Monday, August 22, 2016

Dennis the Menace Meets Jewish Neighbors (1971)



DENNIS THE MENACE comic books were part of kids' reading for decades. Now gone, the comic books, usually ghosted by one of the long-time assistants to creator Hank Ketcham (Al Wiseman, Fred Toole, Owen Fitzgerald to name three), were well distributed, in groceries, drugstores and barbershops. There were regular DTM issues, along with larger (and more pricey) specials, and the smaller digest comics.

In 1971, at a Rexall Drug Store in Lawrence, KS, I spent 35 cents on an issue of the DENNIS THE MENACE BONUS MAGAZINE SERIES No. 99, October 1971 (a magazine published 12 times a year, once a month with the exception of September, November and December, and twice in June, July and October).

In a five page story "Christmas Happy Holidays," I found out about the new milkman in Dennis' neighborhood.

I learned about Jewish people via Dennis. The milkman and his son explained that they were Jews, and the regular milkman wanted Christmas off and they, celebrated Hanukkah instead of Christmas, etc. They told Dennis about their religion.

This was all completely new information to me. What can I say? I lived in a small town in Kansas! (I also did not understand what a golf bag was, so the cover gag was a complete non sequitor to me at the time.)

By chance, I found a copy of this story in a comic book at an antique store in nearby Wells, ME. And here it is.








Related Links:

Fred Hembeck on Al Wiseman and Fred Toole

Dennis the Menace Classic Comic Books Reprint Volumes published by Papercutz and edited by Bill Alger.



-- Edited from a blog entry dated January 26, 2009

Friday, August 19, 2016

OFFICE LAFFS Edited by Charles Preston



Above: The OFFICE LAFFS cover. The woman is saying, "Thanks for the raise, honey!" The gag line, which was at the bottom of the cover, got accidentally unscanned due to slovenliness of the man at the scanner (me).

Since when did Bennett Cerf's name sell a book of cartoons? Well, not recently, that's for sure.

Here's a collection of Wall Street Journal cartoons titled OFFICE LAFFS*, copyright 1957, E.P. Dutton and Co., Inc. This is the first Crest printing, February 1957, which I have mercilessly bent the spine of to scan in for you. You see? You crazy kids out there on the internet!!! Nothing is too good for you!

"Save 88 cents for the milkman."


Doug Follette showcases the undermining, dead end marital relationship at the heart of a WSJ reader. Follete drew the most distinctive sucking-on-a-lemon pouted lips in cartoon history.


Mr. Stamaty with a nice to look at clean line style. Look at all the wonderful details in the kitchen. His son, Mark Alan, went on to cartoon as well!
Above: Dad looks too happy about reading the dry contents of the Congressional Record to his child. Today, Dads have no time to read to their children, and so C-Span is merely streamed on the kids' computer the kid's heard snoring. The cartoon is drawn by Sid Gordin, who created the cartoons along with Vicky, his wife, so (to quote Orlando Busino) "hence the signature 'Sivic.'"




Above: another unhappy marriage cartoon. This one is by Martin Giuffre. I could not, for a moment, figure out exactly where we were supposed to be. It took a few extra seconds.


The one and only Mort Walker, in one of his most reprinted gag cartoons: the quintessential WSJ Salt ... and Pepper cartoon.


"Well, stupid, there's four days work we don't get paid for!"

You see? Not only does management get a poke, but labor as well. John Gallagher wields the ink on this good cartoon. related: John Gallagher is one of the featured cartoonists in 1000 Jokes magazine #79.




"Who's the new man?"

Serrano, who drew the lovely juxtaposition of the wispy smoke rings and the piles of paper, is like so many gag cartoonists; a name on a page, with so little more information on the Web.



Above: Another Serrano cartoon, with some good composition. If he had made the choice to put black on those shoes, or do a grey wash on the suits, then the visual gag would be lost.



"If we can get a subsidy we can give this country what it needs, a good five cent cigar."

Scott Brown draws some cigar smoking board members in a gag that's lost in time. I like how we can see every cigar and every cigar's wisp of smoke clearly.

Above: Brad Anderson of Marmaduke fame, with a breezy styled wordless cartoon that would enrage the unionized waste management people for that guy's building.


"Parasite!"

Follette, once more, with one of the funnier cartoons in the volume. Look atthe Book Ends Salesman, crouched and ready to make a sale in the wake of the Book Sales Salesman. I admire the gag so much.



"Don't be upset if my wife gives you a nasty look, boss.
She doesn't know about those last two raises."

