From yesterday's NY Times: illustrator Christoph Niemann combines photos & his own drawings to describe his Life With Cables. We've all been there.

That Was the Future That Was

Many lovely rarely seen drawings and paintings of retro future worlds here. These aren't the usual crop of images from pulps and movie posters that you've seen like a zillion times before, you jaded Web peeper you!

Big hat tip to Ralf Zeigermann!


For MORE retro future, here's a link to the Reader's Digest NEW Reading Skills Reader from 1966 with spectacular "that was the future that was" kinda art.


Above: detail from the Reader's Digest NEW Reading Skills Reader.

I am selling the Reader's Digest NEW Reading Skills Reader on eBay this week.

And while we're on the topic, don't forget that Brian Fies' new graphic novel WHATEVER HAPPENED TO THE WORLD OF TOMORROW? is coming out this spring from Abrams!

Happy Saint Patrick's Day from Don Orehek


Happy St. Patrick's Day and in honor of the day, here are a few fine drawings by Slovenian cartoonist Don Orehek. And, sure, since today is a day when we're all Irish, let's call him Donnie O'Rehek.

Thanks, Don, for these wonderful drawings. Happy St. Pat's, everyone!

Monday, March 16, 2009

Lee Lorenz, Roz Chast, Arnie Levin, and David Sipress


NYC: This Wednesday, March 18, 2009 at 6:30pm veteran New Yorker Magazine cartoonist and former New Yorker Cartoon Editor Lee Lorenz hosts a chat at the Morgan Library titled Three Paths to The New Yorker: Roz Chast, Arnie Levin, and David Sipress

Three New Yorker cartoonists discuss their backgrounds, schooling, and career experiences in a lively roundtable moderated by fellow cartoonist and retired art editor Lee Lorenz
A large hat tip to Michael Maslin for this.

Above Lee Lorenz photo & cartoon from a cartoon collection Compliments of Your Volkswagen Dealer

Most of the 2008 National Cartoonists Society Division Awards Nominees Announced

With the exception of the pending category Book Illustration, here are the nominees for the 2008 NCS Division Awards. These are from the Reuben.org Web site:

TELEVISION ANIMATION
Bryan Arnett - Character Design - “The Mighty B!” - Nickelodeon
Ben Balistreri - Character Design - “Foster’s Home for Imaginary Friends” - Cartoon Network
Sandra Equihua and Jorge Gutierrez - Creators - “El Tigre: The Adventures of Manny Rivera” - Nickelodeon

FEATURE ANIMATION
James Baxter - 2D Character Animator - “Kung Fu Panda”
Clay Kaytis - Supervising Animator, Rhino - “Bolt”
Nicolas Marlet - Character Designer - “Kung Fu Panda”

NEWSPAPER ILLUSTRATION
Lars Leetaru
Mark Marturello
Sean Kelly

GAG CARTOONS
Pat Byrnes
Mort Gerberg
Werner Wejp-Olsen

GREETING CARDS
Kevin Ahern
Jem Sullivan
Debbie Tomassi

NEWSPAPER COMIC STRIPS
Stephan Pastis - “Pearls Before Swine” - United Feature Syndicate
Mark Tatulli - “Lio” - Universal Press Syndicate
Richard Thompson - “Cul de Sac” - Universal Press Syndicate

NEWSPAPER PANEL CARTOONS
Vic Lee “Pardon My Planet” - King Features Syndicate
Mark Parisi “Off the Mark” - United Feature Syndicate
Jeff Stahler “Moderately Confused” - United Feature Syndicate

MAGAZINE FEATURE/MAGAZINE ILLUSTRATION
Daryll Collins
Bob Staake
Sam Viviano

EDITORIAL CARTOONS
Mike Luckovich
Jeff Parker
Michael Ramirez

ADVERTISING ILLUSTRATION
Roy Doty
Craig McKay
Jack Pittman

COMIC BOOKS
Chris Blain GUS & HIS GANG - First Second Books
Matthew Forsythe OJINGOGO - Drawn & Quarterly
Cyril Pedrosa THREE SHADOWS - First Second Books

Sunday, March 15, 2009

Roy Delgado: Remembering the Billy Hon Cartoon School

Roy Delgado shares some memories of the Billy Hon School, Billy Hon's Cartoonist's Magazine, as well as The Cartoonists' Market Letter, which was edited by a trade journal cartoonist named Lew Card.

