Tuesday, July 15, 2014
The Garden As of July 15, 2014
My beloved "Knockout Rose" bush has come back this year. I had to clip it down to the roots for the first time. I think I got this for $5 at a nursery a couple of years ago and planted it in the fall. It's the first thing I see when I walk out the door.
Okay, the garden is going full blast now. Let's look at the raised beds:
That's some basil in chair in the foreground. The raised beds are in the background.
Peppers, squash, cucumbers and way too many weeds. Sorry about that.
Watch this box for new developments. Those ARE NOT weeds in there!
Heavy, bushy tomatoes.
Some lettuce, which is beginning to bolt. And, in the back there, more tomatoes. You can really see how wet it is here.
And now, some of the flowers:
Spooky/Psychedelic 1960s TV Show Openings
I didn't realize it, but there were some TV shows out there in the 1960s with real trippy/unintentionally REALLY scary title sequences. At least they were scary to me when I was a tot.
Look at the kaleidoscope effects here on WALT DISNEY'S WONDERFUL WORLD OF COLOR. Wow, man!
Even the NBC peacock is trippy. This clip has the peacock, then a short preview for ALICE IN WONDERLAND (Of course!), then the DISNEY titles and then we get to see that the show is sponsored by Eastman Kodak. It runs under 2 minutes:
I was a little, little kid when TIME TUNNEL was on and the titles scared me very much:
The Lucy puppet was creepy. Here's the opening and the first ten minutes of this HERE'S LUCY episode, which guest stars Joan Rivers. Part two (if you get caught up in this episode) is here.
Hat tip to Randy Glasbergen for this.
And here's JOURNEY TO THE UNKNOWN a relatively unknown, short-lived anthology TV show that was a coproduction between 20th Century Fox and Hammer Films from 1968.
Hat tip to Rod McKie for this one:
Look at the kaleidoscope effects here on WALT DISNEY'S WONDERFUL WORLD OF COLOR. Wow, man!
Even the NBC peacock is trippy. This clip has the peacock, then a short preview for ALICE IN WONDERLAND (Of course!), then the DISNEY titles and then we get to see that the show is sponsored by Eastman Kodak. It runs under 2 minutes:
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I was a little, little kid when TIME TUNNEL was on and the titles scared me very much:
The Lucy puppet was creepy. Here's the opening and the first ten minutes of this HERE'S LUCY episode, which guest stars Joan Rivers. Part two (if you get caught up in this episode) is here.
Hat tip to Randy Glasbergen for this.
And here's JOURNEY TO THE UNKNOWN a relatively unknown, short-lived anthology TV show that was a coproduction between 20th Century Fox and Hammer Films from 1968.
Hat tip to Rod McKie for this one:
Monday, July 14, 2014
Which Kleinwaks Cartoonist Drew This? I'm Not Sure
I was at a thrift store in Gorham, Maine on Saturday and saw a pile of framed, original gag cartoon sketches. Each was signed "Kleinwaks."
All of the cartoons appear to have been drawn on 11x14 paper in marker.
I stared at the signature, which appeared as two words:
KLEIN
WAKS
I had not heard of the name "Kleinwaks," so I didn't know what to think of these cartoons. I took some photos of them and, when I got home, I hit the Google pretty hard to see what I could find out.
There were clues in the cartoons themselves. I mean, people do not talk that much about reading newspapers at the table any more. Maybe a tablet, but not a paper, huh?
The semiconductor known as a transistor was created in 1907, and went into wide use after WWII. So, this cartoon, implying that everything that's out there has a transistor component, may relate to the 1960s or so.
YANK Magazine featured the above cartoon by Cpl. Allen A. Kleinwaks in its December 9, 1942 issue.
I think this was the fellow.
A Newark, NJ native, Mr. Kleinwaks got a job as an artist with the Newark Star Eagle newspaper and then with commercial firms when he was a teenager. His drawings were blown up to billboard size for movie advertisements, including THE JAZZ SINGER (1927) and ALL QUIET ON THE WESTERN FRONT (1930). During WWII, he contributed to Yank Magazine as an artist correspondent beginning in its year of inception.
After the war, he did a variety of jobs. He worked managing a chain of New York City photo studios. He had a large store in New Jersey that sold toys and sports equipment. He was also selling to the gag magazine markets: Colliers, Look, the Saturday Evening Post and Collier's.
When his wife Eleanor's father was sick, they moved to Waterford, CT.
In 1966 he opened The Wine Merchant in Old Saybrook, CT. He and Eleanor co-managed the store. He opted not to have major brand wines for sale. They were not good-tasting, he thought. He offered low-cost, good wines from all over the world.
And if you walked into The Wine Merchant while Mr. and Mrs. Kleinwaks were running it, you would see the cartoons that he drew, all over the place. He also put his cartoons in the store's newsletter, which reached a peak of 500 subscribers a month.
They sold The Wine Merchant in 1982, with Mr. Kleinwaks promising to continue the newsletter and concentrate on drawing cartoons.
He died two years later.
