Wednesday, September 16, 2009

Bangor, ME: Bangpop! Convention September 19 & 20, 2009


From the press release:

BangPop! Comic & Pop Culture Convention is held in Bangor, Maine at the Bangor Civic Center on September 19 & 20. Flying into its second year with programming to include panel discussions, educator workshops, gaming, cosplay, and anime & movie screenings, BangPop! will host a great display of creative talent with professional authors and artists. Our Artist Alley will showcase amazing work by creators from Maine, as well as the rest of New England and the Canadian Maritimes, and Sunday the 20th will feature special Kids' Day programming.

And come see my friends Raina Telgemeier & Dave Roman, and Ron Fortier, Christopher Mills, and Mark Ricketts.

I'm not sure if I can make it due to workload, but let me know if you are going to be there, OK? OK!

And here's Raina's details about what she and Dave are up to!

Witty Cartoons for Snobs!

This Sunday: cartoonists perform onstage for $10 in Brooklyn, NY.

From the press release.

"Witty Cartoons for Snobs!" 


Top cartoonists from The New Yorker and other crappier publications battle it out in a no-holds-barred cartoon-off with cartoons based on audience suggestions. 


With cartoonists Dan Piraro (Bizarro), Emily Flake (Lulu Eightball plus The New Yorker), Drew Dernavich (The New Yorker) Bill Plympton (The Village Voice, Rolling Stone, and an Academy Award-nominated animator), Paul Noth (The New Yorker, and Pale Force creator) David Sipress(The New Yorker) Hosted by Matthew Diffee (The New Yorker and The Steam Powered Hour) Music by two of the best banjo players in the world: Noam Pikelny and Tony Trischka.

Date: Sunday, September 20th


Time: Doors: 5:30p, Show: 6p


Venue: Union Hall, Brooklyn NY. Ticket Price: $10

Hat tip to Matt Diffee!

The Two Roystons Who Are Cartoonists


"I presume you know the story of the commercial traveller and the farmer's daughter.
Well I'm the farmer's daughter ...."


Above: a gag cartoon by "Royston" from the 1941 annual of Man Magazine (Australia).

Did you know that there are two cartoonists named Royston? Contemporary UK cartoonist Royston Robertson was just alerted that there was a cartoonist who also signed his gag cartoons "Royston." This Royston cartoonist's work appeared in Australian magazines of the 1940s.

"If you know anything about this Royston (the name is more common as a surname, so that may be the case here) let me know in the comments section below, or send me an email."
Please check out Royston Robertson's blog here.

Above: Royston compares signatures.

Video: Jef Mallett, FRAZZ Cartoonist

Mike Peterson visits Jef Mallet, creator of the FRAZZ newspaper comic strip, for an impormptu video interview.



The whole thing, including some great FRAZZ samples at Mike's Nellie Blog.

Tuesday, September 15, 2009

Morrie Turner, Creator of Wee Pals: a 45-Year Retrospective


Morrie Turner, creator of WEE PALS, an integrated comic strip, stands behind a display at the San Francisco Main Library that includes some of the early strips. Photo: Brant Ward / The Chronicle

Morrie Turner is the subject of an interview by Jesse Hamlin for the San Francisco Chronicle upon the occasion of a gallery retrospective of his WEE PALS comic strip at the San Francisco Main Library through October 15, 2009.

"You see that in the cartoons he published in the 1950s, '60s, and '70s in Negro Digest, Black World and Ebony magazines (the originals were destroyed in a fire at Turner's Berkeley home, so he created the color versions in the exhibition from memory, so his son, also named Morrie, could have them). One, from the '50s, depicts an African American woman perusing three white guys in a police lineup: one tall and skinny, one squat and bald, the third with a mop of hair. 'I don't know!' she says. 'They all look alike to me!'"
Morrie Turner, Creator of Wee Pals Cartoon: a 45-Year Retrospective is on view noon-5 p.m. Sun., 10 a.m. to 6 p.m. Mon., 9 a.m. to 8 p.m. Tues.-Thurs., noon-6 p.m. Fri. and 10-6 p.m. Sat. at the San Francisco Main Library, 100 Larkin St. (557-4000), www.sfpl.org.

Hat tip to Tom Spurgeon for this. Thanks, Tom!

