Showing posts with label American Art. Show all posts
Showing posts with label American Art. Show all posts

Friday, May 09, 2008

TOPSYS & TURVYS by Peter Newell


TOPSYS & TURVYS by Peter Newell (1862-1924) was originally published over a hundred years ago. It's the same with all of Peter Newell's work: all published over 100 years ago and all of his six "novelty books" ( such as THE SLANT BOOK, THE HOLE BOOK) are still in print. He also wrote and drew a newspaper comic strip titled THE NAPS OF POLLY SLEEPYHEAD (1906-07). There were, at the beginning of the 20th century, a slew of fantasy strips -- of which only LITTLE NEMO is remembered today.

Above is the cover of the Dover edition ("designed for years of use!") and it includes selections from TOPSYS AND TURVYS (1893) and TOPSYS AND TURVYS - NUMBER 2 (1894). No copyright information at all in here.


"The Elephant leans o'er the fence and wonders why it is"

The idea is that you look at Newell's drawing and read the line -- and then, turn the book over:


"The Ostrich has a longer neck and smaller mouth than his."

And you see a different picture, with a rhyming conclusion. Note: other blogs would just snidely tell you to turn you monitor upside down, but here at Mike Lynch Cartoons, we're all about customer service. Below is the same picture, upside down. No need to strain, gentle blog reader! Thank you and have a nice day.


"This troop of soldiers, all in a file, are looking near and far"


"To find the famous Forty Thieves, each hid within a jar."

Most of the time, I look at that first picture and can't figure out what the upside down version will be and how it relates. Some wonderful work.

"Peter Newell liked to say that he and the Civil War both broke out in this country at the same time. He was born near Rice's Corners, McDonough County, Illinois, on March 5, 1862, the fourth child of George Frederick Newell, an Ohioan, and Louisa Dodge of Chautauqua County, New York. His childhood years were spent in Bushnell, a small town in west-central Illinois."

- from the Peter Newell Family Papers at Yale University; bio by Sandra J. Markham



"A hermit with a long red beard dwelt in a lonely place"


"The squirrel gazed with wonder upon his gloomy face."


"By the spring of 1883 he had moved east to New York, where he enrolled in classes at the Art Students' League while hoping to find steady employment as an illustrator for periodicals. His work had been published in the New York Graphic and Harper's Bazaar by the fall of 1883; the appearance of his simple line drawn comics was the beginning of a career in humor that would make Peter Newell one of the more prolific and best-known illustrators of his day."


"Fernando bears his cradle in, a cradle strong and deep"

Newell had good timing.

"By 1893 the development of halftone reproduction had made possible the style of illustration for which Newell is best remembered, the continuous tone drawing. His single-frame comics underscored with short, whimsical rhymes began appearing in Harper's Monthly and other magazines at this time. He was catapulted to fame by one in particular, "Wild Flowers," which appeared in the August 1893 issue of Harper's Monthly; several of these comics were compiled in one volume as Peter Newell's Pictures and Rhymes, published by Harper in 1900. Soon nearly every issue of most of the Harper magazines, as well as some Cosmopolitan, Metropolitan, McClure's and Collier's, carried a Newell comic or a Newell-illustrated story by authors such as John Kendrick Bangs, Stephen Crane, Philip Curtiss, Burges Johnson, Frank Stockton and Mark Twain."


Ahh! Those were the days!

"Then, placing it upon a rug, he rocks himself to sleep."


In 1894, the successful illustrator Newell and his family moved to Leonia, NJ.

"Over the next twenty years Leonia grew to become an illustrators' colony much like the one centered around the Pyle-Wyeth group near Wilmington, Delaware. The lively community of artists formed clubs, theatrical and lecture societies, and held exhibitions, costume parties and pageants. The Leonia School of Illustration was opened there by artists Harvey Dunn and Charles Chapman. The Newell family participated in all aspects of the intellectual, musical, religious and social life of the community. Peter Newell was a founding member of the Men's Neighborhood Club of Leonia and served on the village's first Board of Health. He played the cello, though apparently not well, and was a popular toastmaster and lecturer known for his "chalk talks" and other impromptu presentations. Both of the Newell daughters married illustrators, and Howard and Josephine Newell McCormick became leading members of the second generation of artists to live and work in Leonia."

The house wasn't just any house. It was featured in an article in Scientific American and a picture postcards as well!


"Why do these scurrying, frightened hares come coursing through the vale?"


"Because they know three hunting dogs are close upon their trail."


He traveled quite a bit. Like a lot of artists of the time, there were "sketching trips" to Europe. He was deeply grieved upon his only son's death in The Great War. In 1923, the Newells moved to Little Neck in Queens, NY.

"By the end of that year Peter Newell had become physically crippled by amyotrophic lateral sclerosis and was unable to work; he died in his home on January 15, 1924, at the age of 61."

