Tuesday, August 24, 2010

The Editorial Cartoon is the Opinion of the Editorial Cartoonist

The August 23, 2010 Daily Eastern News has an editorial "The Daily Eastern News: Why We Are Here" by Sam Sottosanto, Editor in Chief, and Emily Steele, Managing Editor. They tell us that it's hard to know what news is these days, what with hyped up entertainment news or viral YouTube videos and so on. Mssrs. Sottosanto and Steele explain who they are and what the paper is.

"We are students, not only working at the paper, but also juggling five different classes at the same time.

"The Opinions section of the paper is the only page of the paper where students get to share their opinions"

And they go on to explain the role of their political cartoonist:
"The editorial cartoon is the opinion of the editorial cartoonist. We do not, as a staff, discuss what our editorial cartoons are.

"The cartoonist decides what he or she wants to draw and it is put into the paper with the consent of the Opinions Editor and Editor in Chief."

Sounds good. The entire op ed is here.

Related: John Klossner asks how we identify what's an important news story at his FCW blog titled Social media, parasailing donkeys and the news crisis.

Monday, August 23, 2010

Cartoon Invoices

I've gotten a couple of emails asking how to invoice, what IS an invoice, etc. So, let's take a chapter from the ol' MIKE LYNCH COLLEGE OF CARTOON KNOWLEDGE and talk about invoicing: how to do it, etc. Here goes. 

 It's great when you get that letter, email or phone call letting you know that you sold a cartoon. A lot of the time, when I'm home with a snoozing cat next to me, drawing, I can only wonder, "Are these funny? Funny enough to SELL?!" 

A sale is vindication that you did all right. You targeted a market, came up with some appropriate, sellable, professional work. But, better yet, someone else thought what you did was funny, and they have money for you. 

And, they tell you, please send an invoice. 

 

An invoice is, as you all ready know, the bill that the accounting people need at the magazine, ad agency, Web site or wherever you sold your work. For me, it's usually a magazine or Web site. 

I put the above invoice together in Word. 

YOUR NAME AND CONTACT INFO. goes at the top. I make my name big, since that's the name that goes on the check. I include my Social Security number. Early on, I had my NAME and, right under it, MY WEB SITE -- both in big letters. One time, a client mailed me a check made payable to my Web site. It took 2 phone calls and 4 weeks til I got another, correct, check. Now I just put my name up top in big letters -- and then I ask again to "make check payable to Mike Lynch" at the bottom. 

BUYER'S INFO. is all the information you have on your client. You need this. It really helps to have their phone number, email, etc. on file. If you don't know their phone number, email them and ask. Tell them YOU HAVE TO HAVE IT. For a first time client, I want all of their information. And I do ask, if given a PMB or PO or Suite number, for a real bricks-and-mortar address. 

INVOICE NUMBER & DATE You may want it for reference. Usually, when the payment arrives, the number and date will be on their check to you so you can cross reference. If you get the check and there's a problem, then having these numbers on your original invoice will enable the accounting people to figure out what happened. Recently, I sold a couple and when I got the check, it was for half the sale. I found out that it was my fault: in the Total column, I only noted one sale. A dumb mistake! 

ITEMIZED LIST OF SALES ensures that everyone understands that the sale is for a particular cartoon. I put a number on the back of all my cartoon originals, and that gets written on the invoice. It means nothing to the buyer, of course, but for me, it tells me exactly which cartoon I sold. I also write the caption or general description of the cartoon on the invoice. 

TERMS OF SALE is something that you want to consider. Mine establishes legal authorship of the work, letting the buyer know that the cartoon is mine. In other words, the person buying the cartoon does not now own the cartoon. The routine sale is for one-time use. Rarely, just every once in a while, someone will think that they now own a cartoon you made and that they can put it on t-shirts, etc. 

- The following is a revised version of a June 6, 2007 blog entry.

Arrested for Sketching


Ram Hull draws with a forbidden fat marker in Wichita's Riverside Park on August 21, 2010. He is an illustrator for the WSU paper the Sunflower. Photo by Fernando Salazar/The Wichita Eagle.