The above is detail from an ad in The America Cartoonist, a trade journal of the 1950s and 60s. I love Roy's descriptions of some of the ads. Here's one:

CARTOONISTS - Get in on the ground floor of new markets as they open up by getting the dope while it's HOT. " CARTOONISTS' WEEKLY MARKET LETTER " supplies you with the latest market info as well as news and inter-studio chit-chat of just about everybody in the freelance gag-cartoon business. FREE sample copy. CARTOONISTS' WEEKLY MARKET LETTER, La Habra, Calif.



I posted some samples from a 1951 issue of The American Cartoonist magazine in January, thanks to Bob Weber, Sr.

Bob, where would Roy and I be without you cleaning out your house?!

Friday, March 13, 2009

Animal Cartoons

Hippo cartoons, pig cartoons, vulture cartoons, duck cartoons, cat cartoons, dog cartoons, turkey cartoons and penguin cartoons. And they are also fat cartoons, diet cartoons, family cartoons, insurance cartoons, business cartoons, x-ray cartoons and bowling cartoons.



"Oh yeah. Like the stripes help."

The above cartoon was published in Reader's Digest. Animals can, without people getting upset and writing letters into the Reader's Digest, be pretty dang mean to one another. Here is a fat joke, complete with snide sarcasm. Because it's happening to hippo, we laugh and don't feel the pain.




'I don't know about you guys, but I miss the carbs."

The above cartoon I sold around the end of the carb diet thing phase. I sold it to a magazine and later, to a calendar.

The drawing was done freehand, no penciling. This was one of the first cartoons I drew where I gave up penciling and went right to drawing it, ink on paper. I think it gives the lines more life.




"What do you have that's bigger than 'king?'"

Bought for a dog calendar. Above is the original version. When I redrew it for the dog calendar, I replaced all the cats with dogs. Too bad. I liked the cat hanging on the woman's arm ala Frieda' cat from PEANUTS.




"Steady Ralph. That isn't fear you smell, it's hubris."

The above was in the Chronicle of Higher Education during those early days of the war where "cakewalk" was used to describe it.


"We've has to cut back on our employee mental health budget. Do from now on, if you get stressed out, feel free to stop by and pet 'Fluffy,' our new corporate therapy cat."

I would redraw this today since, in this version, Fluffy gets lost behind those inky bars.





"I would do most of it over again, Simkins --
but this time I'd rethink letting the ducks imprint on me."

No one like the above and it remained unsold despite dozens of attempts. The idea that these ducks imprinting themselves on this CEO-type guy, following him around his whole life, seems very funny to me. Ah well.



Well, here's the problem, Stan.
Your internal organs have been shrinkwrapped."



Well, here's the problem, Stan.
Your internal organs have been shrinkwrapped."

Above: 2 versions of the same cartoon. The top one, with the Photoshop greys, is the earlier one. I like the real wash on paper (the later, second cartoon) better than the electronic Photoshop tones. I also like the face we can see the cord of the turkey x-ray machine in #2.



"I did my homework but the dog pressed control-alt-delete."

I don't like the above one, but it sold a couple of times and made money, and that's what it's about. I think I drew it about 5 years ago. If I colored it today I would use fewer colors. Fewer colors look better and a diminished palette makes my coloring labor time go quicker.




"He's saying he's gonna huff and puff.
Quick -- are we covered for that?"

Above: here we have a cartoon about pigs, fear, intruders, homes and insurance. It sold a couple of times. The more keyword information you can pack into a cartoon, the more appealing it becomes to diverse markets.


Above: a perennial cartoon that is now a t-shirt.

Mainstream Publishers + Webcomics = Oil + Water?

Joey Manley, in the Talking About Comics blog, writes about Web cartoonists and what happens when they get involved with big syndicates or sign publishing deals for print versions of their Webcomics.

