Above: Ms Bechdel in her studio in a photo by Free Press photographer Glenn Russell.
Alison Bechdel talks about writing autobiographical graphic novels in this new interview written by Sally Pollak for the Burlington Free Press.
“I’ve always believed very whole-heartedly that writing about my family
was a very productive and useful thing to do, that ethical obstacles
could be overlooked. I’m starting to re-think that. I probably won’t
change my ways, but I am thinking about that in new ways.”
A friend sent me this item from ESPN with the comment, ""Animated graphic novel?" Wouldn't that be a MOVIE???"
Animation industry pro Ryan Woodward has produced BOTTOM OF THE NINTH, a story about a young woman baseball player. It is, regardless of the snark above, a beautifully created vision.
Maybe it's a peek into the future of producing a GN for electronic delivery systems. Patrick Dorsey of ESPN writes that BOTTOM OF THE NINTH is a "rare type of project [that] is available in a pretty unorthodox form, too -- as a series of apps, the first one titled 'Prologue.'"
Cartoonist Alison Bechdel's new graphic novel from Houghton Mifflin Harcourt ARE YOU MY MOTHER: A COMIC DRAMA gets a print run of 100,000. This is darn huge for a graphic novel. The book, which comes out on May 1, 2012, is a follow up to her FUN HOME memoir, which Time Magazine called the book of the year.
Digital Spy's Hugh Armitage adds the below figure regarding DC's comic book relaunch campaign.
Comics sales were boosted in the latter half of 2011 by DC Comics' September relaunch, with the year's top-selling issue Justice League #1 shifting more than 361,138 copies.
Now, this is apple and oranges, and I hope he means no comparison.
I am, so far as I know, one of the few people that has both Justice League #1 and FUN HOME on the bookshelf. This is because I am a comics omnivore. Of course you know that while comic books and graphic novels may both have similar storytelling methods, the audiences are not the same. Not the same at all.
My friend, graphic novelist Chris Schweizer, has a new SKETCHBOOK available for online ordering. He has all the details here. It's a gorgeous paperback. Take a look:
Here's a link to Pascal Girard's new cartoon diary. This caught my attention. Not only because I like Girard's style -- but, by a coincidence, I'm in the middle of reading his new graphic novel memoir REUNION.
There's a lot to frikkin' love about Ward Sutton's Village Voice cover this week. It's a mash up ode to cartoons, fusing old and new comics icons. Bravo, Ward!
And this gives me an excuse to run Ward's grand Shatner cover from 2009:
A tip of the hat to my pal Sean Kelly for this! Thanks, Sean!
"Entertaining it may be but certainly not memorable.
" ... I was hoping to get into the psyche of this talented cartoonist – like what makes him tick, the secret of his success, etc. I wanted to know something new about Lat but that did not happen."
Oscar Grillo shares photos from the Hugo Pratt exhibit at the Pinacothèque de Paris: part one and part two. Some spectacular images that makes me wish I could fly there right now and see it myself. Thanks very much for these, Oscar!
Have they gone TOO FAR with this new PEANUTS special?!?!
No, just kidding.
The above image is a 1963 parody of Mr. Schulz's runaway best seller by the great Hank Ketcham, from the 17th Annual National Cartoonists Society Reuben Awards newsletter.
Seriously ... there is a new PEANUTS special. But it won't be on TV. Not yet.
From what I have heard, this special is reverently done in the Lee-Melendez style and it's good. I haven't seen it. It comes out, direct to DVD, on March 29, 2011.
Titled HAPPINESS IS A WARM BLANKET, CHARLIE BROWN here is director Andy Beall talking about it and showing some pencils tests via Animation Brew:
The special is longer than the classic ones, 46 minutes, and the DVD has many special features:
Deconstructing Schulz: From Comic Strips to Screenplay - How the Peanuts comic strip was made into a special
Happiness is...Finding the Right Voice - Meet the stellar new voice cast (Peanuts Specials, for those who may not know, have always employed children actors for the voices)
24 Frames Per Second - Drawing and Animating a Peanuts Special
Deleted Scene with an Introduction by Director Andy Beall
Related: the new PEANUTS graphic novel HAPPINESS IS A WARM PUPPY, CHARLIE BROWN from Boom! Studios ships in April. The book is written by original creator Charles M. Schulz, adapted by Craig Schulz & Stephan Pastis, with art credited to Bob Scott, Vicki Scott and Ron Zorman.
“Drawing is generally like digging a ditch. I basically know how far I’ll get each day.”
Mr. Sacco completes about 2 pages of art a week.
Adrian Tomine was “constantly fighting against an undercurrent of stiffness” that can be a product of relying too much on photo reference. His new book, SCENES FROM AN IMPENDING MARRIAGE, drawn in a looser style, was originally not intended to see publication.
"It was a welcome reminder that drawing comics could actually be fun. Not just an arduous slog towards a very distant goal.”
The article begs the question (but doesn't answer it) of why Mr. Tomine was drawing comics not intended for publication.
My friend Gerry Mooney has finished his SISTER MARY DRACULA graphic novel. He sent me a copy, which I read and liked very much. I'm posting some information and links below that Gerry sent. Please consider looking at SISTER MARY DRACULA.
Take it away, Gerry:
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press release For immediate release
Sister Mary Dracula Halloween Treat, No Trick!
For the month of October, you can read "Sister Mary Dracula", the graphic novel by Gerry Mooney, online at www.sistermarydracula.com.
The 103-page story, in the works for 4-1/2 years and completed this summer, tells the tale of Terry Malloy, a ten-year-old at St. Egregius the Stricter Catholic School, who is convinced that his teacher is a vampire. Even his best friends think he's crazy.
Sister Mary Dracula began as a Flash animation created in 2000. It gained a following online and was selected to be shown at the San Diego Comic Con's Independent Film Festival in 2004. The animation can still be seen on the Sister Mary Dracula website.
Gerry Mooney has been drawing funny for most of his life, doing humorous illustration in the New York market for 20 years for such clients as Forbes, Parents Magazine, American Express, The Daily News, Newsweek, Mad and lots more, including a dozen covers for The New Republic.
His humorous feature "Mooney's Modules" (www.mooneysmodules.com) appeared in Isaac Asimov's Science Fiction Magazine for three years and spawned the now-legendary Gravity Poster (www.thegravityposter.com) which has sold over 4,000 copies and has been cited in Scientific American.
Lately Gerry has moved into animation and is developing independent projects as well as being involved currently in two online animation jams, one of which is Bill Plympton's "Guard Dog" animation jam, a project that includes 70 animators from all over the world, each one animating a single shot from the five minute short.
The Islington Tribune posts an interview with Posy Simmonds. She talks about her graphic novel, TAMARA DREWE, and her reaction to the new DREWE feature film.
"'It is weird,” says the Bloomsbury-based artist. 'I used real life and turned it into 2-D drawings. Stephen Frears has taken 2-D drawings and made them into 3-D people. The metamorphosis is odd to watch, but he is very, very faithful to the book.'"
Dan Carrier writes the article and also reviews the new movie.
Clients worldwide. National Cartoonists Society. Jack Davis Award winner. Recognized New Hampshire Arts Education Teaching Artist. New Hampshire Institute of Art and Design at New England College Comic Arts Program Adjunct Professor. Need cartoons and illustrations? Contact: mike@mikelynchcartoons dot com