I don't know where the half dozen cartoons in the Gorham, Maine shop showed up from. Maybe they were originally hanging in the store. Maybe they were in a relatives' storage facility. How they got to Maine, I don't know.
Well, you know the Internet. Maybe someone will see these and know more than me! Hope so.
"New London's Wine Man Retires - But Drawings and Newsletter Will Continue" The Day, New London, CT. Sunday, April 4, 1982.
Allen Kleinwaks obituary. The Day, New London, CT. November 8, 1984.
"The food here is absolutely
terrible, but they serve
generous portions."
All of the cartoons appear to have been drawn on 11x14 paper in marker.
I stared at the signature, which appeared as two words:
KLEIN
WAKS
"I've read all your books
and I think your spelling
is simply superb."
"Some day, Morton, there's going
to be a newspaper strike and
you're going to get the shock
of your life!"
"The fact is, Granby, you'vebeen replaced by a transistor."
The semiconductor known as a transistor was created in 1907, and went into wide use after WWII. So, this cartoon, implying that everything that's out there has a transistor component, may relate to the 1960s or so.
"You don't have to wait for
the government to slash
income taxes, Higgins. I
took care of it by cutting
your salary."
"Let me tell you a thing or two!"
So, below is a cartoon from 1942 that may be related to the ones above:
YANK Magazine featured the above cartoon by Cpl. Allen A. Kleinwaks in its December 9, 1942 issue.
I think this was the fellow.
A Newark, NJ native, Mr. Kleinwaks got a job as an artist with the Newark Star Eagle newspaper and then with commercial firms when he was a teenager. His drawings were blown up to billboard size for movie advertisements, including THE JAZZ SINGER (1927) and ALL QUIET ON THE WESTERN FRONT (1930). During WWII, he contributed to Yank Magazine as an artist correspondent beginning in its year of inception.
After the war, he did a variety of jobs. He worked managing a chain of New York City photo studios. He had a large store in New Jersey that sold toys and sports equipment. He was also selling to the gag magazine markets: Colliers, Look, the Saturday Evening Post and Collier's.
When his wife Eleanor's father was sick, they moved to Waterford, CT.
In 1966 he opened The Wine Merchant in Old Saybrook, CT. He and Eleanor co-managed the store. He opted not to have major brand wines for sale. They were not good-tasting, he thought. He offered low-cost, good wines from all over the world.
And if you walked into The Wine Merchant while Mr. and Mrs. Kleinwaks were running it, you would see the cartoons that he drew, all over the place. He also put his cartoons in the store's newsletter, which reached a peak of 500 subscribers a month.
They sold The Wine Merchant in 1982, with Mr. Kleinwaks promising to continue the newsletter and concentrate on drawing cartoons.
He died two years later.
I don't know where the half dozen cartoons in the Gorham, Maine shop showed up from. Maybe they were originally hanging in the store. Maybe they were in a relatives' storage facility. How they got to Maine, I don't know.
Well, you know the Internet. Maybe someone will see these and know more than me! Hope so.
"New London's Wine Man Retires - But Drawings and Newsletter Will Continue" The Day, New London, CT. Sunday, April 4, 1982.
Allen Kleinwaks obituary. The Day, New London, CT. November 8, 1984.
Sunday, July 13, 2014
DOCTOR WHO Series 8 2014: New Official BBC Trailer
The new series begins August 23, 2014.
Hat tip to the Life, Doctor Who and Combom blog, which also has a frame-by-frame parsing of this trailer here.
Hat tip to the Life, Doctor Who and Combom blog, which also has a frame-by-frame parsing of this trailer here.
Friday, July 11, 2014
I Drew a New SKIN HORSE Character
Like I told you, I'm the "substitute teacher" over at SKIN HORSE, temporarily taking over the the visualization of the long-running, award winning strip. This is only for a couple of weeks while Shaenon Garrity takes maternity leave.
Some months ago, I talked with SKIN HORSE writer Jeffrey C. Wells on the phone and the conversation went something like this. This was the first time we chatted. I tell ya, I sure sounded like a dope for not understanding his question:
Jeffrey C. Wells: So, what do you like to draw?
Mike Lynch: Huh?
Jeffrey C. Wells: What do you like to draw?
Mike Lynch: What?
Jeffrey C. Wells: Some people like to draw cute things, some people like to draw dinosaurs. I'll try to write something about, for instance, cute things, in the strip. Something like that, you know? What do you like to draw?
Mike Lynch: Uh, well, I draw pretty much everything.
Jeffrey C. Wells: I just thought maybe you would like to have a say in what you would be drawing.
Mike Lynch: Huh? I never had a writer say that to me. Um, I guess it's up to you.
Jeffrey C. Wells: Okay, but if you change your mind, let me know.
So, Jeffrey sent a script along after a week or two. He described the character to Gorgoth the Dominator who, even though he's a mechanical ape, must be integrated into society as a useful citizen. Gorgoth was a new character, and the two weeks of continuity would revolve around him.
