New Yorker cartoonist, and editor of not just one, but two REJECTION COLLECTION books, Matthew Diffee is interviewed for Print Magazine by Emily Gordon.
Do most New Yorker cartoonists also try to sell elsewhere as well--Playboy, Reader's Digest? Who else buys single-panel cartoons? And what are the advantages and disadvantages of each? What would a Playboy Rejection Collection look like?H/t Comics Reporter.
There is Playboy, which is, I understand, the next place to go with your stuff if it happens to be Playboy-type stuff…but they don’t pay as much as The New Yorker and I think they buy all rights while The New Yorker only buys first printing rights, and the copyright goes back to the cartoonist after 90 days. That is, if I understand the legalese of my contract properly. Also, cartoons in The New Yorker have a prominent standing, and respect whereas Playboy cartoons are not what you first think of when you think of the magazine. I’m told they have pictures of naked ladies in there.
As far as other mags, I’m not really sure, there may be people who send their rejects other places and some have probably found comfortable places in second-tier markets. Personally, I’m not organized enough for all that and also I never really wanted to be a cartoonist in the general sense, I just wanted to be a New Yorker cartoonist. Before I die though, it might be nice to get a cartoon or two in Cat Fancy.