Tuesday, October 09, 2012

RACONTEUR: All Issues Available Again

Every issue now available!


Above RACONTEUR 1, 2, and 3, with covers by (from left to right) John Klossner, Jeff Pert and Mike Lynch

The first two issues are back in print!

I'm glad to let you know that all issues of RACONTEUR are now available. You can order below:


What's RACONTEUR??? Take a look:

RACONTEUR #1:



Above: John Klossner's grand wraparound cover for the first issue.

SNEAK PEEK: Here are a few panels from RACONTEUR, the comic book I did with some other friends of mine. I'm selling it, via Paypal.

It's a terrific comic (yes, I am saying so myself), from "cartoonists who usually don't do this sort of thing."

Inside the 20 page comic book are autobiographical stories by cartoonist who usually draw those single panel gag cartoons like you see in The New Yorker, Down East Magazine, The Wall Street Journal, etc.

It all started like this:


And, of course, what an idea it was!


We all gave ourselves about a 2 week deadline to draw up our individual stories. The only criteria was that they had to be nonfiction stories from life.



David Jacobson, whose latest cartoon appears in The New Yorker, drew a tale about him and his brother and his Dad, and their shared love of baseball -- which led to a moment of horror.


John Klossner writes and draws a unique tale. To say any more would be taking away from it. Above is a small snippet from one of the panels. Amazing art. John also did the cover. His work is regularly seen in The New Yorker and The Wall Street Journal, and lots of other places.




Me, Mike Lynch: I told about the process of cartooning and "the petty indignities that run my life."


Jeff Pert reminiscences about all those great things that made up his childhood: comics, monster models, movies and more. You see Jeff's work on cards and t-shirts and in Down East Magazine. His first collection of cartoons came out last month.

So, that's a peek at RACONTEUR #1.

Please consider buying a copy. It's $5.99 for US delivery.$9.99 rest of the world.





Ship To ...








RACONTEUR #2:


RACONTEUR #2, our comic book by "cartoonists who usually don't do these sort of things," is now in print.

By "cartoonists who usually don't do these sort of things" I mean that the four cartoonists who wrote and drew these autobiographical stories are best known for those single panel gag cartoons for magazines like The New Yorker, Reader's Digest, The Wall Street Journal, Down East, etc.

Here are a few peeks at RACONTEUR #2:

David Jacobson (below) writes about having a caviar lifestyle in NYC when you are on a mac and cheese budget:

John Klossner spars with the state of Maine:


Mike Lynch shares a typically odd day and night of being a cartoonist:


 Jeff Pert reflects on the good, the bad and the stupid people:




RACONTEUR #2, 20pp, color wraparound cover, staplebound, 8.5" x 5.5," delivered first class mail. (

How to order:




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RACONTEUR #3:



The third issue of RACONTEUR is out and, boy howdy, it's another good one!

RACONTEUR is the comic by "cartoonists who usually don't do this kind of thing." The third issue of RACONTEUR has autobiographical stories put together by people who usually draw those single panel gag cartoons in The New Yorker, Wall Street Journal, Down East Magazine, Reader's Digest, etc.



David Jacobson writes about his life in NYC. My favorite part: David really cheeses off Leonard Nimoy.



John Klossner shares a horrible true tale about a professional caricature gig that goes really wrong. Warning: there's some verbal abuse of a cartoonist.



Mike Lynch writes about being a kid in the frozen wastes of "snirt" in Moorhead, MN ... and the ghost in his basement!



Jeff Pert talks frankly and humorously about his not-so-funny bout with cancer.

First Class mail to you, you comics loving fiend you!






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Friday, October 05, 2012

Sketchbook: Mike Lynch Cartoons the Massachusetts Independent Comics Expo (MICE)


 

The last Saturday in September I attended the MICE show (Massachusetts Independent Comics Expo)  in Cambridge, MA with my friend John Klossner. 

We set up a table and from 10am til 7pm, people wandered in to look at what kinda of comics we (the people behind the tables) drew and if it was worth buying.

This was my first time at the one-day event for small comics creators.

Here are some sketches I did.

This woman was across from me and was very busy:


When your comics are about your own life and no one is buying, it must be depressing.