Here's Jeffrey's description of Gorgoth:
He is an intimidating sight, constructed of banded steel and adorned with shoulder spikes and a massive metal jaw that looks like it could break rocks. He has an air of barely-contained rage as he looks out over the rise, brooding. Despite his intimidating appearance, our heroes approach.
Well, of course the do. They're heroes, after all.
Here are some of the sketches I did of Gorgoth:
Jim Benton Profiled in Detroit News
If you hit writer's block (or cartoonist's block) and can't think of idea, then don't expect Jim Benton to be able to sympathize. Neal Rubin interviews Mr. Benton in this Detroit News article.
The creator if Happy Bunny (above), the YA series of books Dear Dumb Diary and Franny K. Stein is a busy guy, with a lot of projects.
“The voices in your head are not real,” the bunny says in one cartoon. “But they still have some really great ideas.”
“Dog Butts and Love,” the greatest hits from the cartoons he posts on Reddit.com, touches on some of his other favorite characters and topics, including aging, Satan, and toying with words.
For instance, there’s a panel about Edgar Allan Poe and a passive-aggressive bird. Quoth the raven, “Nevermind.”
I just bought his new book Dog Butts and Love. And Stuff like That. And Cats. Some very funny cartoons there!
Thursday, July 10, 2014
Wednesday, July 09, 2014
My Wife's Chair Fetish
Welcome to blog entry #5000. Can you believe it? I did the math and that's the way it works out.
This bloggiversary just happens to coincide with my wife's dream this week. She told me all about it, so I drew it.
Here you go:
This bloggiversary just happens to coincide with my wife's dream this week. She told me all about it, so I drew it.
Here you go:
Tuesday, July 08, 2014
Mike Lynch Draws Award Winning Comic Strip SKIN HORSE
(Above: the published version of the first panel of Monday's SKIN HORSE, written by Jeffrey C. Wells, colored by Pancha Diaz and drawn by me, Mike Lynch.)
Yeah, well, if you are a fan of the comic strip SKIN HORSE, then you may already know all this.
SKIN HORSE was looking for some people to draw it for a while.
(My sketches of some of the characters.)
So … some background: what is this comic strip and what do I have to do with it?
WHAT IS SKIN HORSE?
Project Skin Horse is a black ops kinda group that helps "nonhuman sapients" (usually that means monsters, aliens and other oddballs) acclimate to life here on this planet.
Wikipedia adds that it's from a reference to THE VELVETEEN RABBIT:
"'Real isn't how you are made,' said the Skin Horse, 'It's a thing that happens to you ... Then you become Real.'"
The award winning web comic SKIN HORSE, created by Shaenon K. Garrity and Jeffrey C. Wells and colored by Pancha Diaz, has been going strong since the Jurassic age of the web: since 2001.
A lot of changes can happen in 13 years.
Well, duh.
(Above: my abandoned first draft drawing of the first comic strip. You can compare it to the published version here. Why did I abandon it? The last 3 panels are way too claustrophobic.)
When I got an email from Shaenon's husband, Andrew Farago, asking other cartoonists to take over the art chores for a time while Shaenon took maternity leave, I said I would be happy to.
So, for 2 weeks, I'll be drawing SKIN HORSE.
Shaenon gave birth on Sunday morning, July 6, 2014 to a seven pound, 4 ounces healthy baby boy. Name to be determined!
And this summer, there will be some other people drawing the strip (I'm not the only substitute.) while the Garrity-Farago family gets time to themselves.
What a lovely first birthday present, huh?
My sincere thanks to Mssrs. Wells and Diaz for their kind assistance in answering all my questions.
Monday, July 07, 2014
Jonny Quest Documentary
This is a labor of love: a compiling of so much information on the 1962 JONNY QUEST Hanna-Barbara TV show that it will leave you agog.
Superfan Chris Webber has put this documentary together. It's over 2 hours long. It draws you in and keeps you. See the early designs for Jonny by Doug Wildey! Did you know it was going to originally be an adaptation of the old radio series Jack Armstrong: All American Boy? I didn't.
Superfan Chris Webber has put this documentary together. It's over 2 hours long. It draws you in and keeps you. See the early designs for Jonny by Doug Wildey! Did you know it was going to originally be an adaptation of the old radio series Jack Armstrong: All American Boy? I didn't.
Sunday CHANNEL CHUCKLES Strips by Bil Keane
Ger Apeldoorn shows us why CHANNEL CHUCKLES "deserves a reprint of its own in color."
He's gone on the record, saying he finds it funnier than THE FAMILY CIRCUS.
If you scroll down here, you can see many, many daily and Sunday CHANNEL CHUCKLES strips that Ger had collected. See if you agree.
Thursday, July 03, 2014
"FOO" by 15 Year Old Robert Crumb
Go to the Billy Ireland Cartoon Library and Museum Facebook page to see this self-published Robert Crumb bit of cartoon juvenilia. Titled FOO, he created it with his brothers, Charles and Maxon. And Billy Ireland has copies! Another reason to get thee to Columbus!
Hat tip to Bado!
Roger "Tetsu" Testu 1913-2008