Dateline: Wichita, Kansas:

You are an artist. You are outside, sketching. It's your job.

Then the local police see what you are doing and arrest you. You will be in jail up six months and fined up to $1,000. Hey, they are just doing their job.

As The Wichita Eagle's Tim Potter writes:

Wichita police say a new ordinance outlawing broad-tipped markers and spray paint on or near public property will give them a needed tool to fight an increasing graffiti problem. But a few days after the City Council approved the ordinance, some residents say they worry that innocent people who use the materials for legitimate purposes, such as artwork, could be fined or jailed.

Under the law, expected to receive final approval Tuesday, people are banned from having spray paint, broad-tipped markers and other potential graffiti tools on or within 100 feet of public property. Violators can be fined $250 to $1,000 and jailed for up to six months.

Cartoonist Charlie Rodrigues


The I'm Learning to Share blog shares some great cartoons by Charlie Rodrigues in two parts:

Video: Joe Wos

Saturday, August 21, 2010

Video: Noah Van Sciver

Noah Van Sciver, who has been nominated for an Ignatz Award, talks about his comics.

Friday, August 20, 2010

YOU'VE GOT ME – AND HOW! Part One


Here is part one of a selection of gag cartoons titled YOU'VE GOT ME – AND HOW! , edited by Lawrence Lariar and published by Dodd, Mead & Company. It's copyright 1955 by Mr. Lariar.


Virgil VIP Partch with the casual pain associated with marriage.



Some of these, like Currier's above, are simple sitcom put-downs. Mean and none too clever.


I saw Harrison's gag coming ...


Bo Brown with some excellent wavy linework.


From active to passive. Martin Giuffre reminds us that there was a time when people went out into the world, to their club, dressed in silly attire. Now we all stay in and watch a rerun of Jackie Gleason doing the above.


I like Kaufman's gags a lot.


George Wolfe with the clueless woman driver.



Tom Zib concedes marriage is a battlefield.




Pete Wyma, known for his girly cartoons, contributes a rather stale mother-in-law joke.



I like Henry Boltinoff's explanation here -- but it's still no way to treat a lady.

I like the moment that Clyde Lamb chose to depict: the moment just after the violent ripping of the paper from hubby's hands.


Bernhardt has a long gag line with a sweet putdown at the end that makes sense of the bitter marriage conceit that is the book's hallmark.


Cartoons signed "Corka" were the husband and wife team of John Cornin & Zena Kavin. More here.


Dam McCormick's cartoon did make me laugh.


I like that Burr Shafer chose to let the reader imagine the struggle between husband and wife.

Here are links to all of YOU'VE GOT ME – AND HOW!

Why Is MoCCA's Forthcoming Al Jaffee Exhibit Funded via Kickstarter?


Tom Spurgeon asks why the upcoming Museum of Comic and Cartoon Art's Al Jaffee exhibit is being funded by Kickstarter. He not only asks the question, he contacted MoCCA Chairman Ellen Abramowitz.

"This show was presented to us on relatively short notice and Kickstarter is an ideal vehicle for raising funds for small, popular projects in a brief time frame."

Funding for museums is always an uphill battle, and this is the first time I've seen Kickstarter used for a gallery show for a name institution (although I am willing to bet there may have been others).

Al sure is very worthy of a retrospective, regardless!

Related: A NY Times 2008 profile of Mr. Jaffee (and scroll down for the multimedia MAD fold-ins!).

Thursday, August 19, 2010

Video: Dan Clowes Talks About WILSON

From a May 5, 2010 appearance at The Strand in NYC. Earlier, when I posted this, the videos were incomplete. That has been corrected. It's all here and it's in 5 parts.









UPDATE: The "Crippled KFC Chicken" Statue by Harry Bliss


People for the Ethical Treatment of Animals and the city of Louisville, KY have a problem and it's called Kentucky Fried Chicken. Louisville is the headquarters for Yum! Brands, which owns the KFC franchises.

New Yorker cartoonist Harry Bliss designed the above 5 1/2 foot tall bloody chicken statue to show the inhumane treatment that chicken suppliers use. PETA petitioned to put the statue on public display. Louisville Metro Government denied their application.

