Saturday, January 15, 2011

Mike Lynch Cartoon in January 15, 2011 WALL STREET JOURNAL


"Billy's opinions do not reflect the view of the Andersons, their affiliates or subsidiaries."

The nice thing about having my cartoon in the Weekend Edition of the Wall Street Journal is that it tends to be read more casually than the daily. It's thicker and there are more feature articles. It tends to be taken home to be consumed in a more leisurely fashion (by more people). So ... more readers might take the requisite three seconds to look at the Pepper ... and Salt cartoon.


Above: the original of the cartoon (before the WSJ redraw).

The "Billy's opinions" cartoon was created in the last week of May 2003, and was subsequently turned down by every major market. After a year of trying, I mothballed it. In 2006, it was picked as one of a number of my cartoons in the book LAUGHTER THE BEST MEDICINE II. But it still had not sold to a magazine market.

The original is now framed and was shown in a couple of gallery shows.


A closer angle of the original, which is much more illustrative than the smaller redrawn version.

I resurrected this golden oldie in December 2009, and sent it to WSJ, as part of a batch of fresh cartoons. The cartoon was held, and sold about 60 days later, in February 2010. I did a small redraw of the original to fit the WSJ's specs.

The choice of the family's name, Anderson, is a gentle wink to my pal, fellow cartoonist Mark Anderson.

My thanks to Gregory Kogan for the heads up on this! Thanks, Greg!



Billy does look like a handful.

Friday, January 14, 2011

Studio 360 Video: Doonesbury Speaks

Studio 360 has the Doonesbury characters speak.

After 40 years, cartoonist Garry Trudeau is still writing the Doonesbury comic strip. To celebrate, we gave voices to some of the strip's iconic characters. Listen to Kurt talk with Trudeau about his views on war and how the comic has changed over the past four decade.

THE ADVENTURES OF BRAINS BENTON by Tom Gill

Above art by Tom Gill.

The BRAINS BENTON MYSTERIES was a series of juvenile fiction books published by Golden Books from 1959 to 1961. Charles Spain Verral wrote the first volume, and handled the outline and rewrites for the remaining books (even though they are credited with the pseudonym George Wyatt). Silver age comic book artist Tom Gill's connection with Brains comes a few years later.




Above: cover painting for the first BRAINS BENTON book, THE CASE OF THE MISSING MESSAGE, 1959, The Golden Press. Art by Paul Nonnast. Image from the exhaustive Brains Benton Anthology site.

Junior High School kids Barclay "Brains" Benton and his friend Jimmy Carson solved mysteries in the college town of Crestwood. "Brains" wears glasses, likes to use big words, and is very much the action leader. He is no uninvolved nerd. Jimmy Carson is his freckled sidekick who worries a lot and is bossed around some by Brains. The stories, ala Holmes' Watson, are written from Jimmy's point of view.

While never as big a name as THE HARDY BOYS or even THE THREE INVESTIGATORS books, the "Benton and Carson International Detective Agency" has a devoted fan following on the Web.



Above: uncredited cover art from the final Golden Books BRAINS BENTON volume.

What a lot of people do not know and I am revealing here for the first time: there was a BRAINS BENTON comic strip. Well, that is to say, it was a comic strip proposal.

Veteran comic book illustrator Tom Gill produced a proposal based on the books in 1963 or '64. I don't know the story behind it. Obviously, Verral and Gill both worked for Whitman publishing. Verral's publisher, Golden Books, which was a division of Whitman, and Tom's Long Island studio was churning work for their comic book division; the Dell/Gold Key LONE RANGER, SILVER and BONANZA comic books.

Anyway, like any good artist, before Tom could create the comic strip samples, he needed a "Brains."

And this is where Greg McMahon comes in. He wrote me last year. Here's an excerpt:

"I lived in Tom's neighborhood as a young boy. At about 11 years old (now 58) Tom asked me (and my parents) if I would care to be his model for a new cartoon strip entitled The Adventures of Brains Benton. As a tall and awkward glasses wearing kid, he thought I looked the studious, science oriented type. He was right. I spent a summer posing for different action scenes outside his home. At only 11 Tom made me feel like a celebrity. He was a fine man, a gentle guy who was fun to be around. Brains Benton was styled after the Hardy Boys series of books. Unfortunately, the strip was never picked-up by the papers. None the less, I still cherish the prints I have from the experience. In fact to this day, friends of mine from the old neighborhood, still call me by the nickname 'Brains.'"

Below are some of the surviving samples, courtesy of Greg. There are 3 weeks of dailies, with the first week finished, the remaining two dozen are in pencils. Sorry to say, the syndicates didn't bite.