This is old news, but here is, for instance, Rich Stevens, whose Webcomic Diesel Sweeties was a United Media launch, and why he decided, after a couple of years, to end his relationship with the syndicate (full interview here):

"'I did my taxes. I realized that I made less money than the last year that I wasn’t syndicated. It’s a hard business and it takes years and years to build up a client list and get paid. I just kinda thought to myself that I spent years and years learning how to make money off the Internet. Why should I continue to injure myself, when I could just do what I’m good at?'"

Strawberry Comics creator Gina Biggs on why she left Dark Horse to return to self-publishing:

"'This means they [her RED STRING series] will only be available through the website and at conventions, but it also means that I will see more of the profit from these books which could be very beneficial to someone striving to make a living through art and webcomics'"

Joey has a lot of interesting points, and, yeah, we all really don't know. But, in America, we are all entitled to our uninformed opinion.

Any time you (an independent cartoonist) get involved with a third party -- a syndicate, a publishing house -- that third party wants in on a piece of the action. Sure, this big company may have a crack publicity crew, sales staff, etc., but the deal is they want THEIR hand in YOUR pocket, in addition (let me pile on another metaphor) to being in the driver's seat. Your work will be referred to as "product." It's part of "their stable." It can be an upsetting experience.

It can be the road to great recognition and reward as well.

Signage: Fairview Heights, IL


Funny Sign
Originally uploaded by Mike's Picture Place
Father and son one stop shopping. Yeesh.

A hat tip to Tony Medeiros who took the photo.

Thursday, March 12, 2009

Who Drew This?


Jeffrey Meyer on his Goofbutton blog asks who drew these wonderful 1950s cartoon illustrations from Handyman magazine. Go see.

Related: A TCJ message board thread all about this.

H/t Journalista!

Hank Ketcham Banking Gag


Everything that's old is new again. Here's a gorgeous Hank Ketcham gag cartoon from 1947, four years before the debut of his DENNIS THE MENACE newspaper panel. A lot to linger over here; the layout, the use of the wash as a framing device, the banker's wee hand surreptitiously signaling to the bare chested torturer. And look at all those various branding irons! Yipe!

My thanks to my friend Leif Peng, whose Today's Inspiration blog is one of those essential stops on the cartoony information Internets highway. Leif surprised me with this in the morning email and I had to share. Thanks, Leif!

Wednesday, March 11, 2009

MEDICAL ECONOMICS Cartoons

Here are some CARTOON CLASSICS FROM MEDICAL ECONOMICS. This is a hardcover collection of gag cartoons from the Medical Economics magazine, copyright 1963 by the Medical Economics Book Division, Inc. of Oradell, NJ.



Above: Jack Markow is the cartoonist and this is one of my favorite cartoons of his. This may be one of his most reprinted cartoons. Mr. Markow was a prolific gag cartoonist who wrote a series of "how to cartoon" books throughout the 1960s and 70s.



You know it's coming, but the gag is classic.


Look at that. An office without a computer. Or any files.




Joe Farris, whose work I still see and, so far as I know, is up at the New Yorker offices, pitching every "look day" showcases his wash skills here. Those sly looks on the kids' and moms' faces have me feeling a little uncomfortable.



Above: Al Kaufman, one of the greats. This made me laugh out loud. What a gleeful look on that kid's face!




Sid Hoff using his dry brush on pebble board technique. A creaky gag, but an idea I still see published from time to time.



Tom Hudson with a sorry little kid.



I can't make out the signature. This is fun and probably a true life event!


KAZ, who is alive and well and still dwelling in Manhattan, with a racy one.




And the last one for now is this wordless gag by the late, great Charlie Rodriguez. It took me a couple of seconds to see what's going on ....

WATCHMEN on RACHAEL RAY


Newsarama has the story. And, yeah, this is what Alan Moore was on about, kids.

Deadline. I Has One.


Deadline crush. More anon.