I didn't know Roger (alternately rederenced as Robert) Testu, a French cartoonist who passed away last week. But as soon as I saw "Tetsu," at Tom Spurgeon's Comics Reporter obituary, I knew his cartoon work.
In the corner of most all of his cartoons, was a neat, cursive "Tetsu" signature.

The bulk of the cartoons that I've seen by Tetsu are from the above slim Ace paperback titled FRENCH POSTCARDS, copyright 1954 Avon Publications, Inc. (The cover is by another cartoonist, "Bil.")

Born in Bourges, a year before the start of the Great War, Robert (some sources say "Roger") Tetsu was a painter until the 1950s, when he began to cartoon.

I have less than a dozen of his cartoons, but I remember his distinctive treatment of form and posture.

The stance in the above cartoon is just right to convey what our deep sea diver is up to. It's touches like this, combined with his depiction of "saucy antics ... from the country that made you-know-what famous" (that's actual back cover copy from this paperback book) that made Tetsu a cartoonist who sold well.

Hats add so much to a drawing. I wish people wore more hats.


The put-upon slouch of the goldfish-buyer adds to the gag.

What surprises me personally is that I know his work from just a handful of his cartoons from an obscure American paperback. I wish I had some more to share.

A big tip of the hat to Dirk Deppey's Journalista!, where I first heard of Tetsu's passing. And Dirk further lets us know that "his work was also compiled in at least two cartoon albums, La Vie est Belle and La Vie à Deux."
More Tetsu cartoons here.

-- This originally appeared on February 6, 2008.
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