PETA says this violates their first amendment rights. An appeal was filed yesterday.

Dan Klepal of the Louisville Courier-Journal has the story.

UPDATE: Louisville says PETA cannot display the chicken on its streets.

Geller: Okay to Hate


So called "human-rights activist" Pamela Geller: It's OK to hate Muslims because of threats to cartoonists.

No it isn't.

PC Mag: THQ's uDraw Tablet for Nintendo Wii



Above: Cartoonist Jason Pyke, one of the developers of the new Tablet, demonstrates his art on the THQ uDraw GameTablet for Wii.

Carol Mangis, writing for PC Magazine, reports on the uDraw Tablet for the Nintendo Wii, which was unveiled August 17th. It will sell for $69.99.

"Using the uDraw was like using a simpler wireless Wacom tablet; the Wii Remote docks in the tablet to provide connectivity. The 4- by 6-inch drawing surface provided plenty of room to draw. Getting started and figuring out the various controls was fairly simple (and then I found the tutorials, of course). Not so easy was controlling what I was drawing; it'll take some practice for me and I suspect for most people. But the possibilities are a bit mind-blowing!"

More photos and demo videos at the PC Mag link above.

Editorial Cartoonis J.D. Crowe's Column: The Water's Fine; The Damage Is Done


Above cartoon copyright J.D. Crowe.

Editorial cartoonist J.D. Crowe writes about his cartoon and encourages people to visit the Florida coast.
"We won't know for a long time just how much damage the BP oil spill has caused the sensitive ecosystem of the powerful Gulf, but we do know that the short term damage to the Gulf Coast economy has been catastrophic. Gulf tourism is dead. Small businesses are dead or dying. Jobs, lost.

"... One round-faced, big-voiced character, Chef Eddie, transplanted from Boston on an entrepreneurial whim just before the oil spill, was on the street in Apalachicola hawking free gumbo to lure passers-by into his restaurant. It worked on at least one dorky cartoonist and his family. It was, as advertised, some of the tastiest gumbo you'll ever eat.

"Problem was, for Chef Eddie and the other restaurants in this charming Old Florida fishing village, there weren't many dorky cartoonist families walking around looking to spend dinner money. Like everywhere else up and down the coast, the oil spill has put a hurt on this town."


Wednesday, August 18, 2010

The History You Don't Know

Above: a sketch I drew from the Small Press Expo.

I met a fellow last week who told me this about my field of cartooning:

"I guess you guys can't make a living what with everything going for free on the Internet."

And then he laughed, in a kinda braying way. Like when Pinocchio turns into a Donkey. It was ugly.

Ugly and wrong.

There is a saying that Harry Truman said (and maybe he made it up:
"There is nothing new, only the history you don't know."
So, I was reading a collection of columns by H. Allen Smith and this story caught my attention:
"The only Broadway personality I knew before I got to Broadway was a singer named Gene Austin, an amiable, robust, hard-drinking balladier from Louisiana. In the 1920s, when phonograph records were sold at seventy-five-cents apiece, he was Mr. Big of the recording business and he made a fortune singing such tender roundelays as 'My Blue Heaven,' 'Girl of My Dreams' and 'Melancholy Baby.'

"Radio smothered the recording business, and Gene Austin with it, and for approximately ten years a phonograph record was a rare commodity. The new generation knew it only as a black disc used by movie comedians to smash over the heads of fat ladies or by college boys to eat. Then records came back.

"Juke boxes in saloons were in large measure responsible for the renaissance, and one of the first smash hits in these nickel-gobblers was 'Bei Mir Bist Der Schön' as sung by the Andrews Sisters."

- LOW MAN ON A TOTEM POLE by H. Allen Smith, Chapter XIV, Coming Up in Frisco (copyright 1941 by H. Allen Smith)

Let's zoom forward to the 21st century, where another art form is going from paper to digital -- and other Mr. Bigs of this time are seeing their fortunes diminish.

Let me start with what I don't know --

  • as print newspapers collapse,

  • as syndicates go from making money from selling comic strips to giving them away on the Web (and making their dough not from content, but from Web advertising),

  • as book sales decline and publishing houses are no longer looking at new projects --

-- what I don't know is what will happen next in the field of cartooning.