Tuesday, March 10, 2009

Quadrotriticale for Real


Quadrotriticale , as featured in "The Trouble With Tribbles" episode is a futuristic version of the grain triticale, which is now, in today's real world, getting attention according to this article by Simon Ostler.

"Richard Gibson, the head of bio-fibers at the Alberta Research Council says Triticale, a combination of wheat and rye together, has been sitting on the back burner for 40 years mainly used as cattle feed. 'But what we're looking for nowadays actually is renewable resources. Bioplastics, different kinds of green or organic type fibers or whatnot for materials. Triticale's fits the bill perfectly for that.'"

iNews880 has more here.

H/t to Trekmovie.

Related: an LOLCats version of the episode is here.

Realted: OH HAI! YOU HAZ KWESTION? What is/are LOLCats? It's all here.

Video: Alison Bechdel: Thinking Visually

Alison Bechdel talks about her working process on FUN HOME in this video from MiND TV:



She cuts no corners!

Rhodes International & STAR TREK

Video below: a CGI tour of the Enterprise. Just stunning. Alan Rhodes keeps going back and tweaking it. If you're a TOS fan, it's catnip, baby.

Star Trek Renewal - A Tour of the Enterprise



And here's a TOS style mash up of the latest STAR TREK movie trailer. Again, expertly and quickly done by Mr. Rhodes:

Star Trek 2009 trailer 3 - The Original Series version

Rube Goldberg Solution to Our Economy


David Friend, writing for Vanity Fair, introduces us to

" ... Reuben Goldberg IV, the newest member of the Obama economic team, reporting directly to Treasury Secretary Timothy Geithner. Goldberg—whose title is deputy undersecretary for fiscal clarity—is the great-grandson of Rube Goldberg, the inventor and illustrator whose whimsical mechanical contraptions, some dating back to World War I, have delighted and confounded Americans for almost a century."


More here.

Big hat tip to
Sean Kelly.

Monday, March 09, 2009

Dateline: Silver Age


For your perusal: a blog with "headlines ripped from the pages of comics' great metropolitan newspapers" titled Dateline: Silver Age.

Big hat tip to Brian Moore!

John Stanley's WHAM-O COMICS Page


Here's a wonderful John Stanley one-pager from Wham-O Comics. Wham-O Comics was a GIANT book; an oversized comic book experiment of the 1960s, measuring 14" by 21."

Stanley's writing was always very heavy on ideas and grounded in the real world. They really read like small budget comedies. Here we have 3 characters, one interior set and one exterior set. Simple, and with some great cause & effect happenings. I laughed out loud at this 1967 stand-along comic book book filler page.

Thanks to Tom Devlin for sharing this. The whole page scan is over at the D&Q blog.

Big hat tip to Journalista!

Mike Lynch Cartoons: Out of the Comfort Zone




Above: a very fat & bulbous headed Tony Soprano is not happy to find The Daily News in place of his Star Ledger. if you know the show, you know he always walks out of his McMansion in NJ to get his Star Ledger in the first show of every season.

Here are a few from a series of unpublished sketches and cartoons I drew for the NY Daily News way back when they were looking for an editorial cartoonist. these are various tryouts. with me trying to stretch myself out of my cartoon comfort zone to become a caricaturist. There are many wonderful caricaturists out there and I am no mean competition, you betcha!





I liked doodling some of the people. Keeping it loose and messy seemed to assist in getting the looks right.


Film director Peter Jackson is really just a pile of hair with large-ish glasses. I like his wee smile.

Martha Stewart is less successful.



Above: 5 doodles of Mayor Bloomberg. I drew some cat's paws in there for no good reason. He's a difficult guy to pin down. I finally decided to go for an elf with a hyperactive thyroid look.


Above: the mayor, after insulting Mr. Atkins and his diet, then tried to reverse his position. Again, at the time, this was a big tabloid story.




Above: Bring me the heads of Sam Waksal. Some really good (I think) caricatures of Sam Waksal (not that anyone recalls what Sam Waksal looks like), a guy who is currently serving time in Otisville for income tax evasion. The trial (a big deal in NYC) was going on when I was developing these. He may be better known for dating Martha Stewart's daughter, Alexis.