Bob Schroeter; another cartoonist showing us the life of deceit that husbands lead. Again, I'm beholden to Orlando Busino for being able to recognize Mr. Schroeter's signature, which fluctuates from legible to hieroglyphics from cartoon to cartoon.
"I got the worms -- let's go!"

What I noticed here is that Mr. Folette disavowed the showing of the sunrise, a clock, or anything else that would be a "tell" as to the time of day. The expression on the Dad's face is all you need.


Jerry Marcus -- the one and only -- with a joke on the WSJ Cartoon Editor himself.



* from the indicia: "OFFICE LAFFS was originally published by E. P. Dutton and Co., Inc., under the title HEY, CAN'T YOU FORGET BUSINE$$? and this new and expanded Crest edition is reissued at 25 cents through arrangement with that company. "

-- Edited with an extra joke added from an original bloggarino entry dated April 21. 2008.

Thursday, August 18, 2016

Video: Gene Yuen Lang Visits SDCC Comic-Con 2016

From the Reading Rockets series:

Video: J. Stuart Blackton - "The Enchanted Drawing" (1900)

A cartoonist defies reality when he draws objects that become three-dimensional after he lifts them off his sketch pad.

Cast
J. Stuart Blackton - Chalk-Talk Artist

Directed by J. Stuart Blackton
Produced by J. Stuart Blackton, Albert E. Smith
Cinematography by Albert E. Smith

Details
Country USA
Release Date: November 16, 1900
Production Co: Vitagraph Company Of America


More at YouTube channel Screen.

Video: BONE Creator Jeff Smith at Aw Yeah Comics Store in Skokie, IL

Wednesday, August 17, 2016

Deadline Today: Ted Rall Asks for Your Help



Please consider helping Ted Rall's fight. I have. His GoFundMe page has the details.

Tuesday, August 16, 2016

The Garden As of August 15, 2016


Big, bushy, out of control garden! But too early, really, for much of a crop. But soon there will be many ripe vegetables.

Peppers:


Still-green heirloom tomatoes:


Sunflower:


Cone flowers:


Milkweed, to attract monarch caterpillars/butterflies:


Pinky Winky:


Rose of Sharon:


Monday, August 15, 2016

True Story: Thrift Store Confessional


I overheard this fellow at a thrift store in Windham, Maine last Saturday.  He was a quiet fellow, but took the opportunity of the checkout process to tell the story of his life to anyone within earshot.

Drawn with no pencil foundation -- just sketched off the top of my head. Pigma Micron 02 and 08. Colored in Photoshop.













-- Originally from a blog entry of August 15, 2014.

Friday, August 12, 2016

THE GINGERBREAD SHOP A STORY FROM "MARY POPPINS" Illustrations by Gertrude Elliott



The cover of THE GINGERBREAD SHOP A STORY FROM "MARY POPPINS," copyright 1952 by Simon and Schuster, Inc., and Artists and Writers Guild, Inc.

This 1952 Golden Book, based on a chapter of the MARY POPPINS book by P.L. Travers, caught my eye at the Arundel, ME flea market a couple of weeks ago. I actually looked thru the book, then put it down and walked away. I went to the opposite end of the market, and had second thoughts and came back to buy it.

The pictures by Gertrude Elliott were like something I had never seen in a mainstream kiddie book. They were well drawn, with a great sense of perspective and proportion and layout. But they weren't cute. No cute bunnies or rosy cheeked cherubs. And, looking at it, most of the time, I wanted to peek around the page because the characters of Mary, Michael and Jane were looking away from me, in three-quarters view.

I mean, look at the cover. Mary Poppins is almost completely turned away from us. She's striding so fast into the title shop that she's about to run into Jane Banks. And Michael is looking up, questioningly. Well, if the little dude has a question for her, he better pick up the pace. Another moment and Mary Poppins won't be on the cover of the book she's walking so fast.

So, here she is, looking up and away. We see more of her jawline than the front of her face. We never see her straight on, looking at the audience, in any of the drawings. And Gertrude Elliott decided to do this to help make Mary Poppins more mysterious. This is what registered and this is why I walked back from the other side of the flea market.

There is little about the life of Gertrude Elliott on the web. She was a prolific illustrator of kids books, with many of them commanding high prices today.

The most about her I was able to find was this small bio in THE GINGERBREAD SHOP:

Gertrude Elliott illustrated one of the most popular of modern children's books, The Golden Dictionary, as well as The Golden Song Book, The Golden Book of Poetry, and eight Little Golden books. She lives in New Jersey with her husband and daughter.