From NBM Books: BRINGING UP FATHER 1913-14


Allan Holtz talks about all of the effort that went into restoring the initial 2 years' worth of strips in NBM's new BRINGING UP FATHER book. Allan was on the restoration team.

Oh, heck, Allan WAS the restoration team!

I have the old 1970s BRINGING UP FATHER Hyperion book and, yes, McManus' great art is reduced to eentsy, badly reproduced tearsheets. Maybe not even first generation tearsheets.

Not only is McManus cartoon art reproduced large and cleaned up, but -- wowsers! -- read this great tidbit:

"Besides doing the restorations, NBM allowed me to do something that I think should be a standard feature in all classic strip reprint books. I wrote annotations for many of the strip episodes explaining the references which are likely to be opaque to today's readers."
Yes, Allan Holtz has the right idea: annotations should be standard.

And he admits that he

" ... wrote so many annotations that NBM couldn't fit them all into the book! You'll find a link to an expanded version of the annotations on NBM's website. The good news is that my annotations were cut back so that the book had room to print the BUF strips all the way to the end of 1914 (Hyperion's stops in July 1914) so you get in total over 100 strips never before reprinted."

Sandra Bell Lundy: Working at Home


Sandra Bell Lundy, at her Between Friends blog, writes about the perils of working at home.

Tom Gammill Visits THE NEW YORKER

Syndicated cartoonist and all around funny guy Tom Gammill visits the famous New Yorker offices in Times Square to get the venerable magazine to put his newspaper comic strip THE DOOZIES in it. NEW YORKER Cartoon Editor Bob Mankoff plays himself!



This is LEARN TO DRAW Episode #21. Please be advised:

TV writer Tom Gammill (Seinfeld, The Simpsons) delivers a new doozie every day. His YouTube videos, "Learn to Draw with Tom Gammill," will not teach you how to draw.

RIP HAYWIRE is THE PRISONER

Beginning this week, Dan Thompson's RIP HAYWIRE becomes ... THE PRISONER! It begins here.

Related: AMC is remaking the 1960s Patrick McGoohan series.

Watch all episodes of the 1967 series here.

Monday, September 14, 2009

Bill Mauldin Presentation at the Schulz Museum

A press release from the Schulz Museum:




Bill Mauldin: A Life Up Front
Two Presentations by Author Todd DePastino
at the Charles M. Schulz Museum
Saturday, October 3, 2009 at 1 p.m. & Monday, October 5, 2009 at 3 p.m.
Free with the price of admission


(Santa Rosa, CA) Author Todd DePastino will give two illustrated talks about the life and art of two-time Pulitzer Prize-winning editorial cartoonist Bill Mauldin at the Charles M. Schulz Museum, first on Saturday, October 3, 2009 at 1 p.m. and again on Monday, October 5, 2009 at 3 p.m. DePastino will also speak with visitors and sign books after each presentation. Both Mauldlin presentations are free with the price of museum admission.

Bill Mauldin served in the army during World War II and captured his experiences in the popular cartoon Up Front featuring Willie and Joe, two wise-cracking ‘dogfaces’ whose mud-caked uniforms and pidgin of army slang bore eloquent witness to the world of combat and the men who lived—and died—in it. DePastino’s presentation is based on his book, Bill Mauldin: A Life Up Front, which was named one of the best books of 2008 by the Boston Globe, St. Louis Post-Dispatch, Pittsburgh Post-Gazette, and others.

About Todd DePastino
DePastino is also the editor of Willie & Joe: The WWII Years. He teaches at Waynesburg University, and lives in Pittsburgh, Pennsylvania, with his wife and two daughters.

About the Charles M. Schulz Museum & Research Center
The Charles M. Schulz Museum opened in August 2002 to fulfill its mission of preserving, displaying, and interpreting the art of Charles M. Schulz. The Museum carries out this mission through changing exhibitions and programming that build an understanding of cartoonists and cartoon art; illustrate the scope of Schulz’s multi-faceted career; communicate the stories, inspirations and influences of Charles Schulz; and celebrates the life of Charles Schulz and the Peanuts characters.

LOCATION
The Charles M. Schulz Museum is located 50 minutes north of San Francisco by car on Highway 101. The Museum is located at 2301 Hardies Lane, Santa Rosa, California, 95403.