Above: A wardrobe malfunction for then-campaigning John Kerry. The gag (best that I can recall) was that Justin Timberlake was his campaign manager. Kerry needed more media attention. Something like that.

So there you go, my friends, an interesting exercise. Now they all finally go in the shredder ....

Friday, March 06, 2009

Unmasked: The Ariella Dadon Story



Inbal Freund-Novick and Chari Pere create a 3 page cautionary true story of Ariella Dadon and her struggle to get a "get" from her abusive husband:

This past June, following a struggle spanning several years, 28 year old Ariella Dadon managed to receive a get (a Jewish divorce) from her violent, abusive husband. "Unmasked: The Ariella Dadon Story" is her poignant story.
Hat tip to Chari.

Dave Astor at HuffPo

Last year, I saw news stories ripped from Editor & Publisher's site and placed on The Daily Cartoonist site.

This year, it's reversed; stories are ripped from Daily Cartoonist's site and placed on The E&P site.

It's not the same. What's missing is the knowledgeable voice and insight of E&P's Dave Astor.

When Senior Editor Dave Astor was let go from E&P after 26 years, everyone was surprised. I'm not the only one who misses his commentary on the syndicated comics world. The guy knew EVERYONE in the syndication biz, and pretty much all the pro cartoonists know him.

I'm glad to see Dave is writing a column for The Huffington Post. This week's column isn't about syndication, but he offers up a great idea in his article titled Layoffs for Leaders.

Thanks to Dave for the heads up on this!

Steve Brodner: World Press Cartoon Week in Lisbon


Steve Brodner went to the beautiful city of Lisbon to help judge the World Press Cartoon Week. Go to Steve Brodner's Drawger blog. Many cartoons are there. I want to go next year just for the food!

Raina Telgemeier Interview


Cartoonist Raina Telgemeier is interviewed by Alex Dueben over at ComicBookResources.com.

They talks about her influences, her BABYSITTERS CLUB series of graphic novels, X-MEN, her new graphic novel SMILE and other things going on in her career.

"The first comics I read were in the newspaper. I was in third or fourth grade when I started reading them daily. Before that, I was big into animated cartoons and movies, and I read tons of illustrated books as a kid. Comics were a natural extension of those interests. I bought the bound collections of all my favorite strips as they came out, and read and re-read them, studying the language and the timing and the format. 'Calvin and Hobbes' is funny when you’re nine, but gets even better as you learn what all those words mean."

Thursday, March 05, 2009

THE ORIGIN OF MAN by Kate Beaton


Here's Kate Beaton over at the MySpace Dark Horse Presents page giving us a 2 page tale of Mr. Darwin and his theory ... gone wrong. Dan Jackson did the coloring.

I like her work a lot and am seeing it around more and more.

Kate Beaton Web site.

Hat tip to Journalista!

Introducing The New York Times Graphic Books Best Seller Lists

George Gene Gustines gives us the first of what what will be a regular series of "graphic books" bookseller lists in the News York Times. Not graphic novels, these are graphic books, categorized into hardcover, softcover and manga categories. They break down into these categories:
  • Indy comic book reprints (BEANWORLD)

  • Superhero comic book reprints (WATCHMEN)

  • Comic strip reprint books (THE COMPLETE TERRY AND THE PIRATES)

  • Manga (NARUTO)

  • There are no literary graphic novels on the list as of this week

This is a better-late-than-never idea for the Times. "Comics have finally joined the mainstream" may seem like a trite observation, but the list is welcome. It joins Publisher's Weekly's list, which has been ongoing since 2007.

Anthropomorphic Cartoons by Mike Lynch


Anthropomorphic cartoons, or to put it in simpler terms, cartoons where things that don't talk & behave like people actually talk and behave like people. Above: from Wall Street Journal.



I just noticed that these slugs do not sit in chairs. What a live. Slimy and chairless. And suicidal.


From a series of snowman cartoons.


One of my favorite cartoons. I don't think the kid is gonna make it.



I found out that it's really hard to draw anthropomorphic rock, paper and scissors. At least for me. Originally published in Reader's Digest.


