Since I am what's called a "single panel gag cartoonist," the final product -- the gag cartoon -- has to do its work within 2 or 3 seconds. If the reader doesn't "get it" in less than 5 seconds, I haven't succeeded.
The cartoon without words is the purest form. It succeeds on visuals alone, and it's the hardest one to come up with, you know?
Above: this was drawn when there was a movement to allow cell phones on planes. The only solid black items here are the cell phones themselves, all in a rough left to right row, and then we have our last black shape. This one was held by a couple markets because it was funny, but joking about weapons in planes is a no no.
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Above: a silent 3 panels. That's a tic tac toe game in the last drawing.
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Wordless cartoons are the most difficult. They have to focus on universally understood behavior. Above: unless you know about that plane with the shark teeth on it from WWII, then the reference is lost.
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Above: I remember drawing this very fast to get it out in time.
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Above: a snowblower cartoon. When I bought my first snowblower last year, I started drawing snowblower cartoons. Click to supersize this one.
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Above: sweet little old lady sweater v. hip guy tattoo.
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Oh hai! NYC trashed all of its "DON'T WALK" signs for the universally understood white hand/red hand. This cartoon with a bunch of idiots waving was the result of thinking about that.
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I like drawing dogs with those simpy smiles on their faces. My mother always said, about our dear, sweet, beloved family dog Max, "He may be dumb, but he's sneaky!"
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Above: an old joke. If I was to put a word here, I would have the bird crying, "Mama!"
-- The above was an edited version of a blog entry from September 18, 2008.
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