And here's what I do know: I do know that people love cartoons. Nothing will change that.

The then-new media of radio may have "smothered the recording business," but the audience was still there for crooner Gene Austin, even though radio wasn't putting money into his pocket like records had.

All we cartoonists have to do, to quote (of all people) Rupert Murdoch, is turn a certain percentage of those eyeballs looking at that Web page into dollar signs. Okay, disregarding the messenger, the message is valid.

I've been seeing this trend for years. I get corporate clients, I sell out my comics -- all thanks to the Web.

Put good work out there, and it'll rise to the top.

More anon.

- This is an edited version of an original blog post from January 12, 2009.


Tuesday, August 17, 2010

Rina Piccolo Illustrates Other People's Tweets


Rina Piccolo has come up with such a fun idea (wish I'd thought of it!): taking other people's Twitter messages (yes, yes -- Kanye West is included), and illustrating them. Go see her Cartooned Tweets! The result is surreal and wonderful-to-look-at.

Above: Rina illustrates a real Tweet by cartoonist Matt Diffee.

E. Simms Campbell: A Nightclub Map of Harlem (1932)


E. Simms Campbell (1906-1971), an African American cartoonist, drew the above map of the places to go in Harlem circa 1932. Mike Thibault originally posted this, after a great deal of searching

"I was at my friend Jojo’s house about a year and a half ago, watching some old VHS tapes of dance stuff she had. Among the home movies she had was a taped documentary featuring Cab Calloway. He was checking out this amazing cartoon map of Harlem from back in the 30’s and remembering all the places. Since then I’ve been trying to find a readable copy of it. A while ago I found that the title is “A Nightclub Map of Harlem” and it was drawn in 1932 by E. Simms Campbell, a cartoonist who went on to great success with his drawings in Ebony Magazine.

"... Cab Calloway made a joking comment about what a deal those marijuana cigarettes seemed at the time of filming, '2 for $.25.'"

Campbell had a long list of major league clients for his gag cartoons (Esquire, The New Yorker) and this is a major find by Mike. Click to supersize.

Hat tip to Frank Jacobs at Big Think, who provides more historical background, including the fact that A Nightclub Map of Harlem was used as endpapers for Cab Calloway's 1976 autobiography.

Monday, August 16, 2010

Scott Shaw: "Neal Adams Told Me to 'Give It Up'"

Scott Shaw! adds a new autobiographical tale of his cartooning travails in his ongoing Now It Can Be Told! series at Act-iv-ate.

There has to be a kind of obstinance in wanting to be a cartoonist. Cartooning offers no secure roadmap to fame and fortune -- or, at least, just eeking out a decent living to put meat (or Boca Burgers) on the table. You can't just go and get a degree and then get placed in a nice 9 to 5 cartooning job with salary and percs. You have to hustle, try new stuff, get your work out there.

And what do you do when a cartooning icon looks at your hard work and tells you to (as we say in Brooklyn) fuggedaboutit!?!

Scott Shaw explains -- and that's what I mean when I say there has to be a certain amount of wrong headedness in your reactions to the lemons life gives you. Stop reading and go look.

Sunday, August 15, 2010

Joe Sacco: Portrait of the Cartoonist as a Dog Owner


From the August 13, 2010 NY Times Sketchbook, award winning graphic novelist Joe Sacco ruminates on the time spend with his dog vs. time at the drawing board, with some chilling statistics.

Friday, August 13, 2010

Video: Jeff Pert


From Fox TV's Portland, ME show Good Day Maine, here is my friend Jeff Pert, who appeared on this morning's program --

Cartoonist Jeff Pert, famous for his cartoons featuring lobsters and moose, is in the studio this morning to talk about his work and to offer a lesson to Erin and Sarah on how to draw a lobster.



Want to buy some of Jeff's cartoons on t-shirts and mugs and so on? Please go to Entertain Ya Mania!

Video: Dan Clowes Talks About WILSON

From a May 5, 2010 appearance at The Strand in NYC. It's in 5 parts.