HOURS
Weekdays Monday thru Friday (except Tuesdays*) 11am – 5pm
Saturday & Sunday 10am – 5pm
*Closed Tuesdays in winter (Labor Day through Memorial Day)

ADMISSION FEES
Free – Museum Members, Children 3 and under
$5.00 – Children 4-18, college students with valid I.D. card, and Seniors 62+
$8.00 – Adults

For more information consult the Museum web site: www.SchulzMuseum.org.

Charles M. Schulz Museum & Research Center
2301 Hardies Lane Santa Rosa, CA 95403

###

Charles M. Schulz Museum & Research Center • 2301 Hardies Lane Santa Rosa, CA 95403

TV'S NEW ADVENTURES OF PINOCCHIO


Sam Henderson posts some pages from the Dell comic book titled TV'S NEW ADVENTURES OF PINOCCHIO, which was based on an early 1960s TV series of the same name, produced by Rankin/Bass. I agree with his assessment:

"I put this up because it has some of the weirdest perspective in a mainstream comic. The artist and editor probably didn't care, though I bet it had a circulation higher than any comic now."

And, for comparison, below is one of the syndicated series of 5 minute cartoons, animated in the puppet "Animagic" style, made famous in their later production of RUDOLPH THE RED NOSED REINDEER.

The Art of Slobots

Any week you can begin with a cool robot is a good week.


From Mike "m.heisler" Slobot via James Maybe.

Sunday, September 13, 2009

Video: STAR TREK II: Composer James Horner

I'm actually having a hard time watching anything on YouTube due to, probably, nothing being on TV and every living soul watching cute kitties or rock videos online.

So, my point being that I haven't had a chance to watch the entire video as yet. I do know that Horner was, back then, a busy composer, churning out a handful of TV and movie scores before STII (Roger Corman's BATTLE BEYOND THE STARS, a 1980 low budget riff on STAR WARS was among them). He was young and, I presume, cheap (at least cheaper than Jerry Goldsmith). The budget for STII was lower than its predecessor, The Motion Picture.

I still say Khan's motif owes more than a nod from Prokofiev's to ALEXANDER NEVSKY score; specifically the "Battle on the Ice" sequence (listen to it here beginning at 1:55).

Regardless, some really interesting comments about how the music was approached, and how that music imparts that extra layer of meaning and emotion.

Friday, September 11, 2009

Ken Steacy Draws


My pal Anthony Taylor shows us photos of his pal Ken Steacy drawing. Much information of the process and preferred artistic materials, if you like that kind of thing. And I do. Thanks, Anthony!

Scholarship in Cartooning

Above: Quick -- who is this a caricature of?

I've met hundreds of people who tell me they are cartoonists. That's how they describe themselves. Some of them are professionals, who make a living from cartooning, others are on their way there. At least that's the plan. "I am a cartoonist," they say.

Anyway, a lot of people, regardless of making money from their cartoons, call themselves professional cartoonists.

Cartooning's not like, let's say, podiatry or being a dentist. There's no standard of scholarship in cartooning; there's no federal or local licensing standard for a cartoonist. And my opinion doesn't matter. People have to like your work -- enough to part with money -- and that puts you on the road to being pro.

Which brings me to the above drawing.

One kinda cartoonist a lot of people know is the caricaturist. I see caricature artists at a lot of events.

If you want to come down to sheer numbers, there must be more Bad Caricature than good. I know some great caricaturists (Mort Drucker, John Reiner, Tom Richmond, Sam Viviano) and I have no idea how they do what they do -- and how they do it so seemingly effortlessly. I admire their work immensely.

At our local county fair, there's always a caricature artist. He's of the big-head-teensy-body school of style. That's OK, if you like that sort of thing. And the drawings are, uh, usually OK. I mean, they know how to draw fat people not-so-fat and ugly people not-so-ugly, etc.

Still, I don't know how this caricature business works. I guess you put out your WILL DRAW YOUR CARICATURE $20 shingle, and then, sit back and see who parts with their money.



And now there are these stick figure things, like the one above I nicked from a friend's MySpace page. They all look like Matt Feazel cartoons (a guy whose work I admire) or like Jeff Kinney drew them (ditto). And I see them on cars. They cost a couple of dollars per figure if you want to buy them for your car, by the way. And people do. Some businessman is getting rich.