More: Philip Hofer remembers in a 1934 essay on Newell's career from Nonesenselit.org.


Related: Cartoonist Gustave Verbeek also tread the same ground with his latter comic strip THE UPSIDE DOWNS in which he drew a six panel Sunday page which your would read all the way through and then turn it 180 degrees to read the conclusion. Barnacle Press has many of the strips here.

Wednesday, January 09, 2008

NYC: Artists Against the War Reception Tonight



If I lived in NYC, I would be at the Artists Against the War reception at the Society of Illustrators tonight.

Friday, December 14, 2007

David Gantz 1922-2007

Above: Dave Gantz's National Cartoonists Society page.

Cartoonist David Gantz, a veteran comic book artist andwriter, newspaper strip cartoonist and graphic novelist, who had worked with many greats including Al Jaffee of Mad and Charles Schulz, passed away this morning. There is no further information at this time.

Dave attended the High School of Music & Art, the National Academy of Design and the University of Iowa.

Dave was a golden age comic book artist. His first job, back around 1940, was with Magazine Management, a company that later changed its name to Marvel. Dave drew "Mighty Mouse and "Patsy Walker," among other titles.

He continued as a comic book artist for the next couple of decades, producing mystery, horror and romance comics for Lev Gleason, St. John and Ziff Davis. He's also been credited with drawing the Classic Illustrated version of Huckleberry Finn.

Dave was a syndicated comic strip artist. He had a number of his own strips, notedly "Dudley D," which ran from 1961 to 1964 with the Herald Tribune Syndicate, and "Don Q," a strip that ran from 1975-80, syndicated by the New York Times Features Syndicate. Below is an interview from the JewishPub Web site:

Q: And you had a political cartoon strip for The New York Times.

Dave Gantz: My strip “Don Q” was syndicated by the New York Times Special Features Syndicate and ran from 1975 -1981. In its time, Don Q appeared in over 100 newspapers throughout the world, daily and on Sundays, but it never appeared actually appeared in The New York Times.

Q: Why not?

Dave Gantz: I was told that because The New York Times was distributed nationally, if the strip appeared in the Times it would hamper sales of other papers throughout the country. I remain skeptical about this explanation because I know that The New York Times published a comic strip in 1906 to compete with Pulitzer’s “World.” It was called “Roosevelt’s Bears” and it flopped after 6 months. The publisher, Adolf Ochs, vowed that the Times would never again publish a comic strip. Not even “Don Q.”
David Gantz also created freelance cartoons and illustrations for major publications including Boy's Life and Mad Magazine.



Above: JEWS AND THE GRAPHIC NOVEL by David Gantz; an online illustrated essay on the impact of Jewish creators. Thanks to Steve Bergson's Jewish Comics blog for the link.

David Gantz wrote and illustrated over 75 children's books for Scholastic, Random House, Simon & Schuster and others. In addition to his commercial work, he was a fine artist, working in print making and sculpture. He exhibited in the US and Canada.

He won a 1997 National Cartoonists Society Newspaper Panel Division Award for "Gantz Glances."

He worked with Chaim Potok on his (Dave's) most recent book, JEWS IN AMERICA.

Dave was a member of the National Cartoonists Society Long Island Chapter (the "Berndt Toast Gang"). Berndt Toast Chairman Adrian Sinnott adds:

"David was one of the kindest, intelligent, and creative people I've ever met. An artist, writer, and sculptor. His work included scores of books and whenever you spoke to him he was working on another project. He was a great inspiration to me and countless others. Another great loss."


Above: one of the many terrific samples of his comic strip work from Allan Holtz' Strippers Guide blog here (scroll down a bit).

Thursday, November 29, 2007

Jon Witcomb Famous Artist


My pal Leif Peng over at Today's Inspiration always, always, always has a great blog entry. Really great. Great, great, great. How I hate him.

Today, it's Jon Witcomb Famous Artist, and we get to see lots of great old magazine art and the above ad as well, with Mr. Witcomb, smoking Fatima (!?) cigarettes and -- what is that next to his drawing board -- a bowl of, uh, lemonade? No ... hopefully, it's paint thinner. There is also some how to draw lessons from Mr. W. too.

Note to the kiddies out there: open flames + paint thinner = KABOOM!

Monday, November 12, 2007

ALL IN A LINE Cartoons by Saul Steinberg

Before Sacco and Rall, there was Steinberg, drawing another war from another generation.

Below are some of his sketches from ALL IN A LINE, Copyright 1945 by Saul Steinberg; first Penguin edition 1947, reprinted by arrangement with Duell, Sloane & Pearce, Inc.

The first half of the book are (mostly) wordless cartoons and humorous drawings. The second half appears to be taken, with little or no redrawing, straight from his sketch book.


I love the POV drawing on the right hand side. Who knew you could have an open bottle of ink inside a military cargo plane?




