There is the old story of one of my favorite cartoonists, Jean-Jacques
Sempé, who was trying to sell gag cartoons from his studio in France
after WWII. He worked hard at it and was successful. And he was even
more successful when he hit on the simple idea that wordless cartoons
had no language barrier and could cross borders. He specialized in
pantomime cartoons, and was selling all over Europe.
Wordless cartoons are not common. At least not now. I think so many
cartoonists (me included) concentrate on the quip or the wisecrack,
instead of just letting the picture tell the story.
My friend
Dick Buchanan has scanned in, and now shares, some great examples of the
truly wordless and the mostly wordless cartoons. By "mostly," I mean a
cartoon with a label or a sign you have to read.
------
Here’s another bunch of clever cartoons of the wordless variety. Cartoons by cartoonists who don’t need one-liners to evoke amusement.
B. KLIBAN. Art school drop-out “Bud” Kliban started his gag cartoon career at the top, with Playboy in 1962. Look February 12, 1963
BILL HARRISON. Saturday Evening Post Jan 24, 1953
GEORGE SMITH. True April 1950
TOM HENDERSON. Look March 17, 1959
MORT WALKER. Saturday Evening Post September 27, 1947
VIP (Virgil Partch). American Legion Magazine May, 1948
GARDNER REA. Look Magazine September 15, 1959
ED KOREN. Edward Koren, New Yorker cartoonist and Vermont’s 2nd Cartoonist Laureate (2014-2016). From Columbia University’s Jester, reprinted in 1000 Jokes Magazine June-August 1963
B. KLIBAN. Kliban was hitting his stride in the early ‘70’s. Evergreen Review December, 1970
TOM HUDSON. Collier’s May 19, 1947
CEM (Charles E Martin) Collier’s June 5, 1948
HENRY SYVERSON. Collier’s August 14, 1948
ALI. (Alfred Isler) Boys’ Life April 1950
-- Edited from an original blog entry of October 12, 2017.
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