And then some businessmen skimp. THE BOB NEWHART SHOW, the one from the 1970s, is out on DVD. Seeing the images is what started this rant. I rented the first disc of the second season which has these menu pages:




OK, who ARE these people?

From the sitcomicsonline descrip:

The main menu screen is a very interesting one. [That's damning with the faintest of praise now isn't it? - Mike] Each disc (and disc side) has a different design featuring a drawing of two (or more) of the regular cast members (caricatures, I think) [The poor guy isn't even sure what to call them - Mike] on a different background drawn to look like a set. Disc 1/Side A features drawings of Carol, Emily and Bob. Disc 1/Side B features Howard and Jerry. Disc 2/Side A features Howard, Carol & Bob, Disc 2/Side B features Emily and Jerry. Disc 3/Side A features Jerry, Bob & Emily, Disc 3/Side B features Howard & Carol.

It's just astonishingly bad work. Heaven knows the story. Maybe the DVD people had an employee whose brother's cousin knew a kid who would do it for free. I don't know. Hard to believe that this art was accepted. It's ugly and it sure looks wrong.

But the way to making money -- becoming a pro -- is to get money for your work.

You can, to paraphrase the 2000 Year Old Man, put you hand on a rock and look up the sky and proclaim TODAY I AM A CARTOONIST and, well, there you have it. And then you go on LiveJournal or DeviantArt or Wordpress and start "publishing."

Sometimes I hear that when you criticize, you are not being supportive. This is fine for a toddler, but this is the real world and you gotta draw Bob Newhart like Bob Newhart, OK?

OK!!

Thursday, September 10, 2009

NEW YORKER Mag Flubs Nerd Humor Drawing Test

THE BEAT has all the details about the mistake in this recent NEW YORKER gag cartoon by Lee Lorenz.

“While I suspect Lee Lorenz believes he has drawn Iron man, doesn’t his armoured gent more closely resemble ROM: Spaceknight? Is he a closet Bill Mantlo fan?”

Don Orehek Cartoons: 80. Sick magazine


It seems like the Don Orehek Cartoons blog just started and already, the site is up to 80 cartoons from 80 different publications! And, there is no end in sight. Don is so prolific and he has sold to so many clients. Here's the credo of the Don Orehek Cartoons blog, written by his wife, the talented Suzanne Orehek:

Don has sold a LOT of cartoons in his career. Each numbered cartoon on the left side of this Blog - at least for now - is from a DIFFERENT magazine, newspaper, etc. Let's see if we can find out the total number of publications in which Don's work has appeared . . . . .

Today, it's a 2 page spread from the December 1975 issue of SICK Magazine, "A Sick Look at Courtrooms."

Related: the next month (January 1976), Don Orehek's cartoons appeared in CRACKED Magazine: "A CRACKED Look at the Unemployment Office."



Wednesday, September 09, 2009

FAMILY CIRCUS Collection


There is, so far as I can tell, no announcement about this at the publisher's site, IDW Publishing. Nevertheless, THE FAMILY CIRCUS LIBRARY VOLUME 1 hardcover, which collects the first two years (dailies and Sundays) of the long-running panel, looks like a keeper for sure. And it looks like it may be out in time for the Holidays. From the press release at Westfield Comics:

Bil Keane celebrates the 50th anniversary of the Family Circus! The Family Circus Library, Vol. 1 by Bil Keane collects the classic newspaper strip in chronological order for the very first time, in beautifully designed hardcover books. Starting with the very first strip, originally published on February 29th, 1960, The Family Circus Library, Vol.1 will feature a complete run of the first two years, including dailies and Sundays. Beautifully produced by Eisner award-winning designer, Dean Mullaney, the mastermind of the Library of American Comics, and just in time for the 50th anniversary of one of America's most popular and beloved strips! Hardcover. Full Color. 240 Pages 11 x 7.5 ISBN: 978-1-60010-548-7

I love the clean, supple Bil Keane cartoon line. Below is a 1967 Sunday image from Comic Art Fans:

Early Jack Davis Drawings


Wow! Some early Jack Davis work at the Hairy Green Eyeball blog!

DICK TRACY Blog


Some great items from the old Chester Gould DICK TRACY strip at the Ye Gods! He Collects Dick Tracy! blog.

I loved the scan of the entire DICK TRACY MONTHLY comic book.

Hat tip (once again) to the awesome Dan Thompson.