Friday, February 04, 2011

"The Cardtooner" by Milt Hammer


"The New Way Cardtooner," copyright 1940 by Professional Publishers Inc., is a deck of oversized (4 1/2" x 5") playing cards by cartoonist Milt Hammer. Sure, you can make your money playing poker with these, or follow the instructions on each card about how to draw and make ZILLIONS by being a cartoonist!

Each card has a unique drawing lesson on it. Yes, every card has a

"... new and easy way to draw funny pictures ... you take a pencil and some paper, add lines step by step, and you create cartoons ... it's as simple as A, B, C."


I can understand the smiling fellow on the cover, but why is there a very upset one-toothed infant (just look at those tears, zipping away into the stratosphere) on the back cover of the package? Not so appealing!


Milt Hammer drew for comic books published by Dick Cole and Target. He looks like a product of one of those mail correspndence courses in cartooning like the Cartoonists Exchange. His Lambiek page has very little information -- not even a birthdate. Craig Yoe highlights a comic of Hammer's from a November 1948 issue of Target Comics here. And that's all the Web has to offer for now.

Like NBC TV used to say, if you missed the original airing, then the rerun is "new to you." The deck, which is missing a few cards after 71 years, is reprinted below in sequence, for the first time this century.

I've never seen or even heard of a "how to cartoon" instructions printed on playing cards. I wonder how many exist.


"Endeavor to express a certain emotion when drawing any of these features." Well, of course you should.




A good thing about the "Body" lesson on the two of clubs card is that Milt keeps all hands in view. Even with his "comic woman" he draws her right hand coming out a bit from the far side of her body. He's not hiding hands. A lot of beginners will stick hands behind backs and in pockets so they don't have to struggle with drawing them. A very bad habit!









One of the odder things about Milt Hammer's style is his habit of drawing eyes like inverted commas, like the swimmer figure in the left middle of the four of clubs above.



And the fellow in the upper left is Maurice Chevalier.






Those inverted comma-style eyes makes everyone look a bit cheesed off.


Note his use of shadows. For instance, with the car bumping along, unattached to its crosshatched shadow, such that the jalopy appears to be up in the air










These guys are scary looking.




Drawing animals can be hard. I really think Milt's remiss in not showing how to draw animal bodies.


Spats are what Chevalier would wear.




Is the fellow in the upper right above dead or stinky or both?










Lettering is becoming a lost art nowadays, which is a shame.

Above is one of my favorite cards. Milt was not afraid to draw expressive hands, a necessity when cartooning.







A big hat tip to my friend John Klossner for lending me this set. Thanks, John!

Thursday, February 03, 2011

PS Magazine 60 Years - Still Going


FOR IMMEDIATE RELEASE—

FROM: Joe Kubert and Paul E. Fitzgerald

PS Magazine Sixtieth Anniversary Year-Long, Ongoing, Blog Salute
(LINK: http://thebestofpsmagazine1951-2011.blogspot.com )

The United States Army’s “PS Magazine,” internationally acclaimed as
the most successful and longest-running communications program
utilizing sequential art to convey technical and motivational
information, will mark its Sixtieth Anniversary in June 2011 with
publication of Issue No. 703. Joe Kubert and Paul E. Fitzgerald have
established a blog, “The Best of PS Magazine 1951-2011,” as a vehicle
for an ongoing, year-long salute.

Kubert, artist, graphic novelist, and head of the Joe Kubert School
of Cartoon and Graphic Art, has just completedg his tenth year and
120 issues as the “PS” contractor providing creative art, design, and
pre-press production for the pocket-size publication—the same
services provided by Will Eisner for 227 issues in the program’s
first 21 years.

Fitzgerald, who was the first managing editor for “PS”, is the author
of the 2010 Eisner Award nominated “Will Eisner and PS Magazine”,
which reflects the six-decade saga and art of Eisner, Kubert, and six
other art contractors between the two book-ender icons.

The bloggers indicate that their continuing “Best Of” presentations
will include selections from all eight artists.

--END--

Wednesday, February 02, 2011

S.J. Perelman: "My chief interest always was to be a cartoonist."

Happy belated birthday S.J. Perelman born Feb 1, 1904. The renowned comedy writer told a New York Times Magazine interviewer in 1969: "My chief interest always was to be a cartoonist."

“... and I began very early to draw cartoons in my father’s store on the long cardboard strips around which the bolts of Amoskeag cotton and ginghams were stored.”

The rest is at the Brooklyn Eagle site.

Illustration by Al Hirschfeld for Perelman's WESTWARD HA! nicked from the Bud Plant Hirschfeld bio page.

Video: Comic Book Artist Peter Gross and MIX

For a short video (about 3 minutes, plus a damn 30 second advertisement in the beginning), this Star Tribune profile of Peter Gross (LUCIFER, CHOSEN, BOOKS OF MAGIC) packs a lot of information about who he is, what he does, and how he draws.



The article then focuses on the cartoonists in the Twin Cities area, with the prediction that most will be female in the coming years. Well worth a read, and it makes me consider dropping in for the next Minneapolis Indie Xpo.

Below: a fun & informative short video from the gang behind MIX about the 2011 Xpo, to be held November 5-6, 2011 at The Soap Factory in Minneapolis, MN:

1944 George Herriman Profile: "All House-painters Aren't Hitlers"


Yesterday's Papers transribes a heartfelt recap of George Herriman's career, six days after his death on April 26, 1944 by "non-alcoholic cirrhosis of the liver."