Note Tom Gill's signature in the first panel of the third strip, with the Silver-like horse and rider! A quiet nod to his Western comics fame.

Now we go from the finished inks to tight pencils:


Brains Benton's father, a college professor at the local Crestwod College, indulged his son, allowing him to make this cool super secret headquarters in the garage. That whole pulling secret code bit with the nail is right out of the books.

And there we have the BRAINS BENTON comic strip proposal. It's too bad that it didn't get picked up, but I'm thankful to Greg "Brains" McMahon for sharing these treasures of Tom Gill's, unseen since the 1960s.

Brains Benton Anthology
Keith Robinson reviews the series at EnidBlyton.net
Wikipedia entry

Thursday, January 13, 2011

SATURDAY EVENING POST Scrapbook Part 24


Some more great SATURDAY EVENING POST gag cartoons from the 1950s (with an occasional COLLIER'S one too).

































My thanks to Kristin Cawood for giving me this large scrapbook of 1950s gag cartoons to share! Thanks, Kristin!

The SATURDAY EVENING POST 1950s gag cartoons blog entries:
  • SATURDAY EVENING POST Scrapbook Part 1
  • SATURDAY EVENING POST Scrapbook Part 2
  • SATURDAY EVENING POST Scrapbook Part 3
  • SATURDAY EVENING POST Scrapbook Part 4
  • SATURDAY EVENING POST Scrapbook Part 5
  • SATURDAY EVENING POST Scrapbook Part 6
  • SATURDAY EVENING POST Scrapbook Part 7
  • SATURDAY EVENING POST Scrapbook Part 8
  • SATURDAY EVENING POST Scrapbook Part 9
  • SATURDAY EVENING POST Scrapbook Part 10
  • SATURDAY EVENING POST Scrapbook Part 11
  • SATURDAY EVENING POST Scrapbook Part 12
  • SATURDAY EVENING POST Scrapbook Part 13
  • SATURDAY EVENING POST Scrapbook Part 14
  • SATURDAY EVENING POST Scrapbook Part 15
  • SATURDAY EVENING POST Scrapbook Part 16
  • SATURDAY EVENING POST Scrapbook Part 17
  • SATURDAY EVENING POST Scrapbook Part 18
  • SATURDAY EVENING POST Scrapbook Part 19
  • SATURDAY EVENING POST Scrapbook Part 20
  • SATURDAY EVENING POST Scrapbook Part 21
  • SATURDAY EVENING POST Scrapbook Part 22
  • SATURDAY EVENING POST Scrapbook Part 23

Wednesday, January 12, 2011

Mort Gerberg Tonight


Tonight at the Mid-Manhattan Library, Mort Gerberg will share the stories behind the drawings in his latest book, “Last Laughs: Cartoons About Aging, Retirement and the Great Beyond.”

He’ll also participate in a Q&A and draw improvised cartoons based on suggestions from the audience. Other cartoonists from the magazine may be on hand.

Mid-Manhattan Library, 40th St at Fifth Ave., 6th floor, Jan. 12 at 6:30.

Clay Jones (and Ed Stein): Editorial Cartoon Process

Editorial cartoonist Clay Jones show us his preliminary sketches and finish for his recent editorial cartoon "Shouting Match."

"I got this idea from all the phone calls I received today. My editor transferred five and I think one sounded unhappy. The rest were angry, screaming even. Editorial cartoonist Ed Stein wrote about editorial cartooning in a hyper-partisanship climate. Ed’s column contributed to this idea. In fact, I got “political dialog as a shouting match” from his column. Thanks, Ed."


Chinese Cartoonist Xiao Bai Wins Japan's International Manga Award


© 2010 XIAO BAI / KANA

Via Asia-Pacific News:

Tokyo - A Chinese cartoonist captured the top prize in this year's International Manga Award contest hosted by the Japanese government to honour artists abroad, the Foreign Ministry said Wednesday.

Xiao Bai's gold award-wining comic

titled 'Si loin et si proche' (So far and so near), features a Chinese first-year female university student named Xiao Tian, who runs into her son coming from the future. The work was published in Belgium in 2010.

French, Spanish and Thai cartoonists also won silver awards, the ministry said.

The winners will be feted in February or March, awarded with a 10-day stay in Japan, during which they will meet with local cartoonists and visit publishing companies, it said.

The 4th annual contest received 189 entries from 39 countries and territories, notably Thailand, Brazil, Belgium, Spain and Kazakhstan, the ministry said.


Xiao Bai on Deviantart

Xiao Bai's blog

The Welcome to My Playground blog interviews Xiao Bai