Here are
some cartoons from the book BEST CARTOONS OF 1964, "being a selection, by
the artists themselves, of the best cartoons they drew for the leading
magazines in the country for the past year." It's copyright 1964 by the
series' long time editor Lawrence Lariar. The nice paper cover has long
since been landfill, so here's the frontispiece.
Bob
Weber's cartoons are always fun. Full of lowlifes, full of action --
and there's always an old timey cartoon touch to admire. In this case,
I'm admiring the little puffs of smoke behind the hubby. This guy gets
snaps for escaping the police and running through town without losing
his stogie!
Here's
a nice pen scratchy Joe Farris cartoon. It's only by letting my eye
wander for a moment, keying in on what the shrink is looking at, that I
was able to see those patient's fingers.
George Dole is one of the greats. I like his wide-eyed characters and easy, quick sketch style.
I like how the kid's hand is at his hip. So theatrical. Bo Brown has made a good point.
Jack Tippit with a prescient cartoon. Lariar wrote in his introduction that, "The past year may well go down in history as The Year of the Unleashed Libido." This cartoon certainly qualifies.
Arthur Henrickson with an early raw food market cartoon.
The
one and only Don Orehek with a dopey cop. Note how his black spotting
gets your eye bouncing between the 4 "Budapest String Quartet members"
and the foreground.
Vahan
Shirvanian gives us a 2 panel take on an old idea. I laughed at it. Maybe you saw
it coming, but I didn't!
Do kids even know what a divining rod is? Here's another multi-panel by Jack Tippit. You can never have enough Tippit.
Michaud
made me laugh out loud. Another "Year of the Libido" cartoon, for those
who are counting! Look at the lovely little details of the room, and
that easy, sweeping wash.
Jim
Whiting reporting on the wild, drunken parties. Nowadays, a quick phone
call from one of the kids' cell phones to Child Protective Services
would bring about a swift end to this behavior!
This
is maybe a dated and silly gag, but look at the composition: a sea of
frowns as we look from left to right -- and then we see the exception,
and read the gag line. All done in an economic 2-3 seconds.
-- This was an edited version of a May 30, 2008 blog entry.
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