I should have drawn even more destruction.


"Humminah" is a funny word. I should use it more often.




Above: I gave the original of this one to my realtor. It's hard to see in the scan, but it says "real Estate" on the briefcase.



Above: how cold the human heart can be. We never consider the plight of the dusty, plastic plant now, do we?




Above: I know a lot of people who have this lifestyle.

More cartoons for presentations and magazine and so on at my site heykidscomics.com!

Dave Perillo's Ten Doctor Whos

Starting the morning off with a great illustration.

I just love Dave's design for all the Doctor Whos through the decades.

Hat tip to Forbidden Planet.

Wednesday, March 04, 2009

Peter Arno


Harry Lee Green presents another grand sampling of that epitome of gag cartoonists, The New Yorker's Peter Arno.

Like Harry, I have that giant COMPLETE CARTOON OF THE NEW YORKER book/CD-ROM set and, also like Harry, I've never looked at the CD-ROMs. I had heard that they are not indexed properly, as he states. That seems to defy common sense.

Anyway, above is the seminal Arno cartoon, the one along with the man in the shower cartoon, that gets reprinted over and over.

I wrote about Arno before (Peter Arno's Favorite Part) but would like to add that his composition and gray-spotting is wonderful to look at. The whole story (above) is there: we are on an airfield; plane just crashed -- we know this because men in foreground are running toward it; the pilot is safe. What tips the scales from a "good" to a "great" cartoon is the drawing of the designer, who dominates the foreground. The problem, that Arno solves here, is this: How do you draw a character who looks like the scientist behind the plane's construction? Arno's drawn him as a bookish, skinny, bespectacled sort with a blueprint.

That's a lot to take in in the requisite 4-5 seconds it takes to look at a gag cartoon. And Arno does it so well that it looks easy.

Tuesday, March 03, 2009

"That Kind of Language" Cartoons

Some cartoons where people are not speaking down to you, drawn in some different mediums.


"On the downstairs freezer, you can view some of my earlier work."

A kid cartoon. I'm not so sure about this gag. Here's my back story:

I remember that half-way through a school year, the family fridge actually had layers of art project strata on it by me and my sister. We had no downstairs freezer where art could migrate to, sadly. Some friends down the street did have a freezer in their basement. It was the same basement where we had Cub Scout meetings and I saw thei art, dusty and curling, on that freezer, for years. Even today, to have a cartoon of mine clipped and put on a fridge is the ultimate. Published in First for Women magazine. Drawn in a breezy style with a micron.



"Not now. Daddy's got this whole burden of desire thing going on"

Part of a series of cartoons I did about urban families.

I wanted to show that "Daddy" was a bit of a poser, so I drew him with a ponytail, jams & flip-flops. I have no idea what he's up to at that double-screened computer, but, hey, the Internets is an amazing place here in 2009 and you don't get these years to surf back. Orginally published in the Chronicle of Higher Education. Conte crayon & wash.


"You're confusing my arch tone with my wry tone."

A sour married couple, reading their Sunday Times. I showed this to Bob Mankoff at The New Yorker. He said, and I agree, that "arch" and "wry" are about the same thing. The cartoon was "pulled," but then returned (not bought). Charcoal on typing paper. I should have drawn this on Arch paper, huh? Note characterful items like a knitting thingy, a display case for some fancy plates and the French style chair against the wall.



"He's quite a man of letters -- lower case ones."

More kids talking like older people. The phrase "a man of letters" isn't used very much and so would be a dubious way to impress a schoolmate. Ink, crayon & wash. The letters on the blackboard are a Photoshop effect.



"I've got to hang up. It's la sacre du printemps time."

Above: one of my favorite cartoons I drew for BBC Music Magazine. Obviously, this thing falls flat if you don't know what la sacre du printemps means. If you feel it's a burden not to know, try the Internet. You're soaking in it now. Ink & wash on paper.



"I had an unexpressed thought yesterday."