"All house-painters aren't Hitlers. George Herriman, who died in California the other day, was once a house painter, and a kindlier soul never lived. However, after falling off a ladder and spilling a bucket of paint over himself, he decided he’d rather be a cartoonist and deal with smaller quantities of coloring matter". - The Windsor (Ontario) Daily Star, 1 May 1944.

The rest is here.

Related: Clizia Gussoni's bio of Mr. Herriman from GeorgeHerriman.com

Stephanie Piro "Imagination-ing"


Stephanie Piro tells a story in pictures, an example of "imagination-ing" that she drew yesterday.

Tuesday, February 01, 2011

Lots of Videos from the Society of Illustrators

From the Society of Illustrators:



New Lectures available to view online!


An Evening with Edel Rodriguez

Award-winning illustrator Edel Rodriguez will discuss his career as both a freelance illustrator and art director at TIME.


DRUNK STONED BRILLIANT DEAD: Or, another evening at the Society of Illustrators

Join Rick Meyerowitz as he interviews fellow National Lampoon illustrators Sam Gross, Ed Subitzky and Stan Mack on the release of his new book "Drunk Stoned Brilliant Dead: The Writers and Artists Who Made the National Lampoon Insanely Great".


The Folly, Flexibility and Fun of Five New Yorker Cartoonists

New Yorker cartoonist Liza Donnelly moderates a panel discussion with colleagues Roz Chast, Drew Dernavich, Zach Kanin and Barbara Smaller.


An Evening with Jules Feiffer

Illustrator Jules Feiffer discusses his career as a cartoonist, playwright, screenwriter and children's book author and illustrator.


The Universe of Gary Baseman

Pioneering artist Gary Baseman talks about the work process behind his painting and his memorable characters and toys which have evolved into live performance.


Illustrating Bedtime Books with Stephen Savage

Known for his economical style of illustration that conveys complex ideas and emotion with simple line and color, Stephen Savage takes us through his career in children's book illustration with the release of his latest book The Fathers Are Coming Home.


A Gallery Talk with Tomer Hanuka, Yuko Shimizu and Sam Weber

Hanuka, Shimizu and Weber examine their new found artistic voices through personal mythologies, broken narratives and remixed identities.


An Evening with Milton Glaser

Legendary designer and illustrator Milton Glaser comments on the opportunities for social intervention.


Lectures are free and available to view on the Society's website. Past lectures can be found in the Lecture Archive.

Podcast: The Legacy of Charles Schulz


The Legacy of Charles Schulz aired on Southern California Public Radio station KPCV yesterday, January 31, 2011. Featuring guests Jean Schulz, Nat Gertler and Kevin Drabble, the talk focused on the influence of Mr. Schulz' strip, and Mr. Gertler's new book THE PEANUTS COLLECTION.

STAR TREK: Lost and Rare ... and Silly


Not the Enterprise.


And -- get this -- Robert April was the Captain.


Way back in 1964, when Gene Roddenberry was pitching his "wagon train to the stars" concept, the original name for the Captain was to be Robert April. And the Enterprise was then named the SS Yorktown. If you knew this, then you are a TREK ubernerd. Like me.

TV shows go thru a lot of permutations before getting on air.

My friend Sean Kelly emailed me to let me know that there is a PDF of Gene Roddenberry's original pitch for STAR TREK. Also: an original series show bible is online - the booklet that would be handed to any would-be writer, explaining the show format. (And there's a lot more at this root directory.)

It's fascinating to look at that material and imagine what it was like back before we all knew what TREK was.

Here are a few great links to some rare and lost bits of TREK. Complete time wasting fun! OK, you've been warned.



Perhaps the best is STAR TREK HISTORY, a massive site about the series' production, with many includes rare behind-the-scenes photos, missing scenes, documents, and interviews. Above, Kirk's salute to the Romulan Commander from "Balance of Terror," cut from the final version of the episode.


Before THE NEXT GENERATION, there was gonna be PHASE II.

In the late 1970s, Paramount greenlighted a new STAR TREK series. Sets were built, costumes designed, scripts commissioned. The cast, except for Leonard Nimoy, was contracted to return. Suddenly, STAR TREK PHASE II, was killed. Paramount, seeing 20th Century Fox's STAR WARS success, decided to do a movie instead. Above: a photo from a PHASE II screentest for the Vulcan Xon, who was to be portrayed by David Gautreaux.


Mr. Gautreaux, perhaps as consolation for not playing Nimoy's replacement Vulcan, was given a small role in STAR TREK THE MOTION PICTURE (see above). He gets clobbered, along with the Epsilon 9 Space Station, by V'Ger, early on in the movie. More info on the never-to-be PHASE II series (also called STAR TREK PHASE 2) here.

They aren't rare, but you may or may not know about some of the amateur takes on TOS. Take a look at the 2 teasers for these Web productions.



There are a number of fan-made films, the most prominent being STAR TREK PHASE 2, which imagines a fourth season of the original series (and taking the title of the proposed sequel series). Above: a teaser from one of their recent episodes. That's original series music in the background. James Cawley, the man behind the PHASE 2 Web series, continues to mount impressive looking shows with the blessing of Paramount - and the participation of some of the pros who have worked professionally on TREK.



My favorite fan-made series is STARSHIP EXETER, about another ship in the fleet during Kirk's time. Take a look teaser, above. Production appears to have halted, which is too bad.

A few more links. I could go on and on, but I have to stop sometime:



Steve Roby's informative Lost Books of STAR TREK page.



STAR TREK LOLCats-style parody here.

Related: a video round up of STAR TREK parodies.

Related: "Assignment Earth" TV show titles.

Related: STAR TREK NBC Previews & alternate pilot footage.