I'm not sure the table below sold anything, but they were having a grand time:


Yes, this is an actual description of an actual comic I overheard:








 The below story is true! I know this makes my pal Mark Anderson happy:










These were drawn with a Pigma Micron pen and watercolor. Below are the raw scans of my sketchbook pages:




Thursday, October 04, 2012

Video: Sergio Aragonés

Two wonderful talented friends of mine: Jorge Gutierrez interviews Sergio Aragonés in this video for the Lynda.com Mexopolis Animation Course.

Jorge interviews Sergio Aragonés
Mexopolis, Animation Studio | by Jorge Gutierrez and Sandra Equihua
View this entire Mexopolis, Animation Studio course and more in the lynda.com Online Training Library®.

Video: Editorial Cartoonist Jeff Danziger

Wednesday, October 03, 2012

Animation: Nichols and May for Narragansett Beer

One of a series of animated 1960s commercials for Narragansett Beer starring the voices of comedy team Mike Nichols and Elaine May. If you like UPA style design matched with two witty performers with a lot of chemistry, this B&W one minute advertisement is a lot of fun.



Hat tip to John Klossner!

Making Money From Comics and Cartoons





The above cartoon was sent to 15 markets in the US and abroad before it was sold to a business magazine. So much of cartooning is persistence.



I was just emailing an indy cartoonist who has had some success from the cartoons he's posted -- but wants more. Heck, who wouldn't want more success?

Here's an edited excerpt of what I wrote to him:

Making money with your comics is good. (Duh.) Unfortunately, that means getting your cartoons in front of a lot of eyes and that means flogging them on social media and contacting editors who are in the business of buying your kind of work.

The more people see your work the bigger chance that one of those people is someone who will buy it.

I use that word "unfortunately" in the first paragraph because being the PR person for your own work is just not fun for a lot of creatives. I have to force myself to do it. But there are so few cartoonists who can just sit in a room and draw without worrying about creating a market for their work. If you can't market yourself, you die.

I got to thinking about all this, and I think I should add that you may want to think of the market first and then the content that you can produce for it. After all, you have over a thousand chances a year.

Here's what I mean:

Most of the cartoons I draw are business cartoons because business sites and business publications pay for cartoons.

Let's look at some of the print options. Here's the number of cartoons for some business publications per year:

  • Wall Street Journal = 312 cartoons a year (6 cartoons a week)
  • Barron's = 260 cartoons (average 5 cartoons per issue/52 issues a year)
  • Harvard Business Review = 70 cartoons (average 7 cartoons per issue/10 a year)

So that's 640 slots for business cartoons per year for those three publications. It would be over a thousand if we include The New Yorker or Playboy, both of which publish business cartoons.

If you can create consistently good appropriate content, then it is possible to achieve more success.

Early Gold Key Comic






Take a look at the Saved From the Paper Drive blog's entry for today:  a 50 year old Gold Key comic titled "Hanna Barbera Band-Wagon." It was 25 cents for 80 pages back then. Quite a great trove of comics! And this was about the ninth comic ever in the Gold Key line.

It's the coloring that got me: big blocks of color for the borderless panels tend to prevail. Borderless panels were standard for Gold Key. It was the coloring of this story that looked a little different. Not bad different, just different. Very colorful. The balloons are rectangular with a single line (ala Doonesbury) to the speaker's mouth. The art is by John Carey, who knew his way around a zippy pen line.

Tuesday, October 02, 2012

Happy Birthday PEANUTS



Charles M.Schulz's strip debuted in a handful of newspapers 62 years ago today.

PEANUTS © Peanuts Worldwide LLC

The Garden As of October 2, 2012


 


The trees started to turn yellow early here, then the reds and the oranges and the browns followed a week or 2 later. I guess we're a couple of weeks away from peak leaf peeping time.

The garden is winding down and son everything will be either harvested or composted, the soil turned and winter rye planted (to add some nutrients back to the soil).


Above: the raised beds of the garden. 


Sweet potatoes sill waiting to be dug up. They'll have to wait until about the third frost. 


Above: Stacy's handmade bench in the foreground with her beehive water can, green peppers in the back (slightly damaged from  tree-chopping down on Sunday), and a lot of "volunteer" tomatoes which are still producing. 


The scraggledy remains of the tomatoes. Many quarts were canned.


The cucumbers are done, but there's new lettuce that's ripe to pick in the back bed.


Sam.

 Fergus.