The kid speaking has the only bit of black-spotting in the drawing, which focuses the viewer's eyes. I drew this just before the first Hellboy movie came out, hence the poster. My Brooklyn neighborhood was changing and it was suddenly full of precocious children who gave, loudly and clearly, an earful of opinions and observations as they went in and out of the shops with Mummy. The cartoon was one of those that "just happened." Originally published in Barron's. Pen on paper.





"It's the Liebermans. Quick -- are they air kissers or full contact?"

And is there going to be back slapping and pinching of cheeks? More social concerns from the big city, where everyone walks everywhere and you never know who you'll bump into. Orginally published in the Chronicle of Higher Education. Ink and wash on paper.



"Harold, have you ever heard the term 'Jump the Shark?'"

If he does not know, Harold will always remember this educational moment. And publicans will make a tidy sum on his thinking/drinking it over. Ink on paper. Another very simple, liney drawing with some black-spotting in the hair for a focal point.



"I printed my aphorisms on wallet cards."

A legend in his own mind. Based on a fellow I know who looked like this at the time. Soft charcoal on paper.


"Stop demonizing my french fries."

My first of two "Stop ..." cartoons, where we can imagine what the woman has said to the man. Conte crayon & wash on paper.


"Stop ending every sentence with 'as is my wont.'"

The above cartoon sold quickly to a UK magazine. I think these people live in the same building as the "wry tone" people do. Pen on paper; coloring in PhotoShop.

As always, more cartoon at my Web site.

Jerry Robinson Interview



The Palisadean-Post's Michael Aushenker interviews comic book legend Jerry Robinson:

PP: You were 18 when you drew 'Batman' # 1 and introduced The Joker.

ROBINSON: I also drew the first Penguin. I worked in tandem with Bob and Bill. Bob was 24, Bill, 25, the best writer of the time. Bill was crucial in the creation of the Riddler, Cat Woman, Penguin. We all lived in the Bronx. We ate, slept and dreamt Batman 24 hours a day. I was supposed to go to Columbia University's journalism school. While taking classes, I volunteered to write one of the stories for 'Batman' # 1. I thought, fiendishly, that I would get paid for a story and also get credit in my creative writing class. Well, I knew from my studies that all great heroes had great antagonists. We had some reservations. Some thought it might overpower the villain. I felt differently. The stronger the villain, the stronger the hero. Don't forget, we didn't have the word 'supervillain' at the time.

The whole thing is here.

Thanks to Journalista! for the link.

Newspaper Death March


"As cartoonists feel their own effects of newspaper cuts, the frequent dire news and trends as posted on [the Poynter Institute's popular online Romenesko column] can make for compelling reading -- or in some cases, compelling rubbernecking, especially if your newspaper or client newspaper is doing the cutting."

- more at Michael Cavna's Comic Riffs blog

Hat tip to Journalista!

Snow Snow Snow


March roars in like a lion with a lotta snow. I'm out doing the same thing I did last week: clearing the snow. Blogging to commence soon.

Monday, March 02, 2009

Urban Cartoons

Some mean cartoons about mean city people.


Above: this is the epitome: a selfish, me-oriented couple, casually -- maybe even cruelly -- just not that into traditional family values (unless the New York Times and New York Magazine say otherwise).

A good gag cartoon does its job in a few seconds. And sometimes a good gag cartoon can leave you scratching your head. If you don't get it, that's OK. If you do get it, then you recognize these people.


Above: one of my urban couple cartoons. This one was published in the Chronicle of Higher Education. I wanted to show a couple coming on to each other in, well, in a higher education sorta way. I like the fact that the guy's in his socks here and the sleeping cat is oblivious.


The subways in NYC have it all: musical groups perform, people begging for change, and there are religious people passing out pamphlets. There was a group at the Hoyt-Schermerhorn station that would only target black people, never Hispanics, Asians or whites. Well, that's discrimination! And how arrogant to presume people need a new religion.




Being happy is not a New York thing to be. This drawn a while ago, during my conte crayon and wash phase, as is the "new God" cartoon above.



I drew this up the same week that New York Magazine had an article about people spending lots of money to have fancy kitchens in their apartments, yet never used them.

More cartoons at my site heykidscomics.com.