His line work always impressed me as a combination of Sempé and Van Gogh.





Some great drawings to linger over, and I wish there were more books like this today. The 2000 PBS documentary They Drew Fire was about the formal hiring of artists to cover the war, and why it was done. To my knowledge, Mr. Steinberg was not among these fellows, but moreso an ordinary Navy grunt, jotting down his impressions, which makes him just as valuable.



Perhaps best known for his 1976 "View of the World" cover to the New Yorker magazine, Mr. Steinberg was one of those guys whose cartoons were just a beginning of what would be a life of fine art. The Saul Steinberg Foundation link here.

Wednesday, October 03, 2007

Unseen Kurt Werth Drawings

Illustrator Kurt Werth (1896-1983), whose work I blogged about before, was known for his children's books. I liked his drawings a lot, and hoped that I would find more. I didn't have to go out and find more drawings; more drawings found me.

I received this email from Randy W.:

Mike: i found your posting about Kurt Werth cartoons while looking for information on him. I have a friend that has a few small personal "caricature" drawings by Kurt done on personal letters to a friend from the early 1980s. I have been asked to look into them to see if they have any value to collectors.
So, here they are. If you are interested, and can give some advice, please send Randy an email to rjwensman [at] qwest.net.



I can only guess at who the stylish woman is, but she appears in most of these drawings which look like pen and ink and watercolor.


Heaven knows why it says "Lousy!" Looks OK to me. Look at that pose and the smile. If that's a pair of scissors next to the drawing, then this is a rather small drawing -- all the more impressive for its skill.


Unfortunately, some of the text at the bottom is cut out of this photo.


A lovely portrait. "To Ann," it's dedicated, and signed "Werth 1980," when he would have been 84 years old.


Just reiterating: Randy is looking for anyone who can guide him as to what to do with these.


And there you have it. I love casual, personal sketches -- but these are practically finishes. If I owned them, I could not part with them!

Monday, August 20, 2007

Our Future World in 1999 According to 1966 Reader's Digest Book

Here's the Reader's Digest NEW Reading Skills Reader from 1966 with a spectacular future world painting by Fred Freeman (1906-1988). Looky them jet packs! Way cool!

Mr. Freeman was a veteran illustrator for many magazines and books. He may be best known for the 120 illustrations he drew for the book First Men to the Moon (1960), with text by Werner von Braun.

Below is a key to Fred Freeman's cover painting:

It's apparent that the oil companies did not have any input into this! And the lawyers would have a field day with moving sidewalks, rocket belts, etc. Man oh man, I am too cynical now.

I remember thinking, when I was a kid in Iowa City, that this was going to be the way it would be! Heck, it's in a BOOK. It's gotta be true if it's in BOOK.

OK, you saw that there are references to some page numbers. Below is referenced When You Grow Up story, which is fun to read

And, if you don't look out, you may build some skills, mate!

Click here for LARGE version.

I like the idea that people get to work later in the day so they can sleep in like great sloths and they don't have to work long hours. Ha ha ha!

Click here for LARGE version.

Food is like candy! More jet packs! Clothes made of glass!

Click here for LARGE version.

In the future, we will all wear what looks like velour jumpsuits with piping ala Lost in Space. And where's my personal robot? Can I have Andrea, from What Are Little Girls Made Of? Can I? Huh?

A labor-saving android from a 1966 episode of Star Trek. She's Shatnerlicious!

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This has been an encore presentation of the Mike Lynch Cartoons blog. The above appeared in its original form on Wednesday, July 12, 2006, back when this blog first started over at MySpace.

Wednesday, August 08, 2007

New Old Hal Foster Art


From the years before his run on TARZAN and PRICE VALIANT: A couple of early Hal Foster pieces at the Golden Age Comic Book Stories blog.

Thursday, July 19, 2007

Richard Erdoes: Jokes Jokes Jokes

Found at the Community Bookstore: JOKES JOKES JOKES Selected by Helen Hoke, with illustrations by Richard Erdoes. Published in 1954 by Franklin Watts, Inc., 699 Madison Avenue, New York 21.



As you can clearly make out, JOKES JOKES JOKES had seen lots of use in the 53 years before I found it. I thought I'd show you a bit of this tome today. First, the good news:


The endpapers! As soon as I saw them, I knew I'd buy the book. Love Erdoes' style.


Above: the next page. Just that one goofy guy with a hat and wearing a bowtie. A bowtie, for goodness sake! Kinda creepy, huh?


Now you can see that this is part of a series.


More great cartoons. They're like part cartoon, part 50s design.


Above: the bad news. Here's the first joke of the book. The drawings may have aged like fine wine, but these jokes -- I don't know!




OK, that's all for JOKES JOKES JOKES today. Just like "Joe" likes his school -- we, too, are closed!